|
Eijudō Hibino At Seventy-one (Toyokuni I)
''Eijūdō Hibino at Seventy-one'' is an ''ukiyo-e'' woodblock print dating to around 1799 by Edo period artist Utagawa Toyokuni I. According to its inscription, the print was produced in commemoration of the featured subject, print publisher Nishimuraya Yohachi I's, seventy-first year. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Utagawa Toyokuni I Utagawa Toyokuni (歌川豐國), also known as Toyokuni I, was the second head of the Utagawa school, and one of the most influential and prolific print-makers of the Edo period. From early adolescence, he apprenticed with Utagawa Toyoharu, studying the style of his mentor, as well as those of Chōbunsai Eishi, Utamaro and Eishōsai Chōki. He achieved his greatest commercial success within the genres of ''bijinga'' (prints of beautiful women) and, more significantly, ''kabuki-e'' and ''yakusha-e'' (kabuki and kabuki actor prints). The latter constitute the "overwhelming majority" of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni
Utagawa Toyokuni ( ja, 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokuni, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freer Gallery
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art. The gallery is located on the south side of the National Mall in Washington, D.C., contiguous with the Sackler Gallery. The museum is open 364 days a year (being closed on Christmas), and is administered by a single staff with the Sackler Gallery. The galleries were among the most visited art museums in the world. The Freer houses over 26,000 objects spanning 6,000 years of history from the Neolithic to modern eras. The collections include ancient Egyptian stone sculpture and wooden objects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan Print With Two Bugaku Dancers (Kunisada)
''Fan print with two bugaku dancers'' is an ''ukiyo-e'' woodblock print dating to sometime between the mid 1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the ''uchiwa-e'' (fan print) and '' aizuri-e'' (monochromatic blue print) genres. It is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. ''Uchiwa-e'' ''Uchiwa'' (団扇) are non-folding, flat, oval fans. They are still used today for cooling rice in the preparation of sushi, in dance performances, and as a cooling tool. Historically, ''uchiwa'' were a predominantly female accessory, men typically carrying folding fans known as ''ōgi'' (扇), ''suehiro'' (末広) or ''sensu'' (扇子).Salter 2006, 25 They are associated with summer, traditionally having been sold only during the summer months, and decorated with summer imagery. At least one modern critic argues that, due to their use by women during periods of he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Bank Of Commerce
The Canadian Bank of Commerce was a Canadian bank which was founded in 1867, and had hundreds of branches throughout Canada. It merged in 1961 with the Imperial Bank of Canada to form the Canadian Imperial Bank of Commerce. History In 1866 a group of businessmen, including William McMaster, purchased a charter from the defunct Bank of Canada, which had folded in 1858. The Canadian Bank of Commerce was founded the following year, issued stock, and opened its headquarters in Toronto, Ontario. The bank soon opened branches in London, St. Catharines and Barrie. During the following years, the bank opened more branches in Ontario, and took over the business of the local Gore Bank, before expanding across Canada through the acquisition of the Bank of British Columbia in 1901 and the Halifax Banking Company in 1903. By 1907 the Canadian Bank of Commerce had 172 branches. By the beginning of World War II, this had expanded to 379 branches, including a large building by Darling and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byron Edmund Walker
Sir Byron Edmund Walker, CVO (14 October 1848 – 27 March 1924) was a Canadian banker. He was the president of the Canadian Bank of Commerce from 1907 to 1924, and a generous patron of the arts, helping to found and nurture many of Canada's cultural and educational institutions, including the University of Toronto, National Gallery of Canada, the Champlain Society, Appleby College, Art Gallery of Ontario and Royal Ontario Museum.Marshall, Barbara RuthSir Edmond Walker, Servant of Canada (thesis), Department of History, University of British Columbia, June 1971. In 1910, King George V knighted Walker for his contributions to business and the arts. Early years Byron Edmund Walker was born on 14 October 1848 on the outskirts of Caledonia in Seneca Township, Haldimand County, Canada West. His grandfather, Thomas Walker, had been a manufacturer of watchcases in London, England. He arrived in Upper Canada (now Ontario) in 1834 with four of his children, some books and some pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shini-e
, also called "death pictures" or "death portraits", are Japanese woodblock prints, particularly those done in the ukiyo-e style popular through the Edo period (1603–1867) and into the beginnings of the 20th century. When a kabuki actor died, memorial portraits were conventionally published with his farewell poem and posthumous name.Keyes, Roger ''et al.'' (1973). ''The Theatrical World of Osaka Prints,'' p. 320; Chin, Connie and Melinda Takeuchi "Actors' Death Prints: Discovery of a New Genre." ''Horizons'' (Center for East Asian Studies, Stanford University) Fall 2005, p. 7. Memorial portraits were created by ukiyo-e artists to honor a colleague or former teacher who had died. Gallery Memorial Portrait of Hiroshige, by Kunisada.jpg, Hiroshige by Kunisada, 1858 Kunisada shini e.jpg, Kunisada by Toyohara Kunichika, 1864 Yōshū Chikanobu Iwai Hanshiro VIII.jpg, Iwai Hanshirō VIII, by Toyohara Chikanobu 1882 See also * List of ukiyo-e terms This is a list of terms freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inscription Detail From Eijudo Hibino At Seventy-one
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shintō
Shinto () is a religion from Japan. Classified as an East Asian religion by scholars of religion, its practitioners often regard it as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. There is no central authority in control of Shinto, with much diversity of belief and practice evident among practitioners. A polytheistic and animistic religion, Shinto revolves around supernatural entities called the . The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshiped at household shrines, family shrines, and ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony between humans and and to solicit the latter's blessing. Other common rituals include the dances, rites of passag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paraph
Paraph may refer to: * Paraph, a flourish at the end of a signature * Paraph, an alternative name for the pilcrow sign ¶ *''Paraphs'', a 1928 book by Hermann Püterschein illustrated by William Addison Dwiggins See also * * Paragraph {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hatsuyume
In Japanese culture, a is the first dream one has in the new year. Traditionally, the contents of such a dream would foretell the luck of the dreamer in the ensuing year. In Japan, the night of December 31 was often passed without sleeping, so the ''hatsuyume'' is often experienced during the night of January 1; the day after the night of the "first dream" is also known as the ''hatsuyume''. This day is January 2 in the Gregorian calendar, but was different in the traditional Japanese calendar. It is considered to be particularly good luck to dream of Mount Fuji, a hawk, and an eggplant. This belief has been in place since the early Edo period but there are various theories regarding the origins as to why this particular combination was considered to be auspicious. One theory suggests that this combination is lucky because Mount Fuji is Japan's highest mountain, the hawk is a clever and strong bird, and the word for eggplant (, ''nasu'' or ''nasubi'') suggests achieving somethi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Fuji
, or Fugaku, located on the island of Honshū, is the highest mountain in Japan, with a summit elevation of . It is the second-highest volcano located on an island in Asia (after Mount Kerinci on the island of Sumatra), and seventh-highest peak of an island on Earth. Mount Fuji is an active stratovolcano that last erupted from 1707 to 1708. The mountain is located about southwest of Tokyo and is visible from there on clear days. Mount Fuji's exceptionally symmetrical cone, which is covered in snow for about five months of the year, is commonly used as a cultural icon of Japan and it is frequently depicted in art and photography, as well as visited by sightseers and climbers. Mount Fuji is one of Japan's along with Mount Tate and Mount Haku. It is a Special Place of Scenic Beauty and one of Japan's Historic Sites. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Byron Edmund Walker")
