Unit 88-9 (Kiyomizu Masahiro)
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''Unit 88-9'' (Kiyomizu Masahiro) is a glazed stoneware sculpture by contemporary Japanese potter and sculptor Kiyomizu Masahiro, also known by the professional art-name
Kiyomizu Rokubei Kiyomizu Rokubei (清水六兵衛) is the name bestowed on the head of the Kyoto-based Kiyomizu family of ceramists. With over 240 years of history, the studio is now into its eighth generation. It is currently headed by contemporary ceramist and ...
VIII. This piece is held in the collection of the
Royal Ontario Museum The Royal Ontario Museum (ROM) is a museum of art, world culture and natural history in Toronto, Ontario, Canada. It is one of the largest museums in North America and the largest in Canada. It attracts more than one million visitors every year ...
in
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, Canada.


Kiyomizu Masahiro

Kiyomizu Masahiro (清水 柾博) was born in Kyoto on April 22, 1954. His father was the sculptor Kiyomizu Kyūbei (清水九兵衛), who in 1981 became the seventh head of the Kiyomizu pottery atelier and took the name Kiyomizu Rokubei VII. Kiyomizu Masahiro graduated from Tokyo's Waseda University with a degree in architecture from the Faculty of Science and Engineering in 1979. Although he originally planned to pursue this field, but decided to follow in the family pottery tradition because it gave him "full control of the creative process from start to finish." He returned to
Kyoto Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the ci ...
, where he continued his studies. He spent one year at the Kyoto Prefectural Ceramic Training Institute and another year at the Municipal Decorative Arts Institute in Kyoto. In 1983, he became an official ceramist of the Kiyomizu family. In 2000, at age 46, he succeeded his father to become the eighth head of the Kiyomizu pottery studio. At this time he took the name Kiyomizu Rokubei VIII. Since then, he has attempted to combine the 240 plus years of tradition of his family kiln with his own unique avant-garde style. He is currently an instructor of Contemporary Ceramics at the Kyoto University of Art and Design (京都造形芸術大学). He describes the goal of his classes as, "not simply to learn the techniques required to make ceramics, but to learn how to use those skills to produce a beautiful form, to create the form you want to express, to create a form corresponding to a specific image." A technique he favours is joining flat slabs of clay in extended forms, highlighting instead of hiding the process of their construction. He then makes cuts to weaken the structure, which results in distortions during firing. Kiyomizu Rokubei VIII is a member of the International Academy of Ceramics, the Japan Society of Oriental Ceramic Studies (東洋陶磁学会) and the Ceramic Society of Japan (日本陶磁協会). In a 2004 survey conducted by Japanese art magazine ''Honoho Geijutsu'' to determine Japan's most important living ceramists, Kiyomizu tied for 23rd place in the popular vote. He was ranked 12th by curators, critics and art journalists.


Awards


Unit 88-9

Although the first heads of the Kiyomizu family concentrated on traditional, popular objects and designs, Rokubei VII and VIII "took a radical turn" to produce abstract, geometric three-dimensional pieces which are either purely decorative, or combine function with distinctive, unexpected form. His works have been described as "futuristic-looking" and as having "a very Cubist sensibility." ''Unit 88-9'' fits in well with this characterization. It is a polyhedral piece of sculptural stoneware, with multiple flat and curved surfaces. The top surface is concave and, like every other surface, is lacerated. It is monochromatic, being entirely dark brown.


Other works

Rokubei VIII's pieces belong to the following collections: *
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
* National Art Museum of China *
Everson Museum of Art Everson may refer to: People with the surname * Ben Everson (born 1987), English footballer * Bill Everson (1906–1966), Welsh international rugby union player * Cliff Everson, a New Zealand car designer and manufacturer * Corinna Everson (born ...
*Sèvres National Ceramics Museum *
Kyoto Municipal Museum of Art The is one of the oldest art museums in Japan. Nussbaum, Louis-Frédéric. (2005)"Museums"in ''Japan Encyclopedia'', pp. 671-673. It is located in Okazaki Park in Sakyō-ku, Kyoto, and opened in 1928 as a commemoration of Emperor Hirohito's coro ...
*Crafts Gallery of the National Museum of Modern Art, Tokyo *
National Museum of Art, Osaka is a subterranean Japanese art museum located on the island of Nakanoshima, located between the Dōjima River and the Tosabori River, about 10 minutes west of Higobashi Station in central Osaka. The official Japanese title of the museum transl ...
His large-scale 1972 steel sculpture ''Belt II'' stands in Paris' Museum of Outdoor Sculpture. In 2005, he produced the ceramic art sculpture ''SKY RELATION - 2005'' for the domestic terminal of
Central Japan International Airport is an international airport on an artificial island in Ise Bay, Tokoname City in Aichi Prefecture, south of Nagoya in central Japan. Centrair is classified as a first class airport and is the main international gateway for the Chubu ("ce ...
(中部国際空港).


See also

*
Royal Ontario Museum The Royal Ontario Museum (ROM) is a museum of art, world culture and natural history in Toronto, Ontario, Canada. It is one of the largest museums in North America and the largest in Canada. It attracts more than one million visitors every year ...
* Spring and autumn landscapes (Hara Zaishō) - painting in same gallery * Female Ghost (Kunisada) - print in same gallery *
Fan print with two bugaku dancers (Kunisada) ''Fan print with two bugaku dancers'' is an ''ukiyo-e'' woodblock print dating to sometime between the mid 1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the ...
- print in same gallery *
Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai (Toyokuni I) ''Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai'' is an ''ukiyo-e'' woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I. Featuring two of the most prominent actors of the day as characters in a contemporar ...
- print in same gallery *
Eijudō Hibino at Seventy-one (Toyokuni I) ''Eijūdō Hibino at Seventy-one'' is an ''ukiyo-e'' woodblock print dating to around 1799 by Edo period artist Utagawa Toyokuni I. According to its inscription, the print was produced in commemoration of the featured subject, print publisher Nish ...
- Print in same gallery *
Bust portrait of Actor Kataoka Ichizō I (Gochōtei Sadamasu II) ''Bust portrait of Actor Kataoka Ichizō I'' is an ''ukiyo-e'' Japanese woodblock printing, woodblock print belonging to the permanent collection of the Royal Ontario Museum, Canada. The print dates to around the mid nineteenth century, and is an ...
- print in same gallery *
View of Tempōzan Park in Naniwa (Gochōtei Sadamasu) A view is a sight or prospect or the ability to see or be seen from a particular place. View, views or Views may also refer to: Common meanings * View (Buddhism), a charged interpretation of experience which intensely shapes and affects thou ...
- print in same gallery


Notes


References

*Earle, Joe. ''Contemporary Clay: Japanese Ceramics for the New Century.'' Boston: MFA Publications, 2005. {{ISBN, 0-87846-696-7. *Gendai meiko shokunin jinmei jiten (現代名工・職人人名事典). "Kiyomizu Masahiro (清水柾博)," 134. Tokyo: Nichigai Asoshietsu, 1990. *Glo Code. "Belt II." Accessed May 26, 2013. http://glocode.com/fr/dir/PAR1.php *Go-jo chawanzaka. "作家紹介:清水六兵衛 (Artist Profile: Kiyomizu Rokubei)." Accessed May 28, 2013. http://www.gojo-chawanzaka.jp/sakka/kiyomizurokube/ *Japanese Pottery Information Center. "Honoho Geijutsu Rankings, 2004: Voting for Japan's Top 20 Living Ceramists." Accessed May 27, 2013. http://www.e-yakimono.net/html/honoho-rankings-2004.html *古美術やかた (Kobijutsu yakata). "清水六兵衛 歴代(The successive generations of Kiyomizu Rokubee)." Accessed May 26, 2013. http://www.kyoto-yakata.net/info/arts_crafts/kiyomizu_rokubee.html *Kyoto University of Art and Design. "清水 六兵衞 (Kiyomizu Rokubey)." Accessed May 28, 2013. http://www.kyoto-art.ac.jp/t/message/ceramic/ *Kyoto University of Art and Design. "清水 六兵衞(陶芸家) iyomizu Rokubey (Ceramist)" Accessed May 29, 2013. http://www.kyoto-art.ac.jp/info/teacher/detail.php?memberId=142 *Spysee.jp."清水六兵衛 (Kiyomizu Rokubey)." Accessed May 29, 2013. https://web.archive.org/web/20090629033912/http://spysee.jp/?%E6%B8%85%E6%B0%B4%E5%85%AD%E5%85%B5%E8%A1%9B%2F1535238%2Fprofile%3Fref=top_card *The British Museum. "lid; incense-burner." Accessed May 27, 2013. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=766045&partId=1&searchText=kiyomizu&matcult=15930&page=1 *UBE Biennale '07. "Rokubey Kiyomizu." Accessed May 27, 2013. http://www.ube-museum.jp/exhibition/22/guide/05e.htm *Yellin, Robert. "The evolution of ceramic form." ''The Japan Times'': April 11, 2001.


External links

*http://images.rom.on.ca/public/index.php?function=record&action=uview&sid=npwqs6sn6cm2ku6509ln&ccid=6703&recid=3954&tbl=aa&id=17881&pid=5709 Image of ''Unit 88-9'' Ceramic sculptures Collections of the Royal Ontario Museum Japanese sculpture