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Paul Dunmall
Paul Dunmall (born 6 May 1953) is a British jazz musician who plays tenor and soprano saxophone, as well as the baritone and the more exotic saxello and the Northumbrian smallpipes. He has played with Keith Tippett and Barry Guy. In the early 1970s Dunmall joined progressive rock band "Marsupilami" for their second album, ''Arena''. He toured with the band until it folded in September 1971 but played with the band on the Spirit of 1971 stage in 2011 at the Glastonbury Festival. He then became a member of the Divine Light Mission and toured the U.S. His first recording as sideman was as the saxophonist on the 1976 Johnny Guitar Watson album ''Ain't That a Bitch''. Discography As leader *1986 Soliloquy MATCHLESS MR 15 *1989/93 Folks Duo with Paul Rogers SLAMCD 212 *1990 The journey Mujician CUNEIFORM RUNE 42 *1991 The Bristol concert Mujician/The Georgian Ensemble WHAT DISC WHAT7CD *1992 Live in London Paul Dunmall/Tim Wells/Dave Alexander DUNS L.E.015 *1993 Quartet, Sext ...
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Welling
Welling is an area of South East London, England, in the London Borough of Bexley, west of Bexleyheath, southeast of Woolwich and of Charing Cross. Before the creation of Greater London in 1965, it was in the historical county of Kent. Etymology Local legend has it that Welling is so called because in the era of horse-drawn vehicles it could be said you were "well in" to Kent, or had a "well end" to the journey up and down Shooters Hill which, at the time was steep, had a poor road surface and was a notorious haunt of highwaymen. Until the 1800s, most of Welling down to Blackfen was covered in woodland which offered excellent concealment for outlaws and robbers who would prey on vulnerable slow-moving horse-drawn traffic. However, local historians have recently concluded that the origin of the name is most likely from 'Welwyn' (meaning 'place of the spring'), due to the existence of an underground spring located at Welling Corner, or possibly a manorial reference to the ...
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Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ...
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Harmos
''Harmos'' is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In a retrospective interview, Guy recalled the LJCO's financial difficulties, and reflected: "Luckily, things went very well for me in the baroque music business. I bought instruments, strings and bows so that I could perform the Mozart symphonies as adequately as possible. And when I needed money for improvised music, I'd sell one or two instruments. The first CD I made for Intakt, ''Harmos'', was financed by selling one of my basses." A version of "Harmos" also appears on the 2001 trio recor ...
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Elton Dean
Elton Dean (28 October 1945 – 8 February 2006) was an English jazz musician who performed on alto saxophone, saxello (a variant of the soprano saxophone) and occasionally keyboards. Part of the Canterbury scene, he featured in, among others, Soft Machine. Life and career Dean was born in Nottingham, England, moving to Tooting, London, soon after his birth. From 1966 to 1967, Dean was a member of the band Bluesology, led by Long John Baldry. The band's pianist, Reginald Dwight, afterward combined Dean's and Baldry's first names for his own stage name, Elton John. This fact is alluded to in the 2019 film ''Rocketman'', a biopic of the life and career of Elton John, where Dean is portrayed by Evan Walsh, however the film fictionally cites John Lennon as the inspiration for Elton John's taken surname. Dean established his reputation as a member of the Keith Tippett Sextet from 1968 to 1970, and in the band Soft Machine from 1969 to 1972. Shortly before leaving Soft Machine ...
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Danny Thompson
Daniel Henry Edward Thompson (born 4 April 1939) is an English multi-instrumentalist best known as a double bassist. He has had a long musical career playing with a large variety of other musicians, particularly Richard Thompson and John Martyn. For four years, between 1964 and 1967, he was a member of Alexis Korner's Blues Incorporated, led a trio that included guitarist John McLaughlin, and was a founding member of the British folk-jazz band Pentangle. Since 1987, he has also recorded four solo albums. He converted to Islam in 1990. Biography and career Thompson was born in Teignmouth, Devon, England. His father, a miner, joined the Royal Navy at the start of World War II and was lost in action whilst crewing submarines. When Thompson was aged 6, the family moved to London and he was brought up in the working-class area of Battersea. At school he played competitive football and was a junior for Chelsea, the team he has supported ever since. Whilst at school he learnt guita ...
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Jack Walrath
Jack Arthur Walrath (born May 5, 1946) is an American post-bop jazz trumpeter and musical arranger known for his work with Ray Charles, Gary Peacock, Charles Mingus, and Glenn Ferris, among others. Biography Walrath was born in Stuart, Florida. He began playing the trumpet at the age of nine in 1955 while living in the small town of Edgar, Montana. He attributes his wide range of musical appreciation to a "lack of negative peer pressure which so often happens in cities".Todd S. Jenkins, ''I Know What I Know: The Music of Charles Mingus'' (Praeger Press, 2006), In 1969 Walrath relocated to the West Coast and found work in Los Angeles's jazz scene. Soon he was a member of the band Revival, with trombonist Glenn Ferris, and the West Coast MotownOrchestra. He worked with Ray Charles for one tour of the U.S. In 1970 Walrath relocated to New York City. For a year and a half he was a columnist of the International Musician and Recording World, which had its US department there. He als ...
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Killer Bunnies (album)
''Killer Bunnies'' is an album by trumpeter Jack Walrath which was recorded in 1986 and released on the British Spotlite label.Enciclopedia del Jazz: Jack Walrath
accessed September 27, 2017


Track listing

All compositions by Jack Walrath except where noted # "Snagadaa" – 8:08 # "A Study in Porcine" – 7:50 # "Kirsten Sunday Morning" – 4:58 # "Killer Bunnies" – 6:12 # "Duke Ellington's Sound of Love" () – 3:10 # "Four Freedom" (Paul Dunmall) – 2:42 # "Dustbiter" (Tim Richards) – 5:04


Personnel

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DJM Records
DJM Records (also known as Dick James Music) was the British independent record label, set up in the late 1960s by British music publisher Dick James. It was distributed by Pye Records in the UK, and various other companies around the world, including the US. The first release on the label was by Dave Sealey and entitled "It Takes a Thief", which had been adapted from the theme music from the television series for which a lyric was written. Frank Neilson was A&R manager from 1976 to 1979, before he moved to Polydor Records. Andy Stinton was Promotions Manager for several years before moving to Canada in 1980 to start his own communications company. Elton John was prominent on DJM, except in the United States and Canada where his records were issued on the MCA Records label. In 1976, he began his own label, The Rocket Record Company. He brought a lawsuit against DJM in the 1980s over the rights to his earlier (pre-1976) work. Other acts on the label in the 1970s included H ...
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Johnny "Guitar" Watson
John Watson Jr. (February 3, 1935 – May 17, 1996), known professionally as Johnny "Guitar" Watson, was an American musician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned forty years, and encompassed rhythm and blues, funk and soul music. Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with funk overtones, saw Watson have hits with "Ain't That a Bitch" and "Superman Lover". His highest charting single was 1977's "A Real Mother for Ya". Early life Watson was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as played by T-Bone Walker and Clarence "Gatemouth" Brown. His grandfather, a preacher, was also musical. "My grandfather used to sing while he'd play guitar in church, man," Watson reflected ...
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Ain't That A Bitch
''Ain’t That a Bitch'' is a funk album by the American musician Johnny "Guitar" Watson, whose long career influenced the development of blues, soul music, rhythm and blues, funk and rock music. It was recorded and released in 1976. It was Watson's first successful funk album and contains a few of his best-known funk songs. It was certified as a Gold Record for sales of more than 500,000 copies. Critical reception In a retrospective review for AllMusic, Stephen Cook praised ''Ain't That Bitch'', saying it "works beautifully as a first-disc choice for newcomers o Watson especially those who want to hear the '70s funk material." In 1998, ''The Wire'' included ''Ain't That a Bitch'' in their list of "100 Records That Set the World on Fire (While No One Was Listening)", where the staff described it as "the best-sounding funk album of all time", complimenting its futuristic lyrics (as on "Superman Lover") and "Watson's unerring ear for note placement" and praising its sound for be ...
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Andrew Cyrille
Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety." Life and career Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John's University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones. His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording sess ...
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Henry Grimes
Henry Grimes (November 3, 1935 – April 15, 2020) was an American jazz double bassist and violinist. After more than a decade of activity and performance, notably as a leading bassist in free jazz, Grimes completely disappeared from the music scene by 1970. Grimes was often presumed to have died, but he was discovered in 2002 and returned to performing. Biography Early life and career Henry Alonzo Grimes was born in Philadelphia, to parents who both had been musicians in their youth. He took up the violin at the age of 12, and then began playing tuba, English horn, percussion, finally switching to the double bass at Mastbaum Technical High School. He furthered his musical studies at Juilliard and established a reputation as a versatile bassist by the mid-1950s. Grimes recorded or performed with saxophonists Gerry Mulligan and Sonny Rollins, pianists Thelonious Monk and McCoy Tyner, singer Anita O'Day, clarinetist Benny Goodman and many others. When bassist Charles Mingus ...
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