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Siamak
Siāmak ( fa, سیامک , sometimes transliterated as Siyamak or Siamac) is a character in Shahnameh, the national epic of Greater Iran. Ferdowsi's great epic poem begins with the story of Keyumars, the first king to arise among humans, who at that time lived in mountain caves and wore the skins of leopards. God ('' Hormazd'') granted him the supernatural radiance called '' farr'' reserved for kings. His son was Siāmak and was beloved by all, except the destructive spirit ''Ahriman'', who raised an army under the command of his own demonic son. When the divine figure Sorush warned Keyumars, Siāmak led an army of his own. Siāmak accepted a challenge to single combat and died at the hands of the demon. Keyumars mourned for a year, and then Sorush advised him to fight Ahriman once more. Siāmak's son Hushang Hushang Help:IPA/English">hʊ'ʃəŋ.html" ;"title="Help:IPA/English.html" ;"title="nowiki/>Help:IPA/English">hʊ'ʃəŋ">Help:IPA/English.html" ;"title="nowiki/>Help: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siyamak (The Shahnama Of Shah Tahmasp)
Siāmak ( fa, سیامک , sometimes transliterated as Siyamak or Siamac) is a character in Shahnameh, the national epic of Greater Iran. Ferdowsi's great epic poem begins with the story of Keyumars, the first king to arise among humans, who at that time lived in mountain caves and wore the skins of leopards. God ('' Hormazd'') granted him the supernatural radiance called '' farr'' reserved for kings. His son was Siāmak and was beloved by all, except the destructive spirit ''Ahriman'', who raised an army under the command of his own demonic son. When the divine figure Sorush warned Keyumars, Siāmak led an army of his own. Siāmak accepted a challenge to single combat and died at the hands of the demon. Keyumars mourned for a year, and then Sorush advised him to fight Ahriman once more. Siāmak's son Hushang led the army that defeated Ahriman's son, whom he bound and beheaded. Keyumars died after a thirty-year reign, leaving his throne to Hushang. Etymology and meaning In term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyumars
Keyumars or Kiomars ( fa, کیومرث) was the name of the first king (shah) of the Pishdadian dynasty of Iran according to the ''Shahnameh''. The name appears in Avestan in the form of ''𐬔𐬀𐬌𐬌𐬊 𐬨𐬆𐬭𐬆𐬙𐬀𐬥 Gaiio Mərətan'', or in medieval Zoroastrian texts as ''Gayōmard'' or ''Gayōmart''. In the Avesta he is the mythological first human being in the world. The corresponding name in Middle Persian is 𐭪𐭣𐭬𐭫𐭲 ''Kayōmart''. In Ferdowsi's ''Shahnameh'' he appears as the first shah of the world. He is also called the ''pišdād'' (), the first to practice justice, the lawgiver. The Avestan form means "the living mortal", from ''gaya'' "life" and ''marətan'' "mortal, human being"; cf. Persian ''mard'' "human" ( fa, مَرد). Keyumars is also a popular first name in Persian speaking countries (Iran, Afghanistan and Tajikistan). In Zoroastrian literature According to the Zoroastrian creation myth, Gayōmart was the first human, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Epic
A national epic is an epic poem or a literary work of epic scope which seeks or is believed to capture and express the essence or spirit of a particular nation—not necessarily a nation state, but at least an ethnic or linguistic group with aspirations to independence or autonomy. National epics frequently recount the origin of a nation, a part of its history, or a crucial event in the development of national identity such as other national symbols. History In medieval times Homer's ''Iliad'' was taken to be based on historical facts, and the Trojan War came to be considered as seminal in the genealogies of European monarchies. Virgil's ''Aeneid'' was taken to be the Roman equivalent of the ''Iliad'', starting from the Fall of Troy and leading up to the birth of the young Roman nation. According to the then prevailing conception of history, empires were born and died in organic succession and correspondences existed between the past and the present. Geoffrey of Monmouth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greater Iran
Greater Iran ( fa, ایران بزرگ, translit=Irān-e Bozorg) refers to a region covering parts of Western Asia, Central Asia, South Asia, Xinjiang, and the Caucasus, where both Culture of Iran, Iranian culture and Iranian languages have had a significant presence and impact. Historically, this was a region long-ruled by the dynasties of various List of monarchs of Persia, Iranian empires, under whose rule the local populace incorporated considerable aspects of Persian culture through extensive inter-contact, or alternatively where sufficient Iranian peoples settled to still maintain communities who patronize their respective cultures; it roughly corresponds geographically to the Iranian plateau and its bordering plains. The Encyclopædia Iranica uses the term ''Iranian Cultural Continent'' to describe this region. In addition to the Iran, modern state of Iran, the term "Greater Iran" includes all of the territory ruled by various Iranian peoples throughout histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdowsi
Abul-Qâsem Ferdowsi Tusi ( fa, ; 940 – 1019/1025 CE), also Firdawsi or Ferdowsi (), was a Persians, Persian poet and the author of ''Shahnameh'' ("Book of Kings"), which is one of the world's longest epic poetry, epic poems created by a single poet, and the greatest epic of Persian-speaking people, Persian-speaking countries. Ferdowsi is celebrated as one of the most influential figures of Persian literature and one of the greatest in the history of literature. Name Except for his kunya (Arabic), kunya ( – ) and his laqab ( – ''Ferdowsī'', meaning 'Paradise, paradisic'), nothing is known with any certainty about his full name. From an early period on, he has been referred to by different additional names and titles, the most common one being / ("philosopher"). Based on this, his full name is given in Persian language, Persian sources as / . Due to the non-standardized transliteration from Persian alphabet, Persian into English language, English, different spellings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopard
The leopard (''Panthera pardus'') is one of the five extant species in the genus '' Panthera'', a member of the cat family, Felidae. It occurs in a wide range in sub-Saharan Africa, in some parts of Western and Central Asia, Southern Russia, and on the Indian subcontinent to Southeast and East Asia. It is listed as Vulnerable on the IUCN Red List because leopard populations are threatened by habitat loss and fragmentation, and are declining in large parts of the global range. The leopard is considered locally extinct in Hong Kong, Singapore, South Korea, Jordan, Morocco, Togo, the United Arab Emirates, Uzbekistan, Lebanon, Mauritania, Kuwait, Syria, Libya, Tunisia and most likely in North Korea, Gambia, Laos, Lesotho, Tajikistan, Vietnam and Israel. Contemporary records suggest that the leopard occurs in only 25% of its historical global range. Compared to other wild cats, the leopard has relatively short legs and a long body with a large skull. Its fur is marked with rosett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahura Mazda
Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. The literal meaning of the word ''Ahura'' is "lord", and that of ''Mazda'' is "wisdom". The first notable invocation of Ahura Mazda occurred during the Achaemenid period () with the Behistun Inscription of Darius the Great. Until the reign of Artaxerxes II (), Ahura Mazda was worshipped and invoked alone in all extant royal inscriptions. With Artaxerxes II, Ahura Mazda was gathered in a triad with Mithra and Anahita. In the Achaemenid period, there are no known representations of Ahura Mazda at the royal court other than the custom for every emperor to have an empty chariot drawn by white horses to invite Ahura Mazda to accompany the Military history of Iran#Achaemenid Era, Persian army on battles. Images of Ahura Mazda, however, were pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khvarenah
Khvarenah (also spelled khwarenah or xwarra(h): ae, 𐬓𐬀𐬭𐬆𐬥𐬀𐬵 ') is an Avestan word for a Zoroastrian concept literally denoting "glory" or "splendour" but understood as a divine mystical force or power projected upon and aiding the appointed. The neuter noun thus also connotes "(divine) royal glory", reflecting the perceived divine empowerment of kings. The term also carries a secondary meaning of "(good) fortune"; those who possess it are able to complete their mission or function. In 3rd- to 7th-century Sassanid-era inscriptions as well as in the 9th- to 12th-century texts of Zoroastrian tradition, the word appears as Zoroastrian Middle Persian ''khwarrah'', rendered with the Pahlavi ideogram ''GDE'', reflecting Aramaic ''gada'' "fortune". Middle Persian ''khwarrah'' continues as New Persian ''k(h)orra''. These variants, which are assumed to be learned borrowings from the Avestan, are the only Iranian language forms with an initial 'xᵛ-'. In all other dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angra Mainyu
Angra Mainyu (; Avestan: 𐬀𐬢𐬭𐬀⸱𐬨𐬀𐬌𐬥𐬌𐬌𐬎 ''Aŋra Mainiiu'') is the Avestan-language name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of the Spenta Mainyu, the "holy/creative spirits/mentality", or directly of Ahura Mazda, the highest deity of Zoroastrianism. The Middle Persian equivalent is Ahriman 𐭠𐭧𐭫𐭬𐭭𐭩 (anglicised pronunciation: ). The name can appear in English-language works as Ahrimanes. In the Avesta In Zoroaster's revelation Avestan ''angra mainyu'' "seems to have been an original conception of Zoroaster's." In the Gathas, which are the oldest texts of Zoroastrianism and are attributed to Zoroaster, ''angra mainyu'' is not yet a proper name.Proper names are altogether rare in the Gathas. In these texts, even Ahura Mazda and Amesha Spenta are not yet proper names. In the one instance in these hymns where the two words appear together, the concep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sraosha
Sraosha ( ae, 𐬯𐬭𐬀𐬊𐬴𐬀 or ) is the Avestan name of the Zoroastrian ''yazata'' of "Conscience" and "Observance", which is also the literal meaning of his name. In the Middle Persian commentaries of the 9th-12th centuries, the divinity appears as pal, 𐭮𐭫𐭥𐭱, label=none'', S(a)rosh''. This form appears in many variants in New Persian as well, for example , ''Sorūsh''. Unlike many of the other Yazatas (concepts that are "worthy of adoration"), Sraosha is also frequently referred to as the "Angel of Conscience" or "Voice of Conscience", which overlaps with both of his role as the "Teacher of Daena", Daena being the hypostasis of both "Conscience" and "Religion" and Guardian/Companion over the Chinvat Bridge. In scripture In Zoroaster's revelation Sraosha is already attested in the Gathas, the oldest texts of Zoroastrianism and believed to have been composed by Zoroaster himself. In these earliest texts, Sraosha is routinely associated with the Amesha S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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