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La Tosca
''La Tosca'' is a five-Act (drama), act drama by the Nineteenth-century theatre, 19th-century Theatre of France, French playwright Victorien Sardou. It was first performed on 24 November 1887 at the Théâtre de la Porte Saint-Martin in Paris, with Sarah Bernhardt in the title role. Despite negative reviews from the Paris critics at the opening night, it became one of Sardou's most successful plays and was toured by Bernhardt throughout the world in the years following its premiere. The play itself had dropped from the standard theatrical repertoire by the mid-1920s, but its operatic adaptation, Giacomo Puccini's ''Tosca'', has achieved enduring popularity. There have been several other adaptations of the play including two for the Japanese theatre and an English Victorian burlesque, burlesque, ''Tra-La-La Tosca'' (all of which premiered in the 1890s) as well as several film versions. ''La Tosca'' is set in Rome on 17 June 1800 following the French victory in the Battle of Mareng ...
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Alphonse Mucha
Alfons Maria Mucha (; 24 July 1860 – 14 July 1939), known internationally as Alphonse Mucha, was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period. In the second part of his career, at the age of 57, he returned to his homeland and devoted himself to a series of twenty monumental canvases known as ''The Slav Epic'', depicting the history of all the Slavic peoples of the world, which he painted between 1912 and 1926. In 1928, on the 10th anniversary of the Czechoslovak declaration of independence, independence of Czechoslovakia, he presented the series to the Czech nation. He considered it his most important work. Early life Mucha was born on 24 July 1860 in the small town of Ivančice ...
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Jules Barbier
Paul Jules Barbier (8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters.Baltimore Opera Study Guide – ''Roméo et Juliette''


Works

His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: *: **''La Colombe'', '''' (*), ''

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Ruy Blas
''Ruy Blas'' is a tragic drama by Victor Hugo. It was the first play presented at the Théâtre de la Renaissance and opened on November 8, 1838. Though considered by many to be Hugo’s best drama, the play was initially met with only average success. Characters * Ruy Blas * Don Salluste de Bazan, Marquis of Finlas * Don César de Bazan, Count Of Garofa * Don Guritan * The Count of Camporeal * The Marquis of Santa-Cruz * The Marquis of Basto * The Count of Albe * The Marquis of Priego * Don Manuel Arias * Montazgo * Don Antonio Ubilla * Covadenga * Gudiel * Doña Maria de Neubourg, Queen of Spain * The Duchess of Albuquerque * Casilda * A lackey, an alcalde, alguacils, pages, ladies, lords, privy councillors, chaperones, guards, chamber and court bailiffs Synopsis The scene is Madrid; the time 1699, during the reign of Charles II. Ruy Blas, an indentured commoner (and a poet), dares to love the Queen. The play is a thinly veiled cry for political reform. The story cen ...
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Victor Hugo
Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the greatest French writers of all time. His most famous works are the novels ''The Hunchback of Notre-Dame'' (1831) and ''Les Misérables'' (1862). In France, Hugo is renowned for his poetry collections, such as (''The Contemplations'') and (''The Legend of the Ages''). Hugo was at the forefront of the Romanticism, Romantic literary movement with his play ''Cromwell (play), Cromwell'' and drama ''Hernani (drama), Hernani''. Many of his works have inspired music, both during his lifetime and after his death, including the opera ''Rigoletto'' and the musicals ''Les Misérables (musical), Les Misérables'' and ''Notre-Dame de Paris (musical), Notre-Dame de Paris''. He produced more than 4,000 drawings in his lifetime, and campaigned for social cau ...
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Philippe Chaperon
Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's ''Don Carlos'' and ''Aida'', Massenet's ''Le Cid'', Saint-Saëns's '' Henri VIII'', part two of Berlioz's ''Les Troyens'' and the first performances in France of Verdi's ''Otello'' and ''Rigoletto'' and Wagner's ''Tannhäuser''. Life and career Chaperon came from a modest background. He was born in Paris, where his father was an employee at the Caisse d'Épargne. He attended the Lycée impérial Bonaparte and then the École des Beaux-Arts where he studied painting and architecture. He won a Prix de Rome scholarship and spent three years at the Villa Medici. He also studied architecture in the atelier of Victor Baltard and painting in the atelier of Léon Riesener where he received guidance from Riesener's cousin Eugène Delacroix. Man ...
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Auguste Alfred Rubé
Auguste Alfred Rubé (20 June 1817 – 13 April 1899) was a French painter. Biography Born in the 9th arrondissement of Paris, Rubé was an innovator in the field of theatrical set design. This "decorator of rare ingenuity", focused on a local color search corresponding to the Romantic mouvement. He had been at a good school with his master Pierre-Luc-Charles Ciceri, the designer of the Opéra-Comique, whose daughter he had just married. Ciceri had the confidence of Alexandre Dumas, who reported to him and his students, Rubé, Charles Séchan, Jules Diéterle, Édouard Desplechin, but Rubé wanted to do even better: not only did he try to reproduce the landscapes accurately, he made them picturesque. The setting of the 2nd act of ''Âme en peine'', by Friedrich von Flotow to a libretto by Jules-Henri Vernoy de Saint-Georges, made for the Paris Opera, served him, in a way, as a premiere. The operas for which he then brushed the sets are masterpieces: in 1846, he created the s ...
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Pierre Berton (playwright)
Pierre Berton, (6 March 1842 – 23 October 1912) was a French actor and playwright. Biographie Pierre Berton, real name Pierre François Samuel Montan, was the grandson of the composer Henri Montan Berton (1767-1844), the son of the actor Charles-François Montan Berton, called Francisque Berton (1820-1874) and of Caroline Samson, novelist and Joseph Samson's daughter, himself a sociétaire de la Comédie française."Morte de M. Pierre Berton", ''Le Figaro'', 25 October 1912, p. 6 Pierre Berton first appeared as an actor on the Parisian stages, winning success at the théâtre du Gymnase, the Théâtre de l'Odéon, the Théâtre-Français, and the Théâtre du Vaudeville. In 1865, he made his debut as playwright with ''Les Jurons de Cadillac'', a one-act comedy, and carried on two years later with another comedy, ''La Vertu de ma femme''. During three decades he would alternate his work as an author and an actor. At the end of the 19th century, he stopped performing but c ...
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Fédora
''Fédora'' is a play by the French author Victorien Sardou. It opened at the Théâtre du Vaudeville in Paris on 11 December 1882,Noël, Edouard and Philippe StoulligLes Annales du théâtre et de la musique, 1882 p. 245 and ran for 135 performances. The first production starred Sarah Bernhardt. She wore a soft felt hat in that role which was soon a popular fashion for women; the hat became known as a fedora. The premiere was headline news in Paris. ''Le Figaro'' devoted its whole front page to it in addition to further coverage inside. The Paris correspondent of '' The Era'' called Bernhardt's performance as Princess Fédora Romazoff "magnificent throughout … the most brilliant of her remarkable career"."The Drama in Paris", ''The Era'', 16 December 1882, p. 5 Pierre Berton played Loris Ipanoff, the only other major role, and was highly praised. ''The Era'' commented, "The other ''rôles'' are less than subsidiary. They are filled faultlessly by MM. Colombey, Tchileff; Vois, ...
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Pinckney Marcius-Simons, Sarah Bernhardt As La Tosca, By 1890
Pinckney may refer to: Places in the United States * Pinckney, Michigan * Pinckney, Missouri * Pinckney, New York * Pinckney State Recreation Area, a protected area in Michigan Ships * USS ''Pinckney'', a US Navy destroyer People *Pinckney (surname) Given name *Pinckney Benedict (born 1964), American short-story writer *Pinckney Downie Bowles (1835–1910), American Confederate general * Pinckney R. Tully (1824–1903), American businessman and politician *Pinckney Wilkinson (c. 1693–1784), British merchant and politician See also * Castle Pinckney, a US fortification in South Carolina * The Community Learning Center at Pinckney, an alternative Middle and High School in Carthage, North Carolina * Pinckney's Treaty (1795–1796), between Spain and the US * * Pinkney Pinkney may refer to: People Surname *Alan Pinkney (born 1947), English footballer *Andrea Davis Pinkney (born 1963), American children's author *Bill Pinkney (1925–2007), American performer and singer, mem ...
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Giovanni Battista Piranesi
Giovanni Battista (or Giambattista) Piranesi (; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian Classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons" (''Carceri d'invenzione''). He was the father of Francesco Piranesi, Laura Piranesi and . Biography Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in ''Magistrato delle Acque'', the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced hi ...
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Madame Sans-Gêne (play)
''Madame Sans-Gêne'' is a historical comedy-drama by Victorien Sardou and Émile Moreau (playwright), Émile Moreau, concerning incidents in the life of Catherine Hübscher, an outspoken 18th-century laundress who became the Duchess of Danzig. The play is described by its authors as "three acts with a prologue" ("Comédie en trois Actes, précédée d'un prologue"). It premiered at the Théâtre du Vaudeville, Paris, on 27 October 1893, starring Réjane in the title role. The play was revived many times in France and toured in the English provinces in 1897. It was also adapted as Madame Sans-Gêne (opera), an opera, in 1915, and Madame Sans-Gêne (other), several times for film. Synopsis The first scene of the play is set in Catherine Hübscher's laundry in the Rue Sainte-Anne, Paris, on 10 August 1792. Catherine, who always speaks her mind, is known as "Madame Sans-Gêne" of which an approximate English translation is "Madame Without-Embarrassment". She is engaged t ...
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