The English Moor
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The English Moor
''The English Moor, or the Mock Marriage'' is a Caroline era stage play, a comedy written by Richard Brome, noteworthy in its use of the stage device of blackface make-up. Registered in 1640, it was first printed in 1659, and, uniquely among the plays of Brome's canon, also survives in a manuscript A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printed or reproduced in ... version. Date The play was entered into the Stationers' Register on 4 August 1640, along with five other Brome plays, by Andrew Crooke and William Cooke, Andrew Crooke; but it was not printed for another two decades. The title page of the 1659 first edition states that ''The English Moor'' was acted by Queen Henrietta's Men. Brome began writing for that company in 1637, once the London theatres had re-opened after a long closure during ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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The Masque Of Blackness
''The Masque of Blackness'' was an early Jacobean era masque, first performed at the Stuart Court in the Banqueting Hall of Whitehall Palace on Twelfth Night, 6 January 1605. It was written by Ben Jonson at the request of Anne of Denmark, the queen consort of King James I, who wished the masquers to be disguised as Africans. Anne was one of the performers in the masque along with her court ladies, all of whom appeared in blackface makeup. In a ceremony earlier on the day, Charles I of England, Anne's second son (who was still in Scotland at Dunfermline Palace) was given the title of Duke of York. The plot of the masque follows the ladies arriving at the royal court to be "cleansed" of their blackness by King James; a stage direction that was impossible to fulfill on stage. They had been instructed by a riddle to seek the land "Britannia". The theme of the masque was a commentary on the Jacobean debate on the Union and the disparate identities of the people of Britain. ''The M ...
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engl ...
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Bed Trick
The bed trick is a plot device in traditional literature and folklore; it involves a substitution of one partner in the sex act with a third person (in the words of Wendy Doniger, "going to bed with someone whom you mistake for someone else"). In the standard and most common form of the bed trick, a man goes to a sexual assignation with a certain woman, and without his knowledge that woman's place is taken by a substitute. In traditional literature Instances of the bed trick exist in the traditional literatures of many human cultures. It can be found in the Old Testament: in Genesis Chapter 29 Laban substitutes Leah for Rachel on Jacob's wedding night, as Jacob discovers the following morning. Other examples range throughout the Western canon (several occur in Arthurian romance, as well as in Chaucer's "The Reeve's Tale") and can be paralleled by instances in non-Western cultures. Renaissance For modern readers and audiences, the bed trick is most immediately and most closely asso ...
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Dunkirk
Dunkirk (french: Dunkerque ; vls, label=French Flemish, Duunkerke; nl, Duinkerke(n) ; , ;) is a commune in the department of Nord in northern France.Commune de Dunkerque (59183)
INSEE
It lies from the border. It has the third-largest French harbour. The population of the commune in 2019 was 86,279.


Etymology and language use

The name of Dunkirk derives from '' or '

Pray Thee
''Prithee'' is an archaic English interjection formed from a corruption of the phrase ''pray thee'' ( ask you o, which was initially an exclamation of contempt used to indicate a subject's triviality. The earliest recorded appearance of the word ''prithee'' listed in the Oxford English Dictionary is from 1577, while it is most commonly found in works from the seventeenth century. The contraction is a form of indirect request that has disappeared from the language. ''Prithee'' is the most widely known example of second person object enclitics. Linguists consider it to have been the final step in the grammaticalisation of the verb ''pray''. The eventual use of ''prithee'' outside the ''thee''/''thou'' usage signalled its transition into a discourse particle. There has been extensive scholarship investigating the difference in usage of ''prithee'' as opposed to ''pray you'', both in terms of politeness and grammaticalisation. Because ''prithee'' eventually came to be used in the ...
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Moors
The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or self-defined people. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." Europeans of the Middle Ages and the early modern period variously applied the name to Arabs and North African Berbers, as well as Muslim Europeans. The term has also been used in Europe in a broader, somewhat derogatory sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in Spain or North Africa. During the colonial era, the Portuguese introduced the names " Ceylon Moors" and "Indian Moors" in South Asia and Sri ...
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Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ...
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Virago
A virago is a woman who demonstrates abundant masculine virtues. The word comes from the Latin word ''virāgō'' ( genitive virāginis) meaning vigorous' from ''vir'' meaning "man" or "man-like" (cf. virile and virtue) to which the suffix ''-āgō '' is added, a suffix that creates a new noun of the third declension with feminine grammatical gender. Historically, this was often positive and reflected heroism and exemplary qualities of masculinity. However, it could also be pejorative, indicating a woman who is masculine to the exclusion of traditional feminine virtues. Modern use of the word ''virago'' generally takes the disparaging sense. Thus ''virago'' joined pejoratives such as ''termagant'', ''mannish'', ''amazonian'' and ''shrew'' to describe women who acted aggressively or like men. The word ''virago'' has almost always had an association with cultural gender transgression. There are recorded instances of viragos (such as Joan of Arc) fighting battles, wearing men's clo ...
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The Changeling (play)
''The Changeling'' is a Jacobean tragedy written by Thomas Middleton and William Rowley. Widely regarded as being among the best tragedies of the English Renaissance, the play has accumulated a large amount of critical commentary. The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 7 May 1622, and was first published in 1652 by the bookseller Humphrey Moseley. Authorship The title page of the first edition of ''The Changeling'' attributes the play to Middleton and Rowley. The division of authorship between the two writers was first delineated by Pauline Wiggin in 1897, and is widely accepted. David Lake, in his survey of authorship problems in the Middleton canon, summarises the standard division of shares this way: : Middleton – Act II; Act III, scenes i, ii, and iv; Act IV, scenes i and ii; Act V, scenes i and ii; : Rowley – Act I; Act III, scene iii; Act IV, scene iii; Act V, scene iii. Lake differs from previous commentators only in ...
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William Rowley
William Rowley (c. 1585 – February 1626) was an English Jacobean dramatist, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626 in the graveyard of St James's, Clerkenwell in north London. (An unambiguous record of Rowley's death was discovered in 1928, but some authorities persist in listing his year of death as 1642.) Life and work Rowley was an actor-playwright who specialised in playing clown characters (that is, characters whose function is to provide low comedy). He must also have been a large man, since his forte lay specifically in fat-clown roles. He played the Fat Bishop in Thomas Middleton's ''A Game at Chess'', and Plumporridge in the same author's ''Inner Temple Masque''. He also wrote fat-clown parts for himself to play: Jaques in ''All's Lost by Lust'' (a role "personated by the Poet", the 1633 quarto states), and Bustopha in ''The Maid in the Mill'', h ...
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Thomas Middleton
Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt ''Midleton'') was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants. Life Middleton was born in London and baptised on 18 April 1580. He was the son of a bricklayer, who had raised himself to the status of a gentleman and owned property adjoining the Curtain Theatre in Shoreditch. Middleton was five when his father died and his mother's subsequent remarriage dissolved into a 15-year battle over the inheritance of Thomas and his younger sister – an experience that informed him about the legal system and may have incited his repeated satire against the legal profession. Middleton attended The Queen's College, Oxford, matriculating in 1598, but he did not graduate. Before he ...
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