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Ichikawa Danjūrō V
also known as , was one of the most famous and popular Japanese Kabuki actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the '' hyōbanki'', an annual Edo publications which evaluated actors and performances. At one point in 1782, he was even granted the rank of . He is depicted in countless ''ukiyo-e'' actor prints ('' yakusha-e''), and unlike many actors who focus on one type of role, Danjūrō excelled at many types of roles, playing heroes, villains, samurai, peasants, and beautiful women with equal skill. One of his most famous roles is that of the hero in '' Shibaraku'', a scene contained within full plays. Names Like most kabuki actors, and many artists, of his time, Danjūrō had a number of names. He was the fifth to be called Ichikawa Danjūrō, and though not the first to be known as Ichikawa Ebizō, he used different kanji (characters) than his predecessors in writing the name. He was a member of the guilds Naritaya and K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibaraku
is a play in the Kabuki repertoire, and one of the celebrated '' Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori'').{{citation needed, date=May 2017 Originally staged by Ichikawa Danjūrō I in 1697 at the Nakamura-za, it was very popular, and quickly began to be included at the annual '' kaomise'' celebrations of each theatre in Edo. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by Danjūrō VII, and reworked again by Danjūrō IX at the end of that century. This version has been performed since then. A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certain level of energy and interest on the part of the audience. Today it is played mostly on special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura-za
was one of the three main ''kabuki'' theatres of Edo alongside the Morita-za and Ichimura-za. History It was founded in 1624 by Nakamura Kanzaburō 1st. The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura Kanzaburō I's last direct descendant Nakamura Kanzaburo XIII (1828–1895) as zamoto. It was later also called the Miyako-za (). A real-size replica of the Nakamura-za is located at the Edo-Tokyo Museum The is a historical museum located at 1-4-1 Yokoami, Sumida-Ku, Tokyo in the Ryogoku district. The museum opened in March 1993 to preserve Edo's cultural heritage, and features city models of Edo and Tokyo between 1590 (just prior to the .... References External links Nakamura-za at Kabuki21.com Former kabuki theatres Nihonbashi, Tokyo {{Japan-hist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1806 Deaths
Events January–March *January 1 ** The French Republican Calendar is abolished. ** The Kingdom of Bavaria is established by Napoleon. *January 5 – The body of British naval leader Horatio Nelson, 1st Viscount Nelson, lies in state in the Painted Hall of Greenwich Hospital, London, Greenwich Hospital, London, prior to his funeral. *January 8 – Battle of Blaauwberg: British infantry force troops of the Batavian Republic in the Dutch Cape Colony to withdraw. *January 9 ** The Dutch commandant of Cape Town surrenders to British forces. On January 10, formal capitulation is signed under the Treaty Tree in Papendorp (modern-day Woodstock, Cape Town, Woodstock). ** Horatio Nelson, 1st Viscount Nelson, Lord Nelson is given a state funeral and interment at St Paul's Cathedral in London, attended by George IV of the United Kingdom, the Prince of Wales. *January 18 – The Dutch Cape Colony capitulates to British forces, the origin of its status as a colony within the British ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1741 Births
Events January–March * January 13 **Lanesborough, Massachusetts is created as a township. **Conventicle Act (Denmark–Norway), Conventicle Act of 1741 is introduced in Denmark-Norway. *February 13 – Sir Robert Walpole, the Prime Minister of Great Britain, popularizes the term "the balance of power (international relations), balance of power" in a speech in Parliament. *February 14 – Irish-born actor Charles Macklin makes his London stage debut as Shylock in ''The Merchant of Venice'' at the Theatre Royal, Drury Lane, pioneering a psychologically realistic style with Shakespeare's text revived, replacing George Granville, 1st Baron Lansdowne, George Granville's melodramatic adaptation The Merchant of Venice#Performance history, ''The Jew of Venice''. Kitty Clive plays the Travesti (theatre), travesti role of Portia (The Merchant of Venice), Portia. *March 9 – War of the Austrian Succession: Prussian troops bring down the Austrian fortress of Głog� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Actors
is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūmei
''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage names. These stage names, most often those of the actor's father, grandfather, or teacher, are passed down between generations of actors' lineages, and hold great honor and importance. Many names are associated with certain roles or acting styles, and the new possessor of each name must live up to these expectations; there is the feeling almost of the actor not only taking a name, but embodying the spirit, style, or skill of each actor who previously had that name. Many actors will go through at least three names over the course of their career, their participation in a ''shūmei'' representing their passage into a new chapter of their performing career. The ''shūmei'' usually is followed by a performance significant to the actors' new names; these might involve larger parts, a new play, or roles traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawarazaki-za
The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily lent its license to the Kawarazaki-za. It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. History The Kawarazaki-za was opened in 1656 by Kawarazaki Gonnosuke I. In 1670, the shogunate issued licenses to four theatres in the city, forbidding the others, including the Kawarazaki-za, from operating. The Kawarazaki-za was, therefore, largely inactive until 1735, when it obtained the license from the bankrupt Morita-za, losing it once more in 1744. The theatre then reacquired the Morita-za's license from 1790 to 1797, producing a number of plays including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiri-za
The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly three centuries before it was destroyed by fire in 1932. It has not been rebuilt. History The theatre which would later be known as the Ichimura-za was founded as the Murayama-za, by Murayama Matasaburō I in March 1634.Shōriya, Asagoro. "Ichimuraza." Kabuki21.com'. Accessed 15 November 2008. After it was destroyed by fire in 1641 and rebuilt, the theatre, now controlled by Murayama's son-in-law Murata Kuroemon, with the help of Ichimura Uzaemon III, was renamed the Ichimura-za in 1643. Uzaemon became the official manager of the theatre in 1652, upon Kuroemon's death. The Ichimura-za was destroyed by fire and rebuilt numerous times over the years, including during the famous 1657 "Furisode Fire" or "Great Fire of Meireki". Ichimura Uzaem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryō
The was a gold currency unit in the shakkanhō system in pre- Meiji Japan. It was eventually replaced with a system based on the '' yen''. Origins The ''ryō'' was originally a unit of weight from China, the ''tael.'' It came into use in Japan during the Kamakura period. By the Azuchi–Momoyama period it had become nearly uniform throughout Japan, about 4.4 ''monme'' as a unit of weight (about the same as 16.5 grams). During the Sengoku period, various local ''daimyō'' began to mint their own money. One of the best known and most prestigious of these private coins was the ''kōshūkin'' (甲州金, ''coin/gold of the Kōshū Province'') issued by warlord Takeda Shingen, who had substantial gold deposits within his territories. The value of the ''kōshūkin'' was based on its weight, with one ''kōshūkin'' equal to one ryō of gold, and thus stamped with its weight (about 15 grams). The exchange rate fluctuated. A ''ryō'' of gold was worth 3 kan (3000) copper coins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morita-za
The Morita-za (森田座・守田座), also known later as the Shintomi-za (新富座), was one of the major Kabuki theaters in Edo (modern-day Tokyo) during the Edo period and into the beginning of the 20th century. It was established in January 1660, and run by the Morita family of actors until its destruction in the 1923 Great Kantō earthquake which destroyed much of Tokyo. History The Morita-za was first built by Morita Tarōbei I and his son Morita Tashichi in 1660, in Edo's Kobiki-chō district. The theater would burn down only a few months later, and many more times over the years, but was always rebuilt (until 1923). It was designated as one of only four theaters allowed to operate in Edo, by a 1670 government edict; the other three officially designated theaters were the Nakamura-za, Ichimura-Takenojō-za, and Yamamura-za. After all four were destroyed in the 1703 Great Genroku fire, and rebuilt, there began a tradition of co-producing plays for New Year's celebratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
