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The Seven Queens Of Sindh
Seven Queens (Sindhi:ست سورميون, pronunciation (sat-a soor-myoon); meaning ''Seven heroic women'') is a name commonly referred to the seven female characters that appear in the poetry of the Sindhi poet Shah Abdul Latif Bhittai in his book ''Shah Jo Risalo''. They are: *Marui (مارئي) * Moomal (مومل) * Sasui (سسئي) *Noori (نوري) * Suhni (سوہنی) * Lilan (ليلا) * Sorath (سورٹھ). These seven female characters, which the poet picked from history to convey his poetic message, have remained cultural icons in the history of Sindh for their bravery, passion, loyalty, commitment, and character strength. Marui's character portrays the love for the land, its people, her commitment to her traditions, her stance before a tyrant king, Umar (عمر) or as some say (Amar—امر). Moomal's character portrays an image of a passionate soul, brimming with love for her beloved, Rano (راڻو) and suffers at the altar of separation and rejection but does not s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhi Language
Sindhi ( ; , ) is an Indo-Aryan language spoken by about 30 million people in the Pakistani province of Sindh, where it has official status. It is also spoken by a further 1.7 million people in India, where it is a Scheduled languages of India, scheduled language, without any state-level official status. The main writing system is the Perso-Arabic script, which accounts for the majority of the Sindhi literature and is the only one currently used in Pakistan. In India, both the Perso-Arabic script and Devanagari are used. Sindhi has an attested history from the 10th century CE. Sindhi was one of the first languages of South Asia to encounter influence from Persian language, Persian and Arabic following the Umayyad campaigns in India, Umayyad conquest in 712 CE. A substantial body of Sindhi literature developed during the Medieval period, the most famous of which is the religious and mystic poetry of Shah Abdul Latif Bhittai from the 18th century. Modern Sindhi was promoted under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Sindh
The Culture of Sindhi ( sd, سنڌ جي ثقافت) has its roots in the Indus Valley civilization. Sindh has been shaped by the largely desert region, the natural resources it had available, and continuous foreign influence. The Indus or Sindhu River that passes through the land, and the Arabian Sea (that defines its borders) also supported the seafaring traditions among the local people. The local climate also reflects why the Sindhis have the language, folklore, traditions, customs and lifestyle that are so different from the neighboring regions. The Sindhi culture is also practiced by the Sindhi diaspora. History The roots of Sindhi culture go back to the distant past. Archaeological research during 19th and 20th centuries showed the roots of social life, religion and culture of the people of the Sindh: their agricultural practices, traditional arts and crafts, customs and tradition and other parts of social life, going back to a mature Indus Valley Civilization of the thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhi Folklore
Sindhi folklore ( sd, لوڪ ادب) Sindhi Folklore is the folk tradition which has developed in Sindh over a number of centuries. Sindh abounds with folklore, in all forms, and colors from such obvious manifestations as the traditional Watayo Faqir tales, the legend of Moriro, epic poetry tale of Dodo Chanesar, to the heroic character of Marui which distinguishes it among the contemporary folklores of the region. The love story of Sassui, who pines for her lover Punhu, is known and sung in every Sindhi settlement. Other examples of the folklore of Sindh include the stories of Umar Marui and Suhuni Mehar ( Sohni Mahiwal in Punjab region).Kalyan Adwani, ed. ''Shah Jo Risalo''. Jamshoro: Sindhi Adabi Board, 2002. Sindhi folk Singers and women play a vital role to transmit the Sindhi folklore. They sang the folktales of Sindh in songs with passion in every village of Sindh. Sindhi folklore has been compiled in a series of forty volumes under Sindhi Adabi Board's project of Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindh
Sindh (; ; ur, , ; historically romanized as Sind) is one of the four provinces of Pakistan. Located in the southeastern region of the country, Sindh is the third-largest province of Pakistan by land area and the second-largest province by population after Punjab. It shares land borders with the Pakistani provinces of Balochistan to the west and north-west and Punjab to the north. It shares International border with the Indian states of Gujarat and Rajasthan to the east; it is also bounded by the Arabian Sea to the south. Sindh's landscape consists mostly of alluvial plains flanking the Indus River, the Thar Desert in the eastern portion of the province along the international border with India, and the Kirthar Mountains in the western portion of the province. The economy of Sindh is the second-largest in Pakistan after the province of Punjab; its provincial capital of Karachi is the most populous city in the country as well as its main financial hub. Sindh is home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punjabi Language
Punjabi (; ; , ), sometimes spelled Panjabi, is an Indo-Aryan language of the Punjab region of Pakistan and India. It has approximately 113 million native speakers. Punjabi is the most widely-spoken first language in Pakistan, with 80.5 million native speakers as per the 2017 census, and the 11th most widely-spoken in India, with 31.1 million native speakers, as per the 2011 census. The language is spoken among a significant overseas diaspora, particularly in Canada, the United States, and the United Kingdom. In Pakistan, Punjabi is written using the Shahmukhi alphabet, based on the Perso-Arabic script; in India, it is written using the Gurmukhi alphabet, based on the Indic scripts. Punjabi is unusual among the Indo-Aryan languages and the broader Indo-European language family in its usage of lexical tone. History Etymology The word ''Punjabi'' (sometimes spelled ''Panjabi'') has been derived from the word ''Panj-āb'', Persian for 'Five Waters', referring to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraiki Dialect
Saraiki ( '; also spelt Siraiki, or Seraiki) is an Indo-Aryan language of the Lahnda group, spoken by 26 million people primarily in the south-western half of the province of Punjab in Pakistan. It was previously known as Multani, after its main dialect. Saraiki has partial mutual intelligibility with Standard Punjabi, and it shares with it a large portion of its vocabulary and morphology. At the same time in its phonology it is radically different (particularly in the lack of tones, the preservation of the voiced aspirates and the development of implosive consonants), and has important grammatical features in common with the Sindhi language spoken to the south. The Saraiki language identity arose in the 1960s, encompassing more narrow local earlier identities (like Multani, Derawi or Riasati), and distinguishing itself from broader ones like that of Punjabi. Name The present extent of the meaning of ' is a recent development, and the term most probably gained its curren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pashto
Pashto (,; , ) is an Eastern Iranian language in the Indo-European language family. It is known in historical Persian literature as Afghani (). Spoken as a native language mostly by ethnic Pashtuns, it is one of the two official languages of Afghanistan alongside Dari,Constitution of Afghanistan ''Chapter 1 The State, Article 16 (Languages) and Article 20 (Anthem)''/ref> and it is the second-largest provincial language of Pakistan, spoken mainly in Khyber Pakhtunkhwa and the northern districts of Balochistan. Likewise, it is the primary language of the Pashtun diaspora around the world. The total number of Pashto-speakers is at least 40 million, (40 million) although some estimates place it as high as 60 million. Pashto is "one of the primary markers of ethnic identity" amongst Pashtuns. Geographic distribution A national language of Afghanistan, Pashto is primarily spoken in the east, south, and southwest, but also in some northern and western parts of the country. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balochi Language
Balochi or Baluchi () is an Iranian language spoken primarily in the Balochistan region of Pakistan, Iran and Afghanistan. In addition, there are speakers in Oman, the Arab states of the Persian Gulf, Turkmenistan, East Africa and in diaspora communities in other parts of the world. The total number of speakers, according to '' Ethnologue'', is 8.75 million. Of these, 6.28 million are in Pakistan. According to Brian Spooner, Balochi belongs to the Western Iranian subgroup, and its original homeland is suggested to be around the central Caspian region. Classification Balochi is an Indo-European language, belonging to the Indo-Iranian branch of the family. As an Iranian language it is classified in the Northwestern group. '' Glottolog'' classifies 3 different varieties, namely Eastern Balochi, Koroshi and Southern-Western Balochi, under the "Balochic" group. Morphology Balochi, like many Western Iranian languages, has lost the Old Iranian gender distinctions. Phonolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhi Folktales
Sindhi folktales ( sd, لوڪ سنڌي ڪهاڻيون) play an important part in the culture of the Sindhi people of southern Pakistan. Pakistan's Sindh province abounds in fairy-tales and folktales that form its folklore. Some of these folktales (قصا) are particularly important for the development of higher literature in Sindhi, since they were to form the core of mystical tales of Sindh immortalized by Shah Abdul Latif Bhittai, and are generally known as Heroines of Shah (شاه جون سورميون). Many of these folktales, especially those that deal with love stories, are well known in Sindh. Among them, the story of Sassui Punhun is probably the most famous. In it, a beautiful Indus girl named Sassui, brought up by a washerman's family in Bhambore, attracts many lovers. Finally, the prince of Kecch falls in love with her. His family is dismayed and eventually make the couple drunk and carry the lover away. Sassui finds herself alone in the morning. She follows the tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah Abdul Latif Bhittai
Shah Abdul Latif Bhittai ( sd, شاھ عبداللطيف ڀٽائي, ur, ; 1689/1690 – 21 December 1752), commonly known by the honorifics ''Lakhino Latif'', ''Latif Ghot'', ''Bhittai'', and ''Bhit Jo Shah'', was a Sindhi Sufi mystic, and poet, widely considered to be the greatest poet of the Sindhi language. Born to a Sayyid family (descendants of the Islamic prophet Muhammad through his daughter Fatima) of Hala Haweli near modern-day Hala, Latif grew up in the nearby town of Kotri Mughal. At the age of around 20, he left home and traveled throughout Sindh and neighboring lands, and met many a mystic and Jogis, whose influence is evident in his poetry. Returning home after three years, he was married into an aristocrat family, but was widowed shortly afterwards and did not remarry. His piety and spirituality attracted large following as well as hostility of a few. Spending last years of his life at Bhit Shah, he died in 1752. A mausoleum was built over his grave in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorath Rai Diyach
Sorath Rai Diyach ( sd, سورٺ راءِ ڏياچ) is one of the historical romantic tales from Sindh, Pakistan. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are ''Umar Marvi'', ''Sassui Punnhun'', ''Sohni Mahiwal, Sohni Mehar'', ''Lilan Chanesar'', ''Noori Jam Tamachi'' and ''Momal Rano'' commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai. Story Sorath was the queen of King Rai Diyach alias of Raja Dhaj, Ror Kumar of Girnar, Junagadh now in Gujarat who sacrificed herself for the sake of her love for husband. Diyach gave his head to wandering minstrel and followed him to the world of dead. Highly pleased with the songs of minstrel, Bijal, Diyach offered him to ask for anything he liked to have. As the intrigues of fate would have it, his son asked for his head. The kind and generous king gave it. Now the song resounded in Sorath's head. She bid farewell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
