Mark Charig (2011)
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of "Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mark Charig (2011)
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of "Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ogun Records
Ogun Records is a jazz record label created in London in 1973 by South African expatriate bassist Harry Miller, his wife Hazel Miller, and sound engineer Keith Beal. They recorded British avant-garde jazz musicians Keith Tippett, Mike Osborne, Elton Dean, Lol Coxhill, Harry Beckett, Trevor Watts and their collaborations with expatriate South Africans, including the Blue Notes, Chris McGregor, Dudu Pukwana, Mongezi Feza, Louis Moholo, and Johnny Dyani in groups like McGregor's Brotherhood of Breath, Dean's Ninesense, and Miller's Isipingo. efi.group.shef.ac.uk The label did not have any releases for several years, beginning in 1980, during which the Millers lived in the Netherlands. Harry Miller was killed in a car accident in 1983. Hazel Miller started releasing new titles on LP in 1986, wit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Live At Willisau
''Live at Willisau'' is a live album by South African pianist and composer Chris McGregor's big band Brotherhood of Breath. It was recorded on January 27, 1973, in Willisau, Switzerland, and was released on LP by Ogun Records in 1974. In 1994, the album was reissued on CD with extra tracks. Reception In a review for AllMusic, Scott Yanow wrote: "This is intriguing music that should have been more extensively documented. Adventurous listeners can be grateful that at least this document and a few others exist." The authors of ''The Penguin Guide to Jazz Recordings'' stated: "this is affirmative music of a rare sort, bringing together African ''kwela'', free jazz, post-Ellington swing and even touches of classicism in a boiling mix that grips the heart." In an article for ''Bells'', Henry Kuntz called the album "McGregor’s best record yet," and commented: "McGregor's scores stem mainly from strong and simple themes that reflect the South African idioms that did so much to fuel his ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chris McGregor's Brotherhood Of Breath
''Chris McGregor's Brotherhood of Breath'' is the debut album by South African pianist and composer Chris McGregor's big band of the same name. Produced by Joe Boyd, it was recorded in 1970, and was issued on LP by the short-lived Neon imprint of RCA Records in 1971 as the label's second release. In 2007, it was reissued on CD by Fledg'ling Records. The music reflects the influences of both jazz and traditional African music. Regarding his arrangements, McGregor stated: "You get a feeling for areas you want to explore... It was to do with African polyrhythm. I started hearing the possibilities of things happening on a lot of different levels rhythmically. There was a wheel turning then, things flowing together..." Author W. C. Bamberger described the music as "simple, rhythmic, with the parts entering one by one and interlocking, with the sections, line after line, increasing the torque of syncopated complexity until the ear can barely keep up, then backing off and, most often, st ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chris McGregor
Christopher McGregor (24 December 1936 – 26 May 1990) was a South African jazz pianist, bandleader and composer born in Somerset West, South Africa. Early influences McGregor grew up in the then Transkei (now part of the Eastern Cape Province), where his father was headmaster at a Church of Scotland mission institution called Blythswood. Here McGregor was exposed to the music of the local amaXhosa people. This music, as explained in Dave Dargie's book ''Xhosa Music'', is complex. Dargie mentions the following as examples of this complexity which might be seen to have influenced McGregor in his own music, both as composer/arranger and as band leader: "...a great number of style characteristics are to be found: relating not only to harmony and scale, but to melody, structure and phrasing, form, rhythm, instrumentation, singing techniques, and so on." In his book ''Chasing the Vibration'' Graham Lock quotes McGregor saying: "I have this strong imaginative reference to African ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Double Trouble Two
''Double Trouble Two'' is an album by Barry Guy and the London Jazz Composers' Orchestra with guest artists Irène Schweizer (piano), Marilyn Crispell (piano), and Pierre Favre (drums). Documenting a large-scale, 47-minute composition by Guy, it was recorded in December 1995 in Zürich, Switzerland, and was released in 1998 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. An earlier recording of the work, '' Double Trouble'', was issued by Intakt in 1990. Reception In a review for AllMusic, Steve Loewy wrote that the album "is filled with remarkable moments, particularly the performances by pianists Irene Schweizer and Marilyn Crispell... The ensemble work borders on the spectacular, too... devotees of the group will want this in their collection." The authors of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theoria (album)
''Theoria'' is an album by Barry Guy and the London Jazz Composers' Orchestra, with pianist Irène Schweizer as soloist. Documenting a large-scale, 58-minute composition by Guy, it was recorded in February 1991 in Zürich, Switzerland, and was released in 1992 by Intakt Records. The work is basically a concerto for Schweizer, and was presented in honor of her 50th birthday. ''Theoria'', which was commissioned by Fabrikjazz, based in Rote Fabrik, Zürich, was premiered on February 17, 1991, at a concert organized by Rote Fabrik in collaboration with à-suivre-Basel (Kulturwerkstatt Kaserne) and Mühle Hunziken in Rubigen, in the canton of Bern. As with many of Guy's compositions, the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In the score, the starting and ending points for soloists are precisely demarcated, allowing the musicians a considerable amount of freedom within a fixed structure. Schweizer recalled: "I had ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Double Trouble (Barry Guy And The London Jazz Composers' Orchestra Album)
''Double Trouble'' is an album by Barry Guy and the London Jazz Composers' Orchestra. Documenting a large-scale, 46-minute composition by Guy, it was recorded in April 1989 in Zürich, Switzerland, and was released in 1990 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. A second recorded realization of the piece can be found on ''Double Trouble Two'', released by Intakt in 1998. Reception In a review for AllMusic, Brian Olewnick noted that the album "gives a fine example of what this group could do." He commented: "Guy deploys his 18-piece orchestra in ever-shifting groupings and conjures forth a wide-ranging array of thematic material that still coalesces into a satisfying whole... A superb recording... Very highly recommended." The authors of ''The Penguin Guid ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harmos
''Harmos'' is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In a retrospective interview, Guy recalled the LJCO's financial difficulties, and reflected: "Luckily, things went very well for me in the baroque music business. I bought instruments, strings and bows so that I could perform the Mozart symphonies as adequately as possible. And when I needed money for improvised music, I'd sell one or two instruments. The first CD I made for Intakt, ''Harmos'', was financed by selling one of my basses." A version of "Harmos" also appears on the 2001 trio recor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zurich Concerts
''Zurich Concerts'' is a double live album by Barry Guy and the London Jazz Composers' Orchestra featuring recordings of two large-scale compositions, one by Guy, the other by guest artist Anthony Braxton. The Guy work was recorded on November 11, 1987, at Rote Fabrik in Zürich, while the Braxton work was recorded on March 27, 1988, at the same location. The album was initially released on LP in 1988 by Intakt Records, and was reissued on CD in 1995. Reception In a review for AllMusic, Thom Jurek wrote: "the attendees at these Zurich concerts were treated to the most intimate and prophetic of expressions in these two evenings. They were also given evidence of the very ground on which free improvisation and new composition stand linked to one another." The authors of ''The Penguin Guide to Jazz Recordings'' noted that "this is one of the few occasions when raxton'scontact with British and European improvisors has seemed to yield a genuinely communicative music," and stated tha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ode (London Jazz Composers' Orchestra Album)
''Ode'' is an album by the London Jazz Composers' Orchestra composed by bassist Barry Guy and conducted by his teacher, Buxton Orr. It was recorded as part of the English Bach Festival at the Oxford Town Hall in 1972 and first released as a double album on the Incus label then as a double CD on Intakt in 1996 with additional material. Reception The Allmusic review by Thom Jurek called it "among the most profound, hard-swinging, mind-bending exercises they've ever recorded" and states "the result is a stunning array of questions, colors, shapes, timbres, textures, and moods. For Guy to score such an intricate tome, opening up the orchestra is an artistic feat; for it to sound so approachable and welcoming to non-musicians, or those approaching the music tentatively or enthusiastically, ''Ode'' is a kind of miracle". ''The Penguin Guide to Jazz'' identified the album as part of their suggested "Core Collection" of essential jazz albums and awarded the compilation a "Crown" signif ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |