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Self-Portrait As A Female Martyr
''Self-Portrait as a Female Martyr,'' is also known as the ''Self-Portrait as a Martyr Saint.'' This painting was created by the Italian female artist, Artemisia Gentileschi. This self-portrait was made around 1615 depicting the artist herself as a martyr. It is one of two paintings by Gentileschi painted with oil on a wood panel. This self-portrait is currently in a private collection in the United States. Description An inscription on the reverse confirms that it is painted by the artist Artemisia Gentileschi. The inscription is written in Italian which Inscribes: Di Mano di Artemisia figlia di A.rili.Lomi/Pisano Nipote di Orzio. This roughly translates to: Di Mano di Artemisia daughter of A.rili.Lomi/Pisano Grandson of Orzio. There has been much debate over whether Gentileschi had painted herself or a specific saint. It was noted by Keith Christiansen that the painting had to be a self-portrait of the artist instead of a Christian saint because of the physical features in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1610s Paintings
Year 161 ( CLXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Aurelius (or, less frequently, year 914 ''Ab urbe condita''). The denomination 161 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * March 7 – Emperor Antoninus Pius dies, and is succeeded by Marcus Aurelius, who shares imperial power with Lucius Verus, although Marcus retains the title Pontifex Maximus. * Marcus Aurelius, a Spaniard like Trajan and Hadrian, is a stoical disciple of Epictetus, and an energetic man of action. He pursues the policy of his predecessor and maintains good relations with the Roman Senate, Senate. As a legislator, he endeavors to create new principles of morality and humanity, particularly favoring women and slaves. * Aure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Artemisia Gentileschi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi This is an ongoing bibliography of work related to the Italian baroque painter Artemisia Gentileschi. 2023 * Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen, eds. ''Making Her Mark: A History of Women Artists in Europe, 140 .... References {{Lists of paintings Gentileschi,Artemisia * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignazio Hugford
''A miracle of St. Francis of Paola'' by Hugford. Ignazio Hugford, or Ignatius Heckford (1703–1778), was an Italian painter active mostly in Tuscany in an early Neoclassic style. Life and work Ignazio Hugford was born in Pisa, the son of a resident English watchmaker who worked for the House of Medici. Hugford was at the age of 9 an apprentice with Anton Domenico Gabbiani. In 1745, he painted over a dozen canvases for the refectory of the Benedictine Abbey of Vallombrosa, where his brother, Ferdinando Enrico, became abbot. Hugford was also instrumental in the development of techniques for scagliola. Hugford joined the ''Accademia del Disegno'' of Florence, and published a biography on his mentor. He was also involved in designs for works in scagliola. Among his masterpieces in painting is the '' Countess Matilde Donates her Riches to the Church'' in the church of San Bartolommeo in Pantano in Pistoia. In the same Pistoiese church are canvasses of ''St. Peter crosses the fire' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelio Lomi
Aurelio Lomi (29 February 1556 – 1622) was an Italian painter of the late-Renaissance and early- Baroque periods, active mainly in his native town of Pisa, Tuscany. __NOTOC__ Biography He may have initially been trained by his father, Giovanni Battista Lomi, but soon he worked in Florence (1580-1590) under the painters Alessandro Allori, then Lodovico Cardi (known as Cigoli).Fabroni, page 371. He was the nephew of the painter Baccio Lomi. He painted in Pisa, Florence, Rome, and Genoa. He painted a ''St. Jerome'' (1595) for the Duomo of Pisa. In addition he painted frescoes of San Frediano and Santo Stefano. He painted an altarpiece for Santa Apollonia. He painted a ''St Anthony of Padua'' for the church of San Francesco di Casteletto in Genoa, and a ''Resurrection of Christ'' and ''Last Judgement'' for Santa Maria Assunta in Carignano. In Rome, he painted frescoes in the Pinelli chapel of Chiesa Nuova, including ''Scenes from the life of the Virgin'' and ''Birth of Jesus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As Saint Catherine Of Alexandria
''Self-Portrait as Saint Catherine of Alexandria'' is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London, which purchased it in 2018 for £3.6 million, including about £2.7 million from its American Friends group. It was painted during Gentileschi's time in Florence, and is similar to her ''Saint Catherine of Alexandria'' (c. 1619), now in the Uffizi Gallery. It is one of several paintings of female martyrs that Gentileschi made after her famous 1612 rape trial, in which she (unlike the accused) was subject to torture to test the veracity of her testimony. Description The figure is shown in three-quarter view with a broken spiked wheel; according to tradition this was the instrument of torture to which Saint Catherine of Alexandria was subjected before being beheaded. The palm frond she holds in her other hand was also a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory Of Inclination
''Allegory of Inclination'' is a 1615-1617 oil on canvas painting by Artemisia Gentileschi on the ceiling of the Galleria in the Casa Buonarroti, in Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilan .... The painting depicts a young nude female seated in the heavens holding a compass. Her light-colored hair is elaborately styled and she is partially covered by swirling drapery (added later by another hand). A star appears above her head. History It was commissioned by Michelangelo Buonarroti the Younger (1568–1646) as part of a series of paintings to glorify the life of his great uncle, Michelangelo Buonarroti. The painting depicts "Inclination," or inborn creative ability, one of the "eight Personifications" attributed to the Renaissance master. Seated on a cloud, she h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As A Lute Player
''Self-Portrait as a Lute Player'' is one of many self-portrait paintings made by the Italian baroque artist Artemisia Gentileschi. It was created between 1615 and 1617 for the Medici family in Florence. Today, it hangs in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, US. It shows the artist posing as a lute player looking directly at the audience. The painting has symbolism in the headscarf and outfit that portray Gentileschi in a costume that resembles a Romani woman. ''Self-Portrait as a Lute Player'' has been interpreted as Gentileschi portraying herself as a knowledgeable musician, a self portrayal as a prostitute, and as a fictive expression of one aspect of her identity. History Artist In Italy during the Baroque period, Artemisia Gentileschi was taught how to paint by her father, Orazio Gentileschi. Her father was a follower of Caravaggio, and Gentileschi was inspired by Caravaggian works as well. ''Self-Portrait as a Lute Player'' illustrates how she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As The Allegory Of Painting
''Self-Portrait as the Allegory of Painting'', also known as ''Autoritratto in veste di Pittura'' or simply ''La Pittura'', was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures and was probably produced during Gentileschi's stay in England between 1638 and 1639. It was in the collection of Charles I and was returned to the Royal Collection at the Restoration (1660) and remains there. In 2015 it was put on display in the "Cumberland Gallery" in Hampton Court Palace. The scene depicts Gentileschi painting herself, who is in turn represented as the “Allegory of Painting” illustrated by Cesare Ripa. It is now in the British Royal Collection. The painting demonstrates rare feminist themes from a time when women seldom held jobs, let alone were well known for them. Gentileschi's portrayal of herself as the epitome of the arts was a bold statement to make for the period, though the painting is today overshadowed by many of Gentil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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