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Shūmei
''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage-names. These stagenames, most often those of the actor's father, grandfather, or teacher, are passed down between generations of actors' lineages, and hold great honor and importance. Many names are associated with certain roles or acting styles, and the new possessor of each name must live up to these expectations; there is the feeling almost of the actor not only taking a name, but embodying the spirit, style, or skill of each actor to previously hold that name. Many actors will go through at least three names over the course of their career, their participation in a ''shūmei'' representing their passage into a new chapter of their performing career. The ''shūmei'' usually is followed by a performance significant to the actors' new names; these might involve larger parts, a new play, or roles traditiona ...
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Misono-za Nagoya March 2013 (5)
The is a theatre in the city of Nagoya, central Japan. It was originally constructed in 1800s and presents ''kabuki'' and Western stage plays. History The tradition of ''kabuki'' in Nagoya goes back to the Edo period. With the opening of Japan to the West in the Meiji era, the Japanese wooden structure was replaced with a permanent building that was constructed out of brick and mortar in the Western Renaissance style in 1895. This structure was enlargened by the 1920s with a pillared porch added to the front. The old theatre was destroyed during the bombing of Nagoya in World War II. The new structure was constructed in the 1970s. A number of curtains, called ''doncho'', were designed for the theatre. The artist Kataoka Tamako designed one of the curtains called "Flowers at Mount Fuji" (富士に献花), which was sponsored by Matsuzakaya. Downstairs there are a number of restaurants open for customers during the break. The last performance was given in March 2013 followi ...
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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Ichikawa Danjūrō
is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. There are a number of roles that the line of Danjūrō specialize in, as well as a series of plays, the ''Kabuki Jūhachiban'' (The Kabuki Eighteen), which showcase the specialties of the Ichikawa family. Danjūrō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called ''shūmei'' in which a number of actors formally change their names. The name Danjūrō is generally taken at the peak of an actor's career; another name may be taken after retirement. Prior to taking the name Danjūrō, an actor frequently had the names Matsumoto Kōshirō, Ichikawa Shinnosuke, or Ichikawa Ebizō. The design of the Ichikawa family ''mon'', three squares nested inside one another, is called . Some of the actors in this line used "Sanshō" as their ...
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Ichikawa Ebizō
is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. Ebizō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called '' shūmei'' in which a number of actors formally change their names. A number of actors have followed a particular sequence in their stage names, preceding "Ebizō" by being called Ichikawa Shinnosuke or Matsumoto Kōshirō, and following it by achieving the name Ichikawa Danjūrō. The design of the Ichikawa family ''mon'', three squares nested inside one another, is called ''mimasu'' (三升). Lineage * Ichikawa Ebizō I (1673 – April 1675)Note: the dates given here do not represent the birth/death dates of the actor; rather, they indicate the period during which the actor held the name Danjūrō. – Took the name Danjūrō in 1693, becoming the first ...
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Matsumoto Kōshirō
is the stage name of a line of kabuki actors in Japan. Most of these were blood relatives, though some were adopted into the family. Kōshirō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called ''shūmei'' in which a number of actors formally change their names. Though the Matsumoto family is part of the Koraiya guild, there is a strong connection to the Naritaya guild and the Ichikawa family. It was not uncommon for members of the Matsumoto and Ichikawa families to take on names of both families over the course of their careers. The design of the Matsumoto family '' mon'', four flowers arranged in a diamond shape, is called ''yotsu-hana-bishi'' (四つ花菱). Lineage * Matsumoto Kōshirō I (May 1716 – March 1730)Note: the dates given here do not represent the birth/death dates of the actor; rather, they indicate the period during which the actor held the name Kōshirō. – Previously Matsumoto Koshirō (小四郎), forced i ...
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Nakamura Kanzaburō
Nakamura Kanzaburō is a stage name taken on by a series of Kabuki actors of the Nakamura family. Most of these were blood relatives, though some were adopted into the family. Kanzaburō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called ''shūmei'' in which a number of actors formally change their names. The bearer of the name was often also the ''zamoto'', the head of the troupe and theatre manager, of the Nakamura-za theatre in Edo (now Tokyo). Lineage * Nakamura Kanzaburō I (1598 – June 1658) – founder of the Nakamura-za, and among the earliest generation of kabuki actors. * Nakamura Kanzaburō II (1662 – August 1674)Note: with the exception of Kanzaburō I, who kept the same stage name throughout his life, the dates given here for the remainder of the lineage do not represent the birth/death dates of the actor; rather, they indicate the period during which the actor held the name Kanzaburō. – actor, ''zamoto'' ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ...
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Shibaraku
''Shibaraku'' (暫, しばらく) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori''). {{citation needed, date=May 2017 The English translation of the title is akin to "Stop a Moment!" Originally staged by Ichikawa Danjūrō I in 1697 at the Nakamura-za, it was very popular, and quickly began to be included at the annual '' kaomise'' celebrations of each theatre in Edo. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by Danjūrō VII, and reworked again by Danjūrō IX at the end of that century. This version has been performed since then. A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certa ...
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