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Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theoria (album)
''Theoria'' is an album by Barry Guy and the London Jazz Composers' Orchestra, with pianist Irène Schweizer as soloist. Documenting a large-scale, 58-minute composition by Guy, it was recorded in February 1991 in Zürich, Switzerland, and was released in 1992 by Intakt Records. The work is basically a concerto for Schweizer, and was presented in honor of her 50th birthday. ''Theoria'', which was commissioned by Fabrikjazz, based in Rote Fabrik, Zürich, was premiered on February 17, 1991, at a concert organized by Rote Fabrik in collaboration with à-suivre-Basel (Kulturwerkstatt Kaserne) and Mühle Hunziken in Rubigen, in the canton of Bern. As with many of Guy's compositions, the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In the score, the starting and ending points for soloists are precisely demarcated, allowing the musicians a considerable amount of freedom within a fixed structure. Schweizer recalled: "I had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmos
''Harmos'' is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In a retrospective interview, Guy recalled the LJCO's financial difficulties, and reflected: "Luckily, things went very well for me in the baroque music business. I bought instruments, strings and bows so that I could perform the Mozart symphonies as adequately as possible. And when I needed money for improvised music, I'd sell one or two instruments. The first CD I made for Intakt, ''Harmos'', was financed by selling one of my basses." A version of "Harmos" also appears on the 2001 trio recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Wachsmann
Philipp John Paul Wachsmann (born 5 August 1944) is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom. Discography * ''Chamberpot'' with Richard Beswick, Simon Mayo, Tony Wren (Bead, 1976) * ''Sparks of the Desire Magneto'' with Richard Beswick, Tony Wren (Bead, 1977) * ''Improvisations Are Forever Now'' (Vinyl Records, 1978) * ''For Harm'' with Harry de Wit (Bead, 1979) * ''Hello Brenda!'' with Richard Beswick (Bead, 1981) * ''Writing in Water'' (Bead, 1985) * ''Ellispontos'' (J.n.d., 1986) * ''The Glider & The Grinder'' with Tony Oxley (Bead, 1987) * ''Eleven Years from Yesterday'' with Peter Jacobsen, Ian Brighton, Marcio Mattos, Trevor Taylor (Bead, 1988) * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Davie
James Alan Davie (28 September 1920 – 5 April 2014) was a Scottish painter and musician. Biography Davie was born in Grangemouth, Scotland in 1920, the son of Elizabeth (née Turnbull) and James William Davie, an art teacher and painter who exhibited at the Salon des Artistes Français in 1925. Alan Davie studied at Edinburgh College of Art from 1937 to 1941. An early exhibition of his work came through the Society of Scottish Artists. After the Second World War, Davie played tenor saxophone in the Tommy Sampson Orchestra, which was based in Edinburgh and broadcast and toured in Europe. He also earned a living making jewellery during the postwar period. Davie travelled widely and in Venice became influenced by other painters of the period, such as Paul Klee, Jackson Pollock and Joan Miró, as well as by a wide range of cultural symbols. In particular, his painting style owes much to his affinity with Zen. Having read Eugen Herrigel's book ''Zen in the Art of Archery'' (195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Trouble Two
''Double Trouble Two'' is an album by Barry Guy and the London Jazz Composers' Orchestra with guest artists Irène Schweizer (piano), Marilyn Crispell (piano), and Pierre Favre (drums). Documenting a large-scale, 47-minute composition by Guy, it was recorded in December 1995 in Zürich, Switzerland, and was released in 1998 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. An earlier recording of the work, '' Double Trouble'', was issued by Intakt in 1990. Reception In a review for AllMusic, Steve Loewy wrote that the album "is filled with remarkable moments, particularly the performances by pianists Irene Schweizer and Marilyn Crispell... The ensemble work borders on the spectacular, too... devotees of the group will want this in their collection." The authors of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irène Schweizer
Irène Schweizer (born 2 June 1941) is a Swiss jazz and free improvising pianist. She was born in Schaffhausen, Switzerland. She has performed and recorded numerous solo piano performances as well as performing as part of the Feminist Improvising Group, whose members include Lindsay Cooper, Maggie Nichols, Georgie Born and Sally Potter. She has also performed a series of duets with drummers Pierre Favre, Louis Moholo, Andrew Cyrille, Günter Sommer, Han Bennink, Hamid Drake, as well as in trio and quartet sessions with others, including John Tchicai, Evan Parker and Peter Kowald. With Yusef Lateef, Uli Trepte and Mani Neumeier, she performed at the Montreux Jazz Festival in 1967. One of her most enduring collaborations is with the improvising musician . Discography Solo * ''Wilde Señoritas'' ( FMP, 1977) * ''Hexensabbat'' (FMP, 1978) * '' Piano Solo Vol. 1'' ( Intakt, 1992) * '' Piano Solo Vol. 2'' (Intakt, 1992) * '' Many and One Direction'' (Intakt, 1996) * ''Chicago Piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globe Unity Orchestra
The Globe Unity Orchestra is a free jazz ensemble. Globe Unity was formed in autumn 1966 with a commission received by Alexander von Schlippenbach from the Berlin Jazz Festival. It had its debut at the Berliner Philharmonie on 3 November combining Gunter Hampel's quartet with Manfred Schoof' s quintet and Peter Brötzmann's trio: Hampel (bcl, fl); Willem Breuker (bs, ss); Schoof (tp) with Gerd Dudek (ts); Alexander von Schlippenbach (p); Buschi Niebergall (b) and Jaki Liebezeit (d) on one side, Brötzmann (saxophones), Peter Kowald (b, tuba), Sven-Åke Johansson (d) on the other. During the next years this core group was completed by other European and American musicians: Johannes Bauer (tb), Anthony Braxton (as, cl), Willem Breuker (ts), Rüdiger Carl (as, ts), Günter Christmann (tb), Gunter Hampel (bcl), Toshinori Kondo (tp), Steve Lacy (ss), Paul Lovens (drums), Paul Lytton (drums), Albert Mangelsdorff (tb), Evan Parker (ss, ts), Michel Pilz (bcl, cl, bars), Ernst-Ludwig Pet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Von Schlippenbach
Alexander von Schlippenbach (born 7 April 1938) is a German jazz pianist and composer. He came to prominence in the 1960s playing free jazz in a trio with saxophonist Evan Parker and drummer Paul Lovens, and as a member of the Globe Unity Orchestra. Since the 1980s, Von Schlippenbach has explored the work of more traditional jazz composers such as Jelly Roll Morton or Thelonious Monk. Biography Schlippenbach started to play piano from the age of eight and went on to study composition at Cologne under Bernd Alois Zimmermann. While studying he started to play with Manfred Schoof. At the age of 28 he founded the Globe Unity Orchestra. In 1988, he founded the Berlin Contemporary Jazz Orchestra, a big band that has over the years comprised, among others, Willem Breuker, Paul Lovens, Misha Mengelberg, Evan Parker, Schlippenbach's wife Aki Takase and Kenny Wheeler. In 1994, he was awarded the Albert Mangelsdorff prize. Schlippenbach has produced various recordings and worked for Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Trouble (Barry Guy And The London Jazz Composers' Orchestra Album)
''Double Trouble'' is an album by Barry Guy and the London Jazz Composers' Orchestra. Documenting a large-scale, 46-minute composition by Guy, it was recorded in April 1989 in Zürich, Switzerland, and was released in 1990 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. A second recorded realization of the piece can be found on ''Double Trouble Two'', released by Intakt in 1998. Reception In a review for AllMusic, Brian Olewnick noted that the album "gives a fine example of what this group could do." He commented: "Guy deploys his 18-piece orchestra in ever-shifting groupings and conjures forth a wide-ranging array of thematic material that still coalesces into a satisfying whole... A superb recording... Very highly recommended." The authors of ''The Penguin Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Draughtsman's Contract
''The Draughtsman's Contract'' is a 1982 British comedy-drama film written and directed by Peter Greenaway – his first conventional feature film (following the feature-length mockumentary ''The Falls''). Originally produced for Channel 4, the film is a form of murder mystery, set in rural Wiltshire, England in 1694 (during the reign of William III and Mary II). The period setting is reflected in Michael Nyman's score, which borrows widely from Henry Purcell, and in the extensive and elaborate costume designs (which, for effect, slightly exaggerate those of the period). The action was shot on location in the house and formal gardens of Groombridge Place. The film received the Grand Prix of the Belgian Film Critics Association. Plot Mr Neville ( Anthony Higgins), a young and conceited artist, is contracted by Mrs Virginia Herbert (Janet Suzman) to produce a series of twelve landscape drawings of her country house, its outbuildings and gardens, as a gift for her cold and neglectf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
