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Eijudō Hibino At Seventy-one (Toyokuni I)
''Eijūdō Hibino at Seventy-one'' is an ''ukiyo-e'' woodblock print dating to around 1799 by Edo period artist Utagawa Toyokuni I. According to its inscription, the print was produced in commemoration of the featured subject, print publisher Nishimuraya Yohachi I's, seventy-first year. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Utagawa Toyokuni I Utagawa Toyokuni (歌川豐國), also known as Toyokuni I, was the second head of the Utagawa school, and one of the most influential and prolific print-makers of the Edo period. From early adolescence, he apprenticed with Utagawa Toyoharu, studying the style of his mentor, as well as those of Chōbunsai Eishi, Utamaro and Eishōsai Chōki. He achieved his greatest commercial success within the genres of ''bijinga'' (prints of beautiful women) and, more significantly, ''kabuki-e'' and ''yakusha-e'' (kabuki and kabuki actor prints). The latter constitute the "overwhelming majority" of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni
Utagawa Toyokuni ( ja, 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokuni, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freer Gallery
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art. The gallery is located on the south side of the National Mall in Washington, D.C., contiguous with the Sackler Gallery. The museum is open 364 days a year (being closed on Christmas), and is administered by a single staff with the Sackler Gallery. The galleries were among the most visited art museums in the world. The Freer houses over 26,000 objects spanning 6,000 years of history from the Neolithic to modern eras. The collections include ancient Egyptian stone sculpture and wooden objects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan Print With Two Bugaku Dancers (Kunisada)
''Fan print with two bugaku dancers'' is an ''ukiyo-e'' woodblock print dating to sometime between the mid 1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the ''uchiwa-e'' (fan print) and '' aizuri-e'' (monochromatic blue print) genres. It is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. ''Uchiwa-e'' ''Uchiwa'' (団扇) are non-folding, flat, oval fans. They are still used today for cooling rice in the preparation of sushi, in dance performances, and as a cooling tool. Historically, ''uchiwa'' were a predominantly female accessory, men typically carrying folding fans known as ''ōgi'' (扇), ''suehiro'' (末広) or ''sensu'' (扇子).Salter 2006, 25 They are associated with summer, traditionally having been sold only during the summer months, and decorated with summer imagery. At least one modern critic argues that, due to their use by women during periods of he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Bank Of Commerce
The Canadian Bank of Commerce was a Canadian bank which was founded in 1867, and had hundreds of branches throughout Canada. It merged in 1961 with the Imperial Bank of Canada to form the Canadian Imperial Bank of Commerce. History In 1866 a group of businessmen, including William McMaster, purchased a charter from the defunct Bank of Canada, which had folded in 1858. The Canadian Bank of Commerce was founded the following year, issued stock, and opened its headquarters in Toronto, Ontario. The bank soon opened branches in London, St. Catharines and Barrie. During the following years, the bank opened more branches in Ontario, and took over the business of the local Gore Bank, before expanding across Canada through the acquisition of the Bank of British Columbia in 1901 and the Halifax Banking Company in 1903. By 1907 the Canadian Bank of Commerce had 172 branches. By the beginning of World War II, this had expanded to 379 branches, including a large building by Darling and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byron Edmund Walker
Sir Byron Edmund Walker, CVO (14 October 1848 – 27 March 1924) was a Canadian banker. He was the president of the Canadian Bank of Commerce from 1907 to 1924, and a generous patron of the arts, helping to found and nurture many of Canada's cultural and educational institutions, including the University of Toronto, National Gallery of Canada, the Champlain Society, Appleby College, Art Gallery of Ontario and Royal Ontario Museum.Marshall, Barbara RuthSir Edmond Walker, Servant of Canada (thesis), Department of History, University of British Columbia, June 1971. In 1910, King George V knighted Walker for his contributions to business and the arts. Early years Byron Edmund Walker was born on 14 October 1848 on the outskirts of Caledonia in Seneca Township, Haldimand County, Canada West. His grandfather, Thomas Walker, had been a manufacturer of watchcases in London, England. He arrived in Upper Canada (now Ontario) in 1834 with four of his children, some books and some pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shini-e
, also called "death pictures" or "death portraits", are Japanese woodblock prints, particularly those done in the ukiyo-e style popular through the Edo period (1603–1867) and into the beginnings of the 20th century. When a kabuki actor died, memorial portraits were conventionally published with his farewell poem and posthumous name.Keyes, Roger ''et al.'' (1973). ''The Theatrical World of Osaka Prints,'' p. 320; Chin, Connie and Melinda Takeuchi "Actors' Death Prints: Discovery of a New Genre." ''Horizons'' (Center for East Asian Studies, Stanford University) Fall 2005, p. 7. Memorial portraits were created by ukiyo-e artists to honor a colleague or former teacher who had died. Gallery Memorial Portrait of Hiroshige, by Kunisada.jpg, Hiroshige by Kunisada, 1858 Kunisada shini e.jpg, Kunisada by Toyohara Kunichika, 1864 Yōshū Chikanobu Iwai Hanshiro VIII.jpg, Iwai Hanshirō VIII, by Toyohara Chikanobu 1882 See also * List of ukiyo-e terms This is a list of terms freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inscription Detail From Eijudo Hibino At Seventy-one
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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