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Theoria (album)
''Theoria'' is an album by Barry Guy and the London Jazz Composers' Orchestra, with pianist Irène Schweizer as soloist. Documenting a large-scale, 58-minute composition by Guy, it was recorded in February 1991 in Zürich, Switzerland, and was released in 1992 by Intakt Records. The work is basically a concerto for Schweizer, and was presented in honor of her 50th birthday. ''Theoria'', which was commissioned by Fabrikjazz, based in Rote Fabrik, Zürich, was premiered on February 17, 1991, at a concert organized by Rote Fabrik in collaboration with à-suivre-Basel (Kulturwerkstatt Kaserne) and Mühle Hunziken in Rubigen, in the canton of Bern. As with many of Guy's compositions, the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In the score, the starting and ending points for soloists are precisely demarcated, allowing the musicians a considerable amount of freedom within a fixed structure. Schweizer recalled: "I had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conny Bauer
Konrad "Conny" Bauer (born 4 July 1943) is a German free jazz trombonist. He is the brother of the trombonist Johannes Bauer. As a student at senior high school in Sonneberg between 1957 and 1961, he was enthusiastic about modern music and dance genres such as swing, boogie-woogie, blues and rock 'n' roll, and taught himself to play guitar and piano. After leaving school with A-levels, he tried to play his music in several bands and was nicknamed "Conny" by his friends. After recognizing that he did not know enough about music to become a professional musician, Bauer studied modern dance music from 1964 to 1968 at the Carl Maria von Weber-Music school Conservatory in Dresden. Because too many students wanted to study guitar, he entered the trombone class, having had some experience of playing the instrument. In 1968 he left the conservatory for Berlin to improve his skills with private lessons. From 1969 until 1971 he started his career as guitarist and singer in the band of E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Guy Albums
Barry may refer to: People and fictional characters * Barry (name), including lists of people with the given name, nickname or surname, as well as fictional characters with the given name * Dancing Barry, stage name of Barry Richards (born c. 1950), former dancer at National Basketball Association games Places Canada *Barry Lake, Quebec *Barry Islands, Nunavut United Kingdom * Barry, Angus, Scotland, a village ** Barry Mill, a watermill * Barry, Vale of Glamorgan, Wales, a town ** Barry Island, a seaside resort ** Barry Railway Company ** Barry railway station United States * Barry, Illinois, a city * Barry, Minnesota, a city * Barry, Texas, a city * Barry County, Michigan * Barry County, Missouri * Barry Township (other), in several states * Fort Barry, Marin County, California, a former US Army installation Elsewhere * Barry Island (Debenham Islands), Antarctica * Barry, New South Wales, Australia, a village * Barry, Hautes-Pyrénées, France, a commune Arts and ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1992 Albums
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Lytton
Paul Lytton (born 8 March 1947, London) is an English free jazz and free improvising percussionist. Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 ('' Natives and Aliens'') and 1999 ('' After Appleby''). A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976. Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barre Phillips
Barre Phillips (born October 27, 1934, in San Francisco, California, United States) is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center. He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony. During the 1960s, he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as ''Journal Violone'' in the US, ''Unaccompanied Barre'' in England, and ''Basse Barre'' in France on Futura Records, is generally credited as the first solo bass record. A 1971 record with Dave Holland, ''Music from Two Basses'', was probably the first record of improvised double bass duets. In the 1970s, he was a member of the well-regarded and inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Wachsmann
Philipp John Paul Wachsmann (born 5 August 1944) is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom. Discography * ''Chamberpot'' with Richard Beswick, Simon Mayo, Tony Wren (Bead, 1976) * ''Sparks of the Desire Magneto'' with Richard Beswick, Tony Wren (Bead, 1977) * ''Improvisations Are Forever Now'' (Vinyl Records, 1978) * ''For Harm'' with Harry de Wit (Bead, 1979) * ''Hello Brenda!'' with Richard Beswick (Bead, 1981) * ''Writing in Water'' (Bead, 1985) * ''Ellispontos'' (J.n.d., 1986) * ''The Glider & The Grinder'' with Tony Oxley (Bead, 1987) * ''Eleven Years from Yesterday'' with Peter Jacobsen, Ian Brighton, Marcio Mattos, Trevor Taylor (Bead, 1988) * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dunmall
Paul Dunmall (born 6 May 1953) is a British jazz musician who plays tenor and soprano saxophone, as well as the baritone and the more exotic saxello and the Northumbrian smallpipes. He has played with Keith Tippett and Barry Guy. In the early 1970s Dunmall joined progressive rock band "Marsupilami" for their second album, ''Arena''. He toured with the band until it folded in September 1971 but played with the band on the Spirit of 1971 stage in 2011 at the Glastonbury Festival. He then became a member of the Divine Light Mission and toured the U.S. His first recording as sideman was as the saxophonist on the 1976 Johnny Guitar Watson album ''Ain't That a Bitch''. Discography As leader *1986 Soliloquy MATCHLESS MR 15 *1989/93 Folks Duo with Paul Rogers SLAMCD 212 *1990 The journey Mujician CUNEIFORM RUNE 42 *1991 The Bristol concert Mujician/The Georgian Ensemble WHAT DISC WHAT7CD *1992 Live in London Paul Dunmall/Tim Wells/Dave Alexander DUNS L.E.015 *1993 Quartet, Sext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evan Parker
Evan Shaw Parker (born 5 April 1944) is a British tenor and soprano saxophone player who plays free improvisation. Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation. He has pioneered or substantially expanded an array of extended techniques. Critic Ron Wynn describes Parker as "among Europe's most innovative and intriguing saxophonists...his solo sax work isn't for the squeamish." Early influences Parker's original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on ''Time Will Tell'' (ECM, 1993) and ''Chicago Solo'' (Okka Disk, 1997). He soon discovered the music of John Coltrane, who would be the primary influence throughout his career. Other important early influences were Cecil Taylor, Albert Ayler and Jimmy Guiffre. Early career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Watts
Trevor Charles Watts (born 26 February 1939) is an English jazz and free-improvising alto and soprano saxophonist. Biography Watts was born in York, England. He is largely self-taught, having taken up the cornet at age 12 then switched to saxophone at 18. While stationed in Germany with the RAF (1958–63), he encountered the drummer John Stevens and trombonist Paul Rutherford. After being demobbed he returned to London. In 1965, he and Stevens formed the Spontaneous Music Ensemble, which became one of the crucibles of British free improvisation. Watts left the band to form his own group Amalgam in 1967, then returned to SME for another stretch that lasted until the mid-1970s. Another key association was with the bassist Barry Guy and his London Jazz Composers' Orchestra, an association that lasted from the band's inception in the 1970s up to its disbandment in the mid-1990s. Though he was initially strongly identified with the avant-garde, Watts is a versatile musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radu Malfatti
Radu Malfatti is an Austrian trombone and harmonica player, and composer. He was born in Innsbruck, in the province of Tyrol, on December 16, 1943. Malfatti is associated with the style of music known as reductionism and has been described as "among the leaders in redefining the avant-garde as truly on-the-edge art." His work "since the early nineties... has been investigating the edges of ultraminimalism in both his composed and improvised work." He also operates B-Boim, a CD-R-only record label focusing on improvised and composed music, much of it his own. Discography As leader * ''Balance'' with Balance (Incus, 1973) * ''Thrumblin'' with Stephan Wittwer (FMP, 1976) * ''Und?'' with Stephan Wittwer (FMP, 1978) * ''Bracknell Breakdown'' with Harry Miller (Ogun, 1978) * ''Humanimal'' with Jerry Chardonnens (Hat Hut, 1980) * ''Blek'' with M.L.A. Blek (FMP, 1981) * ''Ach Was!?'' with Ulrich Gumpert, Tony Oxley (FMP, 1981) * ''Zwecknagel'' with Harry Miller (FMP, 1981) * ''Formu'' (N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Charig
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of " Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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