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Victorien Sardou
Victorien Sardou ( , ; 5 September 18318 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and '' Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas '' Fedora'' (1898) and '' Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoine Léandre Sardou, came to Paris in search of employment. He was in su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannes
Cannes ( , , ; oc, Canas) is a city located on the French Riviera. It is a communes of France, commune located in the Alpes-Maritimes departments of France, department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. History By the 2nd century BC, the Ligurian Oxybii established a settlement here known as ''Aegitna'' ( grc, Αἴγιτνα). Historians are unsure what the name means. The area was a fishing village used as a port of call between the Lérins Islands. In 154 Before Christ, BC, it became the scene of violent but quick conflict between the troops of Quintus Opimius and the Oxybii. In the 10th century, the town was known as Canua. The name may derive from "canna", a Reed (plant), reed. Canua was probably the site of a small Ligurian port, and later a Roman outpost on Le Suquet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Theatre
The Criterion Theatre is a West End theatre at Piccadilly Circus in the City of Westminster, and is a Grade II* listed building. It has a seating capacity of 588. Building the theatre In 1870, the caterers Spiers and Pond began development of the site of the White Bear, a seventeenth-century posting inn. The inn was located on sloping ground stretching between Jermyn Street and Piccadilly Circus, known as Regent Circus. A competition was held for the design of a concert hall complex, with Thomas Verity winning out of 15 entries. He was commissioned to design a large restaurant, dining rooms, ballroom, and galleried concert hall in the basement. The frontage, which was the façade of the restaurant, showed a French Renaissance influence using Portland stone. After the building work began, it was decided to change the concert hall into a theatre. The composers' names, which line the tiled staircases, were retained and can still be seen. The redesign placed the large Criterio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle De Brécourt
Mademoiselle () is a French courtesy title, abbreviated Mlle, traditionally given to an unmarried woman. The equivalent in English is "Miss". The courtesy title "Madame" is accorded women where their marital status is unknown. From around 1970 onwards, the use of the title "Mademoiselle" was challenged in France, particularly by feminist groups who wanted it banned. A circular from François Fillon, then Prime Minister, dated 21 February 2012, called for the deletion of the word "Mademoiselle" in all official documents. On 26 December 2012, the Council of State approved the deletion. See also *Fräulein ''Fräulein'' ( , ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French. Description ''Fräulein'' is the diminutive form of ''Frau'', which was previously reserved only for marrie ..., a similar German term References French words and phrases Women's social titles Honorifics {{France-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garret
A garret is a habitable attic, a living space at the top of a house or larger residential building, traditionally, small, dismal, and cramped, with sloping ceilings. In the days before elevators this was the least prestigious position in a building, at the very top of the stairs. Etymology The word entered Middle English through Old French with a military connotation of watchtower, garrison or billet a place for guards or soldiers to be quartered in a house. Like garrison, it comes from an Old French word of ultimately Germanic origin meaning "to provide" or "defend". History In the later 1800s, garrets became one of the defining features of Second Empire architecture in Paris, France, where large buildings were stratified socially between different floors. As the number of stairs to climb increased, the social status decreased. Garrets were often internal elements of the mansard roof, with skylights or dormer windows. A "bow garret" is a two-story "outhouse" situate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typhoid
Typhoid fever, also known as typhoid, is a disease caused by '' Salmonella'' serotype Typhi bacteria. Symptoms vary from mild to severe, and usually begin six to 30 days after exposure. Often there is a gradual onset of a high fever over several days. This is commonly accompanied by weakness, abdominal pain, constipation, headaches, and mild vomiting. Some people develop a skin rash with rose colored spots. In severe cases, people may experience confusion. Without treatment, symptoms may last weeks or months. Diarrhea may be severe, but is uncommon. Other people may carry the bacterium without being affected, but they are still able to spread the disease. Typhoid fever is a type of enteric fever, along with paratyphoid fever. ''S. enterica'' Typhi is believed to infect and replicate only within humans. Typhoid is caused by the bacterium ''Salmonella enterica'' subsp. ''enterica'' serovar Typhi growing in the intestines, peyers patches, mesenteric lymph nodes, spleen, liver, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Lemoine
Adolphe Lemoine (1812–1880), known as Lemoine-Montigny or Montigny, was a French comedian and playwright. He was also the director of the Théâtre du Gymnase. He married the comic-actress Rose Chéri. He was the uncle of the comic-actress Anna Judic. Theatre * 1832: ''Norbert ou le Campagnard'', one-act vaudevillian comedy * 1834: ''Le Doigt île Dieu'', one-act drama, Théâtre de l'Ambigu-Comique The Théâtre de l’Ambigu-Comique (, literally, Theatre of the Comic-Ambiguity), a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in ... * 1834: ''Une Chanson'', three-act vaudevillian drama, Ambigu-Comique * 1836: ''Un fils'', three-act drama, Ambigu-Comique * 1836: ''Wilson, ou une Calomnie'', three-act drama * 1836: ''Amazanpo ou la Découverte du quinquina'', drama in four acts and seven scenes * 1836: ''La Sœur grise et l'Orphelin'', melodrama in fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Albert Fechter
Charles Albert Fechter (23 October 1824 – 5 August 1879) was an Anglo-French actor. Biography Fechter was born, probably in London, of French parents, although his mother was of Piedmontese and his father of German extraction. As a boy he had ambitions to be a sculptor but discovered his talent while appearing in some private theatricals. In 1841 he joined a travelling company that was going to Italy. The tour was a failure, and the company broke up; Fechter returned home and resumed the study of sculpture. At the same time he attended classes at the Conservatoire with the view of gaining admission to the Comédie-Française. Late in 1844 he won the grand medal of the Académie des Beaux-Arts with a piece of sculpture, and made his debut at the Comédie-Française as Seide in Voltaire's '' Mahomet'' and Valère in Molière's ''Tartuffe''. He acquitted himself with credit; but, tired of the small parts he found himself condemned to play, returned again to his sculptor's studio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Ambigu-Comique
The Théâtre de l’Ambigu-Comique (, literally, Theatre of the Comic-Ambiguity), a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in 1827 was destroyed by fire. A new, larger theatre with a capacity of 2,000 as compared to the earlier 1,250 was built nearby on the boulevard Saint-Martin at its intersection with the rue de Bondy and opened the following year. The theatre was eventually demolished in 1966. History of the first theatre in the boulevard du Temple It was founded in 1769 on the boulevard du Temple, originally known as the Promenades des Ramparts, in Paris by Nicolas-Médard Audinot, formerly a comedian of the Opéra-Comique, which he had left to become a puppet-master at the Paris fairs. Audinot had already been a success in one of the sites of the Saint-Germain Fair, where his large marionettes (called "bamboches") were in vogue. Under the name of his foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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