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Self-Portrait As A Lute Player
''Self-Portrait as a Lute Player'' is one of many self-portrait paintings made by the Italian baroque artist Artemisia Gentileschi. It was created between 1615 and 1617 for the Medici family in Florence. Today, it hangs in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, US. It shows the artist posing as a lute player looking directly at the audience. The painting has symbolism in the headscarf and outfit that portray Gentileschi in a costume that resembles a Romani woman. ''Self-Portrait as a Lute Player'' has been interpreted as Gentileschi portraying herself as a knowledgeable musician, a self portrayal as a prostitute, and as a fictive expression of one aspect of her identity. History Artist In Italy during the Baroque period, Artemisia Gentileschi was taught how to paint by her father, Orazio Gentileschi. Her father was a follower of Caravaggio, and Gentileschi was inspired by Caravaggian works as well. ''Self-Portrait as a Lute Player'' illustrates how she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Buonarroti
Casa Buonarroti is a museum in Florence, Italy. The building was a property owned by the sculptor Michelangelo, which he left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. Its collections include two of Michelangelo's earliest sculptures, the ''Madonna of the Stairs'' and the ''Battle of the Centaurs''. A ten-thousand book library includes the family's archive and some of Michelangelo's letters and drawings. The Galleria is decorated with paintings commissioned by Buonarroti the Younger and created by Artemisia Gentileschi and other early seventeenth-century Italian artists. History On March 3, 1508, Michelangelo, who had moved to Rome three years earlier to work on the Tomb of Pope Julius II, bought four adjoining buildings at the corner of via Ghibellina and via Santa Maria (now via Buonarroti), just north of the Basilica di Santa Croce. He acquired another adjacent struc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Artemisia Gentileschi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1610s Paintings
Year 161 ( CLXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Aurelius (or, less frequently, year 914 ''Ab urbe condita''). The denomination 161 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * March 7 – Emperor Antoninus Pius dies, and is succeeded by Marcus Aurelius, who shares imperial power with Lucius Verus, although Marcus retains the title Pontifex Maximus. * Marcus Aurelius, a Spaniard like Trajan and Hadrian, is a stoical disciple of Epictetus, and an energetic man of action. He pursues the policy of his predecessor and maintains good relations with the Roman Senate, Senate. As a legislator, he endeavors to create new principles of morality and humanity, particularly favoring women and slaves. * Aure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi This is an ongoing bibliography of work related to the Italian baroque painter Artemisia Gentileschi. 2023 * Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen, eds. ''Making Her Mark: A History of Women Artists in Europe, 140 .... References {{Lists of paintings Gentileschi,Artemisia * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As Saint Catherine Of Alexandria
''Self-Portrait as Saint Catherine of Alexandria'' is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London, which purchased it in 2018 for £3.6 million, including about £2.7 million from its American Friends group. It was painted during Gentileschi's time in Florence, and is similar to her ''Saint Catherine of Alexandria'' (c. 1619), now in the Uffizi Gallery. It is one of several paintings of female martyrs that Gentileschi made after her famous 1612 rape trial, in which she (unlike the accused) was subject to torture to test the veracity of her testimony. Description The figure is shown in three-quarter view with a broken spiked wheel; according to tradition this was the instrument of torture to which Saint Catherine of Alexandria was subjected before being beheaded. The palm frond she holds in her other hand was also a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Catherine Of Alexandria (Artemisia Gentileschi)
''Saint Catherine of Alexandra'' is a painting by the Italian Baroque artist Artemisia Gentileschi. It is in the collection of the Uffizi, Florence. Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the ''Self-Portrait as Saint Catherine of Alexandria'' (1615–1617), now in the National Gallery, London. Subject Matter The painting is a representation of Catherine, the daughter of King Costus of Alexandria, who defied the emperor Maxentius with her staunch defense of her Christian faith. She was sentenced to death by use of a spiked wheel, but was saved when the instrument miraculously broke. She was subsequently beheaded and later recognized as a Christian martyr, with the broken spiked wheel as her symbol. She is portrayed in a striking red gown with gold embellishment, holding the martyr's palm frond and wearing an elaborate gem-encrusted crown. History Provenance While there is no clear evidence to identify a date for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Of Alexandria
Catherine of Alexandria (also spelled Katherine); grc-gre, ἡ Ἁγία Αἰκατερίνη ἡ Μεγαλομάρτυς ; ar, سانت كاترين; la, Catharina Alexandrina). is, according to tradition, a Christian saint and virgin, who was martyred in the early fourth century at the hands of the emperor Maxentius. According to her hagiography, she was both a princess and a noted scholar who became a Christians, Christian around the age of 14, converted hundreds of people to Christianity and was martyred around the age of eighteen. More than 1,100 years after Catherine's martyrdom, Joan of Arc identified her as one of the saints who appeared to and counselled her.Williard Trask, ''Joan of Arc: In Her Own Words'' (Turtle Point Press, 1996), 99 The Eastern Orthodox Church venerates her as a Great Martyr and celebrates her feast day on 24 or 25 November, depending on the regional tradition. In Catholic Church, Catholicism, Catherine is traditionally revered as one of the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavinia Fontana
Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bologna, Bolognese Mannerism, Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father Prospero Fontana who was a teacher at the School of Bologna. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first woman artist to paint female nudes, but this is a topic of controversy among art historians. Biography Lavinia Fontana was born in Bologna in 1552 to Prospero Fontana and Antonia de' Bonardis. She was baptized on August 24, 1552 at the cathedral of San Pietro. Her elder sister Emilia died in 1568 when Lavinia was sixteen. Prospero was a prominent painter of the Bolognese School (painting), School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofonisba Anguissola
Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painting, Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II of Spain, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As Saint Catherine Of Alexandria (Gentileschi)
''Self-Portrait as Saint Catherine of Alexandria'' is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London, which purchased it in 2018 for £3.6 million, including about £2.7 million from its American Friends group. It was painted during Gentileschi's time in Florence, and is similar to her ''Saint Catherine of Alexandria'' (c. 1619), now in the Uffizi Gallery. It is one of several paintings of female martyrs that Gentileschi made after her famous 1612 rape trial, in which she (unlike the accused) was subject to torture to test the veracity of her testimony. Description The figure is shown in three-quarter view with a broken spiked wheel; according to tradition this was the instrument of torture to which Saint Catherine of Alexandria was subjected before being beheaded. The palm frond she holds in her other hand was also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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