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Ichikawa Omezō As A Pilgrim And Ichikawa Yaozō As A Samurai (Toyokuni I)
''Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai'' is an ''ukiyo-e'' woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I. Featuring two of the most prominent actors of the day as characters in a contemporary kabuki drama, it is a classic example of the ''kabuki-e'' or ''yakusha-e'' genre. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Toyokuni and kabuki Utagawa Toyokuni (歌川豐國), also known as Toyokuni I, was the second head of the Utagawa school, and one of the most influential print-makers of the Edo period. From early adolescence, he apprenticed with Utagawa Toyoharu, studying the style of his mentor, as well as those of Chōbunsai Eishi, Utamaro and Eishōsai Chōki. Although his initial attempts met with failure, Toyokuni achieved commercial success in 1786 with illustrations for the ''kibyōshi'' novelette ''Tsugamonai hanashi no oyadama'' (無束話親玉). He soon discovered his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni
Utagawa Toyokuni ( ja, 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokuni, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the '' daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the '' bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsukawa Shunkō
Katsukawa may refer to: *Katsukawa school, school of Japanese ukiyo-e art, founded by Miyagawa Shunsui *Katsukawa Shunchō, designer of ukiyo-e style Japanese woodblock prints, active from c. 1783 to c. 1795 *Katsukawa Shunkō I (1743–1812), designer of ukiyo-e style Japanese woodblock prints in Edo (Tokyo) *Katsukawa Shunsen, designer of books and ukiyo-e style Japanese woodblock prints *Katsukawa Shunshō Shunshō Katsukawa ( ja, 勝川 春章; 1726 – 19 January 1793) was a Japanese painter and printmaker in the ''ukiyo-e'' style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miy ... (1726–1792), Japanese painter and printmaker in the ukiyo-e style, and the leading artist of the Katsukawa school {{disambiguation, surname Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō V
also known as , was one of the most famous and popular Japanese Kabuki actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the '' hyōbanki'', an annual Edo publications which evaluated actors and performances. At one point in 1782, he was even granted the rank of . He is depicted in countless ''ukiyo-e'' actor prints (''yakusha-e''), and unlike many actors who focus on one type of role, Danjūrō excelled at many types of roles, playing heroes, villains, samurai, peasants, and beautiful women with equal skill. One of his most famous roles is that of the hero in ''Shibaraku'', a scene contained within full plays. Names Like most kabuki actors, and many artists, of his time, Danjūrō had a number of names. He was the fifth to be called Ichikawa Danjūrō, and though not the first to be known as Ichikawa Ebizō, he used different kanji (characters) than his predecessors in writing the name. He was a member of the guilds Naritaya and Kōr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Ichikawa Danjūrō line ** Ichikawa Danjūrō I ** Ichikawa Danjūrō II ** Ichikawa Danjūrō III ** Ichikawa Danjūrō IV ** Ichikawa Danjūrō V ** Ichikawa Danjūrō VI ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onnagata
(also ) are male actors who play female roles in kabuki theatre. History The modern all-male kabuki was originally known as ("male kabuki") to distinguish it from earlier forms. In the early 17th century, shortly after the emergence of the genre, many kabuki theaters had an all-female cast (), with women playing men's roles as necessary. ("adolescent-boy kabuki"), with a cast composed entirely of attractive young men playing both male and female roles, and frequently dealing in erotic themes, originated circa 1612. Both and (or ), actors specializing in adolescent female roles (and usually adolescents themselves), were the subject of much appreciation by both male and female patrons, and were often prostitutes. All-male casts became the norm after 1629, when women were banned from appearing in kabuki due to the prevalent prostitution of actresses and violent quarrels among patrons for the actresses' favors. This ban failed to stop the problems, since the young male () acto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon (emblem)
, also , , and , are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution or business entity. While is an encompassing term that may refer to any such device, and refer specifically to emblems used to identify a family. An authoritative reference compiles Japan's 241 general categories of based on structural resemblance (a single may belong to multiple categories), with 5,116 distinct individual . However, it is well-acknowledged that there exist a number of lost or obscure . The devices are similar to the badges and coats of arms in European heraldic tradition, which likewise are used to identify individuals and families. are often referred to as crests in Western literature, the crest being a European heraldic device similar to the in function. History may have originated as fabric patterns to be used on clothes in order to distinguish individuals or signify membership of a specific clan or organization. By the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Yaozo Kaemon Crest
may refer to: Places *Ichikawa, Chiba, a city in Chiba, Japan **Ichikawa Gakuen (Ichikawa Junior and Senior High School), a large private boys and girls school in Moto-kita-kata, Ichikawa, Chiba * Ichikawa, Hyogo, a town in Hyōgo, Japan *Ichikawamisato, frequently known simply as Ichikawa, a city in Yamanashi, Japan *Ichi River The is a river which flows through the southwest of Hyōgo Prefecture, Japan. The Ibo, Kako, Ichi, Yumesaki, and Chikusa rivers are collectively referred to as the Harima Gokawa, the five major rivers that flow into the Harima Sea. Geography ..., a river in Hyōgo Prefecture Other uses * Ichikawa (surname) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshitsune Sembon Zakura
''Yoshitsune Senbon Zakura'' (義経千本桜), or ''Yoshitsune and the Thousand Cherry Trees'', is a Japanese play, one of the three most popular and famous in the Kabuki repertoire. Originally written in 1747 for the bunraku, jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year. Adapted to Kabuki, the play was premièred in that mode in January 1748, in the city of Ise, Mie, Ise, in Mie Prefecture. Kataoka Nizaemon IV and Yamamoto Koheiji were two of the actors in this performance, playing Ginpei and Tadanobu/Genkurō respectively. The premiere in Edo was held at the Nakamura-za in May the same year, and in Osaka at the Naka no Shibai just a few months later in August. The play is derived from the world of the ''The Tale of the Heike, Heike Monogatari'', a classical epic which details the rise and fall of the Taira clan of samurai. The latter portions describe the eventual defeat of the Taira in the Genpei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khakkhara
A khakkhara ( sa, khakkhara; ; , sometimes referred to in English as a pewter staff, is a staff topped with metal rings traditionally carried by Buddhist monks, particularly in East Asian Buddhism. Originally used as a noisemaker to announce a monk's presence and frighten away animals, it was adapted for use as a rhythmic instrument during chanting and sutra recitation, and for use as a weapon.Four Noble Truths: BUDDHIST PHILOSOPHY Encycl ..., six rings representing the Six Perfections, or twelve rings representing the Pratītyasamutpāda">twelvefold chain of cause and effect. A notable carrier of the staff is Kṣitigarbha, the bodhisattva of children and travelers. He is usually depicted holding a khakkhara in his right hand. It is also often held by images of the Avalokiteśvara, thousand-armed Avalokiteśvara in Chinese and Japanese statuary. Folklore Baiyun Mountain in Guangzhou, China features a spring known as "Pewter Staff Spring" (錫泉). According to legend, a monk st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumadori
is the stage makeup worn by kabuki is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to ... actors, mostly when performing kabuki plays in the style. The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details. makeup generally consists of brightly coloured stripes or patterns over a white foundation, the colours and patterns symbolising aspects of the character. Though was originated and developed extensively by members of the family of actors, some conventions are creations of the line. Colours Only a few colours are used in makeup; red, blue, brown and black. Whilst black is simply used to exaggerate features, such as eyebrows and the line of the mouth, the other colours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Sword
A is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794 – 1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the ''katana'', ''tachi'', '' odachi'', ''wakizashi'', and ''tantō''. Classification Classification by shape and usage In modern times the most commonly known type of Japanese sword is the ''Shinogi-Zukuri'' ''katana'', which is a single-edged and usually curved longsword traditionally worn by samurai from the 15th century onwards. Western historians have said that Japanese katana were among the finest cutting weapons in world military history, for their intended use. Other types of Japanese swords include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
