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Tarare (Salieri)
''Tarare'' is an opéra ( tragédie lyrique) composed by Antonio Salieri to a French libretto by Pierre Beaumarchais. It was first performed by the Paris Opera at the Théâtre de la Porte Saint-Martin on 8 June 1787. Salieri also reworked the material into an Italian version retitled '' Axur, re d'Ormus'' with libretto by Lorenzo Da Ponte, which opened in Vienna in January 1788. Roles Discography Cyrile Dubois, Tarare and ombre de Tarare, Karine Deshayes Karine Deshayes (; born 25 January 1973) is a French mezzo-soprano. Biography Deshayes was born in Rueil-Malmaison. She studied musicology at the Sorbonne, then singing with Mireille Alcantara at the Conservatoire de Paris,ODB-Opéra (2005) i ..., Astasie and ombre de Astasie, Jean-Sébastien Bou, Atar and ombre d'Atar, Judith van Wanroij, La Nature and Spinette, Les Chantres du Centre de Musique Baroque de Versailles, Les Talens Lyriques, conducted by Christophe Rousset. Aparté 2019. References ;Notes ;Sourc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-Armand Chardin
Louis-Armand Chardin, called Chardiny (1755 – 1 October 1793) was an 18th-century French composer. Biography Born in Fécamp, Chardin made his debut at the Paris opera in 1780 as baritone and was finally received the following year. He stood out for the beauty of his voice and the purity of his singing. Nevertheless, he acted coldly and never knew how to enliven the stage. The role which made him most honoured was that of Theseus in ''Œdipe à Colone''. Chardin was a composer, and we know of him several small operas that he wrote for the , such as: ''le Pouvoir de la nature'', in one act, 1786; ''la Ruse d’amour'', in one act, 1786; ''le Clavecin'', 1787; ''Clitandre et Céphise'', 1788. In 1787 he had ''l’Anneau perdu et retrouvé'' performed at the Comédie-Italienne. He is also known for the music of a melodrama entitled: ''Annette et Basile''. Chardin was one of the first to set music to Florian's romances ''Estelle'' and ''Galatée''. His oratorio ''Retour de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1787 Operas
Events January–March * January 9 – The North Carolina General Assembly authorizes nine commissioners to purchase of land for the seat of Chatham County. The town is named Pittsborough (later shortened to Pittsboro), for William Pitt the Younger. * January 11 – William Herschel discovers Titania and Oberon, two moons of Uranus. * January 19 – Mozart's '' Symphony No. 38'' is premièred in Prague. * February 2 – Arthur St. Clair of Pennsylvania is chosen as the new President of the Congress of the Confederation.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * February 4 – Shays' Rebellion in Massachusetts fails. * February 21 – The Confederation Congress sends word to the 13 states that a convention will be held in Philadelphia on May 14 to revise the Articles of Confederation. * February 28 – A charter is granted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christophe Rousset
Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques. Biography Rousset was born in Avignon, France on 12 April 1961. He studied harpsichord at La Schola Cantorum de Paris with Huguette Dreyfus, and subsequently at the Royal Conservatory of The Hague with Bob van Asperen winning the prestigious First Prize in the 7th Bruges Harpsichord Competition at the age of 22. This was followed by the creation of his own ensemble, Les Talens Lyriques, in 1991. At the heart of the ensemble is Rousset's research and expertise across the music of the Baroque, Classical and early Romantic periods. Having initially attracted the notice of the international press and record companies for his proficiency as a harpsichordist, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karine Deshayes
Karine Deshayes (; born 25 January 1973) is a French mezzo-soprano. Biography Deshayes was born in Rueil-Malmaison. She studied musicology at the Sorbonne, then singing with Mireille Alcantara at the Conservatoire de Paris,ODB-Opéra (2005) in which she later also specialized in baroque music under Emmanuelle Haïm. She also attended masterclasses of her mentor Régine Crespin. In 1998 she joined the troupe of Opéra National de Lyon. In 2001, she won several prizes in the "Voix d'Or" competition, and first prize in the "Voix Nouvelles" competition in 2002. In October 2006 she made her New York Metropolitan Opera debut with Siébel in Gounod's '' Faust''. In February 2011, she debuted in the role of Urbain in ''Les Huguenots'' at the Teatro Real in Madrid. In 2014 she made her San Francisco Opera debut in '' La Cenerentola''. Awards and honours * Singer of the Year (''Artiste lyrique de l'année'') in the Victoires de la musique classique (2011, 2016, 2020) * 2019: Off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Soprano
A boy soprano (British and especially North American English) or boy treble (only British English) is a young male singer with an unchanged voice in the soprano range, a range that is often still called the treble voice range (in North America too) when talking about children. Origins In the Anglican and English Catholic liturgical traditions (in which girls and women did not sing in church choirs), young male choristers were normally referred to as "trebles" rather than as boy sopranos, but today the term "boy trebles" is increasingly common (girls with high voices are trebles too). The term "treble" derives from the Latin ', used in 13th and 14th century motets to indicate the third and highest range, which was sung above the tenor part (which carried the tune) and the alto part. Another term for that range is '. The term "treble" itself was first used in the 15th century. Trebles have an average range of A3 to F5 (220–700 Hz). The term ''boy soprano'' originated w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adélaïde Gavaudan
Marie-Françoise-Adélaïde Gavaudan, called Mlle Gavaudan cadette and nicknamed Spinette, (1767–1805) was a French operatic soprano. Life Gavaudan is the daughter of Denis Gavaudan and Catherine Calmen, a member of the Gavaudan family, which reigns at the Opéra-Comique; sister of , Jean-Baptiste-Sauveur and .Kutsch and Riemens. In 1780, she was hired with her sister Émilie, by Madame Donvilliers, of the Petits Comédiens de . She was a chorister in 1778, at the Académie royale de musique. She already sang important roles, such as that of Angélique in the revival of ''Roland'' by Piccinni in October 1782. On 8 July 1782, she made her debut at the Comédie-Italienne, as Mme Saintclair, in ''La Fausse Magie'' by Gretry; then as Alix, in ''Les Trois fermiers de Dezède''; as Aline, in ''la Belle Arsène'', but she was not hired by this company. She was coryphée in 1784, at the Académie Royale de Musique. She became an assistant in 1786. She came to prominence in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haute-contre
The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century. History This voice was predominantly used in male solo roles, typically heroic and amatory ones, but also in comic parts, even ''en travesti'' (see apropos the portrait reproduced below and representing Pierre Jélyotte made up for the female title role of Rameau's ''Platée''). Lully wrote 8 out of 14 leading male roles for the voice; Charpentier, who was an haute-contre himself, composed extensively for the voice-part, as did Rameau and, later, Gluck. The leading ''hautes-contre'' of the ''Académie Royale de Musique'' that created the main roles of Lully's operas, at the end of the seventeenth century, were Bernard Clédière (who started off as a ''taille'', a lower Tenor voice type) and Louis Gaulard Dumesny. Notable ''hautes-contre'' of the eighteent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin-Joseph Adrien
Martin-Joseph Adrien (also ''Andrien dit la Neuville''; 26 May 1766 – 19 November 1822) was a French operatic bass. Life He was born at Liège, Belgium on 26 May 1766. He was the premier bass singer at the Paris Opéra The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be k ... from 1785 to 1804 and took alternative operatic roles with another great singer, Auguste-Athanase Chéron (1760-1829); afterwards he became choirmaster at the opera. In March 1822 Martin-Joseph succeeded Lainé as professor of declamation at the École royale de musique. Unfortunately, he did not live long to enjoy his new position. Martin-Joseph died November 1822. Some critics considered Martin-Joseph's voice to be too harsh. However, he was an excellent actor. Martin-Joseph's musical talents did not stop with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
