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Spring And Autumn Landscapes (Hara Zaishō)
Spring and autumn landscapes is a pair of paintings representing spring and autumn by Japanese artist Hara Zaishō (1813–1872). It is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Hara Zaishō Hara Zaishō (原在照) was the adopted son of Hara Zaimei (原在明), whom he succeeded as the third head of the Hara School of professional painters. Based in Kyoto, the Hara School served from the late eighteenth through the early twentieth centuries as official artists to the Imperial Court in Kyoto, Imperial Court. Hara Zaishō contributed several pieces to the Kyoto Imperial Palace during its reconstruction following a fire in 1854. The most famous of these is a cherry tree motif painted on sliding ''fusuma'' doors in the ''Sakura-no-ma'' (Cherry Blossom Room). Zaishō’s career spanned the late Edo period, Edo (1603-1867) and early Meiji period, Meiji (1868-1912) periods, a time of great change within Japan as a result of its 1854 Bakumatsu, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toronto
Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,765,188 people (as of 2021) surrounding the western end of Lake Ontario, while the Greater Toronto Area proper had a 2021 population of 6,712,341. Toronto is an international centre of business, finance, arts, sports and culture, and is recognized as one of the most multicultural and cosmopolitan cities in the world. Indigenous peoples have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with rivers, deep ravines, and urban forest, for more than 10,000 years. After the broadly disputed Toronto Purchase, when the Mississauga surrendered the area to the British Crown, the British established the town of York in 1793 and later designat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatami
A is a type of mat used as a flooring material in traditional Japanese-style rooms. Tatamis are made in standard sizes, twice as long as wide, about 0.9 m by 1.8 m depending on the region. In martial arts, tatami are the floor used for training in a dojo and for competition. Tatami are covered with a weft-faced weave of (common rush), on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to cut costs). The (core) is traditionally made from sewn-together rice straw, but contemporary tatami sometimes have compressed wood chip boards or extruded polystyrene foam in their cores, instead or as well. The long sides are usually with brocade or plain cloth, although some tatami have no edging. History The term ''tatami'' is derived from the verb , meaning 'to fold' or 'to pile'. This indicates that the early tatami were thin and could be folded up when not used or piled in layers.Kodansha Encyclope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Paintings
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus This list of Latin and Greek words commonly used in systematic names is intended to help those unfamiliar with classical languages to understand and remember the scientific names of organisms. The binomial nomenclature used for animals and plants i ... * Japanese studies {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View Of Tempōzan Park In Naniwa (Gochōtei Sadamasu)
A view is a sight or prospect or the ability to see or be seen from a particular place. View, views or Views may also refer to: Common meanings * View (Buddhism), a charged interpretation of experience which intensely shapes and affects thought, sensation, and action * Graphical projection in a technical drawing or schematic ** Multiview orthographic projection, standardizing 2D images to represent a 3D object * Opinion, a belief about subjective matters * Page view, a visit to a World Wide Web page * Panorama, a wide-angle view * Scenic viewpoint, an elevated location where people can view scenery * World view, the fundamental cognitive orientation of an individual or society encompassing the entirety of the individual or society's knowledge and point-of-view Places * View, Kentucky, an unincorporated community in Crittenden County * View, Texas, an unincorporated community in Taylor County Arts, entertainment, and media Music * ''View'' (album), the 2003 debut album by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eijudō Hibino At Seventy-one (Toyokuni I)
''Eijūdō Hibino at Seventy-one'' is an ''ukiyo-e'' woodblock print dating to around 1799 by Edo period artist Utagawa Toyokuni I. According to its inscription, the print was produced in commemoration of the featured subject, print publisher Nishimuraya Yohachi I's, seventy-first year. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Utagawa Toyokuni I Utagawa Toyokuni (歌川豐國), also known as Toyokuni I, was the second head of the Utagawa school, and one of the most influential and prolific print-makers of the Edo period. From early adolescence, he apprenticed with Utagawa Toyoharu, studying the style of his mentor, as well as those of Chōbunsai Eishi, Utamaro and Eishōsai Chōki. He achieved his greatest commercial success within the genres of ''bijinga'' (prints of beautiful women) and, more significantly, ''kabuki-e'' and ''yakusha-e'' (kabuki and kabuki actor prints). The latter constitute the "overwhelming majority" of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Omezō As A Pilgrim And Ichikawa Yaozō As A Samurai (Toyokuni I)
''Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai'' is an '' ukiyo-e'' woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I. Featuring two of the most prominent actors of the day as characters in a contemporary kabuki drama, it is a classic example of the ''kabuki-e'' or '' yakusha-e'' genre. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Toyokuni and kabuki Utagawa Toyokuni (歌川豐國), also known as Toyokuni I, was the second head of the Utagawa school, and one of the most influential print-makers of the Edo period. From early adolescence, he apprenticed with Utagawa Toyoharu, studying the style of his mentor, as well as those of Chōbunsai Eishi, Utamaro and Eishōsai Chōki. Although his initial attempts met with failure, Toyokuni achieved commercial success in 1786 with illustrations for the '' kibyōshi'' novelette ''Tsugamonai hanashi no oyadama'' (無束話親玉). He soon discover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan Print With Two Bugaku Dancers (Kunisada)
''Fan print with two bugaku dancers'' is an ''ukiyo-e'' woodblock print dating to sometime between the mid 1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the ''uchiwa-e'' (fan print) and '' aizuri-e'' (monochromatic blue print) genres. It is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. ''Uchiwa-e'' ''Uchiwa'' (団扇) are non-folding, flat, oval fans. They are still used today for cooling rice in the preparation of sushi, in dance performances, and as a cooling tool. Historically, ''uchiwa'' were a predominantly female accessory, men typically carrying folding fans known as ''ōgi'' (扇), ''suehiro'' (末広) or ''sensu'' (扇子).Salter 2006, 25 They are associated with summer, traditionally having been sold only during the summer months, and decorated with summer imagery. At least one modern critic argues that, due to their use by women during periods of he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unit 88-9 (Kiyomizu Masahiro)
''Unit 88-9'' (Kiyomizu Masahiro) is a glazed stoneware sculpture by contemporary Japanese potter and sculptor Kiyomizu Masahiro, also known by the professional art-name Kiyomizu Rokubei VIII. This piece is held in the collection of the Royal Ontario Museum in Toronto, Canada. Kiyomizu Masahiro Kiyomizu Masahiro (清水 柾博) was born in Kyoto on April 22, 1954. His father was the sculptor Kiyomizu Kyūbei (清水九兵衛), who in 1981 became the seventh head of the Kiyomizu pottery atelier and took the name Kiyomizu Rokubei VII. Kiyomizu Masahiro graduated from Tokyo's Waseda University with a degree in architecture from the Faculty of Science and Engineering in 1979. Although he originally planned to pursue this field, but decided to follow in the family pottery tradition because it gave him "full control of the creative process from start to finish." He returned to Kyoto, where he continued his studies. He spent one year at the Kyoto Prefectural Ceramic Training Institute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Female Ghost (Kunisada)
''Female Ghost'' is an ''ukiyo-e'' woodblock print dating to 1852 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. ''Female Ghost'' exemplifies the nineteenth century Japanese vogue for the supernatural and superstitious in the literary and visual arts. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. ''Yūrei-zu'' This print belongs to a genre of Japanese painting and ''ukiyo-e'' known as ''yūrei-zu'' (幽霊図), ghost pictures, which peaked in popularity in the mid-nineteenth century. Literally 'faint (幽- yū) spirit (霊- rei),' ''yūrei'' is just one of several Japanese words used to refer to spirits. Other terms include: ''obake'' (お化け), ''yōkai'' (妖怪), ''bōrei'' (亡霊), ''shiryō/ shirei'' (死霊), ''yūki'' (幽鬼), ''yōma'' (妖魔), ''yūkai'' (幽怪), ''rei'' (霊), ''bakemono'' (化け物), ''konpaku'' (魂魄), ''henge'' (変化), ''onryō'' (怨霊) and ''yūreijinkō'' (幽 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hara School Of Painters
The Hara School was a Kyoto-based Japanese painting atelier established in the late Edo era, which continued as a family-controlled enterprise through the early 20th century. The Hara artists were imperial court painters and exerted great influence within Kyoto art circles. They contributed paintings to various temples and shrines, as well as to the Kyoto Imperial Palace. Late Edo period painting schools Artistic production in Edo period Japan was dominated by schools, which were professional workshops organized along patriarchal lines. They had the twinned goals of training painters to faithfully continue school techniques, and of producing art to satisfy patrons. Art was largely the domain of private patrons and connoisseurs, its manufacture being commission-driven by nobles, ''daimyōs'', temples and shrines. Only late in the nineteenth-century did art become accessible to the public, with the 1872 opening of Japan’s first museum. Schools were characterized by an extended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato-e
is a style of Japanese painting inspired by Tang dynasty paintings and fully developed by the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese-style paintings , which were inspired by Chinese Song and Yuan-era ink wash paintings. Characteristic features of Yamato-e include many small figures and careful depictions of details of buildings and other objects, the selection of only some elements of a scene to be fully depicted, the rest either being ignored or covered by a "floating cloud", an oblique view from above showing interiors of buildings as though through a cutaway roof, and very stylised depiction of landscape. Yamato-e very often depict narrative stories, with or without accompanying text, but also show the beauty of nature, with famous places or the four seasons . The pictures are often on scrolls that can be hung on a wall (), hand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
