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Marc Charig
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of " Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Charig (2011)
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of "Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogun Records
Ogun Records is a jazz record label created in London in 1973 by South African expatriate bassist Harry Miller, his wife Hazel Miller, and sound engineer Keith Beal. They recorded British avant-garde jazz musicians Keith Tippett, Mike Osborne, Elton Dean, Lol Coxhill, Harry Beckett, Trevor Watts and their collaborations with expatriate South Africans, including the Blue Notes, Chris McGregor, Dudu Pukwana, Mongezi Feza, Louis Moholo, and Johnny Dyani in groups like McGregor's Brotherhood of Breath, Dean's Ninesense, and Miller's Isipingo. efi.group.shef.ac.uk The label did not have any releases for several years, beginning in 1980, during which the Millers lived in the Netherlands. Harry Miller was killed in a car accident in 1983. Hazel Miller started releasing new titles on LP in 1986, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julie Driscoll
Julie Driscoll Tippetts (born 8 June 1947) is an English singer and actress. Career Driscoll is known for her 1960s versions of Bob Dylan and Rick Danko's "This Wheel's on Fire", and Donovan's " Season of the Witch", both with Brian Auger and the Trinity. Along with the Trinity, she was featured prominently in the 1969 television special '' 33⅓ Revolutions per Monkee'', singing "I'm a Believer" in a soul style with Micky Dolenz. She and Auger had previously worked in Steampacket, with Long John Baldry and Rod Stewart. "This Wheel's on Fire" reached number five in the United Kingdom in June 1968, number 13 in Canada, and Bubbled Under the ''Billboard'' Hot 100 in the United States at #106 that August. With distortion, the imagery of the title and the group's dress and performance, this version came to represent the psychedelic era in British rock music. Driscoll recorded the song again in the early 1990s with Adrian Edmondson as the theme to the BBC comedy series ''Absol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Downes
Robert George Downes (born 22 July 1937 in Plymouth) is an English avant-garde jazz flautist and saxophonist. He is known for his work with Mike Westbrook and for leading the Open Music Trio since 1968. Downes is also a composer, arranger, and singer of rock and blues. Career His first album was released by Philips Records in 1969. He was voted best jazz flautist and formed various ensembles. He started his own record label, Openinan. He played with the John Barry 7, pop singer Chris Andrews, Manfred Mann's Earth Band, and the Jimmie Nicol Band. In 1968 he formed the Open Music Trio. The trio has included at bass Paul Bridge, Andrew Cleyndert, Jeff Clyne, Barry Guy, Mark Megiddo, Harry Miller, Glen Moore, Barre Phillips, and Daryl Runswick. Downes played and recorded with Ray Russell's Rock Workshop and singers Elke Brooks, Alex Harvey, and Julie Driscoll. In the 1970s he was a member of Barry Guy's London Jazz Composers Orchestra. He also played with the Mike Westbrook Ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Bell (singer)
Graham Thomas Bell (17 April 1948, Blyth, Northumberland — 2 May 2008, London) was an English pop and rock singer. Early career Bell's father, Jimmy, who died in 2010, was a well-known local singer, and his late mother, Leonora Rogers, was in show business prior to marriage, after which she was heavily involved in local music and dance. Graham made a solo single in 1966 and one year later replaced Alan Hull as the singer of psychedelic rock band Skip Bifferty (later renamed ''Heavy Jelly''). In 1969 he was singer in another psychedelic rock band, ''Griffin''. In 1970 he began his stint with Charisma Records, joining Every Which Way, a band formed by Brian Davison formerly of The Nice, as singer and principal writer. Musical style was jazzy progressive rock with guitar from John Hedley (who was later part of Last Exit, with Sting) playing call and response with Bell's blues shout vocals. Bell then rejoined his old mates from Skip Bifferty, now known as Arc, to form ''Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Miller (jazz Bassist)
Harold Simon Miller (25 April 1941 - 16 December 1983) was a South African jazz double bassist, who lived for most of his adulthood in England. Biography A native of Cape Town, South Africa, Miller began his career playing bass for the rock group Manfred Mann. After settling in London, he became part of a groups of musicians in the 1960s and 1970s who combined free jazz with the music of South Africa. He recorded with Elton Dean, Chris McGregor, Louis Moholo, John Surman, Keith Tippett, and Mike Westbrook. At the end of the 1970s, he moved to the Netherlands for economic reasons and worked with musicians in Willem Breuker's circle. In 1971, he made a guest appearance on the album ''Islands'', by the progressive rock band King Crimson. He and his wife founded Ogun Records. Miller died in a car crash in the Netherlands in 1983. Discography * ''Children at Play'' (Ogun, 1974) * ''Live at Willisau'' with Chris McGregor's Brotherhood of Breath (Ogun, 1974) * ''Ramifications'' with Ir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris McGregor
Christopher McGregor (24 December 1936 – 26 May 1990) was a South African jazz pianist, bandleader and composer born in Somerset West, South Africa. Early influences McGregor grew up in the then Transkei (now part of the Eastern Cape Province), where his father was headmaster at a Church of Scotland mission institution called Blythswood. Here McGregor was exposed to the music of the local amaXhosa people. This music, as explained in Dave Dargie's book ''Xhosa Music'', is complex. Dargie mentions the following as examples of this complexity which might be seen to have influenced McGregor in his own music, both as composer/arranger and as band leader: "...a great number of style characteristics are to be found: relating not only to harmony and scale, but to melody, structure and phrasing, form, rhythm, instrumentation, singing techniques, and so on." In his book ''Chasing the Vibration'' Graham Lock quotes McGregor saying: "I have this strong imaginative reference to African ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Trouble Two
''Double Trouble Two'' is an album by Barry Guy and the London Jazz Composers' Orchestra with guest artists Irène Schweizer (piano), Marilyn Crispell (piano), and Pierre Favre (drums). Documenting a large-scale, 47-minute composition by Guy, it was recorded in December 1995 in Zürich, Switzerland, and was released in 1998 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. An earlier recording of the work, '' Double Trouble'', was issued by Intakt in 1990. Reception In a review for AllMusic, Steve Loewy wrote that the album "is filled with remarkable moments, particularly the performances by pianists Irene Schweizer and Marilyn Crispell... The ensemble work borders on the spectacular, too... devotees of the group will want this in their collection." The authors of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theoria (album)
''Theoria'' is an album by Barry Guy and the London Jazz Composers' Orchestra, with pianist Irène Schweizer as soloist. Documenting a large-scale, 58-minute composition by Guy, it was recorded in February 1991 in Zürich, Switzerland, and was released in 1992 by Intakt Records. The work is basically a concerto for Schweizer, and was presented in honor of her 50th birthday. ''Theoria'', which was commissioned by Fabrikjazz, based in Rote Fabrik, Zürich, was premiered on February 17, 1991, at a concert organized by Rote Fabrik in collaboration with à-suivre-Basel (Kulturwerkstatt Kaserne) and Mühle Hunziken in Rubigen, in the canton of Bern. As with many of Guy's compositions, the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In the score, the starting and ending points for soloists are precisely demarcated, allowing the musicians a considerable amount of freedom within a fixed structure. Schweizer recalled: "I had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Trouble (Barry Guy And The London Jazz Composers' Orchestra Album)
''Double Trouble'' is an album by Barry Guy and the London Jazz Composers' Orchestra. Documenting a large-scale, 46-minute composition by Guy, it was recorded in April 1989 in Zürich, Switzerland, and was released in 1990 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. A second recorded realization of the piece can be found on ''Double Trouble Two'', released by Intakt in 1998. Reception In a review for AllMusic, Brian Olewnick noted that the album "gives a fine example of what this group could do." He commented: "Guy deploys his 18-piece orchestra in ever-shifting groupings and conjures forth a wide-ranging array of thematic material that still coalesces into a satisfying whole... A superb recording... Very highly recommended." The authors of ''The Penguin Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmos
''Harmos'' is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In a retrospective interview, Guy recalled the LJCO's financial difficulties, and reflected: "Luckily, things went very well for me in the baroque music business. I bought instruments, strings and bows so that I could perform the Mozart symphonies as adequately as possible. And when I needed money for improvised music, I'd sell one or two instruments. The first CD I made for Intakt, ''Harmos'', was financed by selling one of my basses." A version of "Harmos" also appears on the 2001 trio recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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