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Sarasangi
Sarasangi (pronounced sarasāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 27th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowrasena in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications In Western music it is known as the Harmonic major scale. Structure and Lakshana It is the 3rd rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Go''. The mnemonic phrase is ''sa ri gu ma pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This rāgam uses the ''swaras'' ''chathusruthi rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and ''kakali nishadham''. By definition, Sarasangi, a ''melakarta'' rāgam, is a ''sampurna'' rāgam (has all seven notes in ascendin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarasangi Scale
Sarasangi (pronounced sarasāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 27th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowrasena in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications In Western music it is known as the Harmonic major scale. Structure and Lakshana It is the 3rd rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Go''. The mnemonic phrase is ''sa ri gu ma pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This rāgam uses the ''swaras'' ''chathusruthi rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and ''kakali nishadham''. By definition, Sarasangi, a ''melakarta'' rāgam, is a ''sampurna'' rāgam (has all seven notes in ascendin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter term is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the ''thaat'' is equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta''. *They are ''sampurna ragas'' – they contain all seven ''swaras'' (notes) of the octave in both ascending and descending scale''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course in Carnatic musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Major Scale
In music theory, the harmonic major scale is a musical scale found in some music from the common practice era and now used occasionally, most often in jazz. In George Russell's '' Lydian Chromatic Concept'' it is the fifth mode (V) of the Lydian Diminished scale. It corresponds to the Raga Sarasangi in Indian Carnatic music. It can be considered a major scale with the sixth degree lowered, Ionian 13, or the harmonic minor scale with the third degree raised. It may also be generated by reversing and rotating the succession of intervals in the harmonic minor scale. It contains the following chords, which are also considered borrowed from the parallel minor: the dominant minor ninth chord, the fully diminished seventh leading tone chord, the supertonic diminished triad, the supertonic half-diminished seventh chord, and the minor subdominant. It also contains an augmented triad. The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latangi
Latangi (pronounced latāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 63rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Geetapriya or Gitapriya in the Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 3rd rāgam in the 11th ''chakra Rudra''. The mnemonic name is ''Rudra-Go''. The mnemonic phrase is ''sa ri gu mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see Swara#Svaras in Carnatic music, ''swaras'' in Carnatic music for details on below notation and terms): *Arohana, : *Avarohana, : (the notes used in this scale are ''chathusruthi rishabham, antara gandharam, prati madhyamam, shuddha dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Periya Veetu Pannakkaran
''Periya Veetu Pannakkaran'' is a 1990 Indian Tamil-language film, directed by N. K. Viswanathan and produced by Kalyani Murugan. The film stars Karthik, Kanaka, M. N. Nambiar and S. S. Chandran. The film's score was composed by Ilaiyaraaja. Plot She is the daughter of a very rich big family . In the same village Karthik is the grandson of a very poor farmer there. He is a do gooder and is always rubbing the villains ( kanaka's cousins ) the wrong way. When they both decide to get married after a few teasings and duets, her family refuses and gets him beaten. Nambiar who resides in the next village adopts him . After hearing his story, he extends his proposal to Kanaka's family who still refuses despite Kartik now having millions in his name thanx to Nambiar. The village horse festival is announced. After much violence and fights, Karthik and Kanaka get together and he wins the competition. Cast * Karthik * Kanaka * M. N. Nambiar * S S Chandran *Ganthimathi *Kovai Sar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swati Tirunal
( ml, സ്വാതി തിരുനാള് രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindustani style.http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ, as a King, to modernise Travancore. Early life Svāti Tirunāḷ was born into the Venad dynasty of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1811 to 1815, and Raja Raja Varma Koil Thampuran of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajadhi Raja (1989 Film)
''Rajadhi Raja'' () is a 1989 Indian Tamil-language action comedy film, directed by R. Sundarrajan and written by Panchu Arunachalam. The film stars Rajinikanth in a dual role, with Nadhiya and Radha portraying his characters' love interests. It revolves around Raja, a rich estate owner's son who seeks to avenge his father's death. He is aided in his quest by Chinnarasu, a lookalike. ''Rajadhi Raja'' was released on 4 March 1989. The film became a box office blockbuster. Plot A rich estate owner Vishwanathan is killed by his second wife Sarasu and her brother Aadimoolam for his property. The estate owner's son Rajashekar returns from the United States and learns of this. In order to bring the culprits to book, he makes his friend Sethupathi, a rickshaw puller, act as Raja. But soon, Aadimoolam learns of this, kills Sethu and frames Raja as the killer. Raja is sentenced to death. In between, Raja loves Senkamalam, sister of an employee in his estate. In the same village wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illayaraja
Ilaiyaraaja (born R. Gnanathesikan, 3 June 1943) is an Indian musician, composer, arranger, conductor, orchestrator, instrumentalist, lyricist and singer, popular for his works in Indian Cinema, prominently in Tamil films. Reputed to be one of the most prolific Indian composers, in a career spanning over forty-five years, he has composed over 7,000 songs and provided film scores for over 1,000 films, apart from performing in over 20,000 concerts. Ilaiyaraaja received several awards for his works throughout his career. In 2012, for his creative and experimental works in the field of music, he received the Sangeet Natak Akademi Award, the highest Indian recognition given to people in the field of performing arts. In 2010, he was awarded the Padma Bhushan, the third-highest civilian honour in India; and was conferred the Padma Vibhushan in 2018, the second-highest civilian award by the government of India. He is a nominated Member of Parliament in the Indian upper house, Rajya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mano (singer)
Nagoor Babu, known by his stage name Mano, is an Indian playback singer, voice-over artist, actor, producer, television anchor and composer. He is a recipient of several awards such as the Nandi Awards from the Government of Andhra Pradesh and Kalaimamani award from the Government of Tamil Nadu. Mano has recorded more than 1,000 songs for film and private various Telugu, Tamil, Bengali, Kannada, Malayalam, Oriya and Hindi films. He has also performed for over 3000 live concerts across the continents. Notably, he has recorded 500 songs for music director Ilayaraja. Mano is also recognized for being as the full-fledged dubbing artist for Rajanikanth in Telugu from ''Muthu'' (1995) onwards. Early life and background Mano was born as Nagoor Babu in Tenali, Guntur district of Andhra Pradesh. His father Rasool, was a musician in the All India Radio, Vijayawada division and his mother Shaheeda, was a popular Stage actress. Inspired heavily by his mother, Mano joined the stage the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kadal Meengal
''Kadal Meengal'' () is a 1981 Indian Tamil-language masala film directed by G. N. Rangarajan, starring Kamal Haasan, Sujatha, Nagesh and Swapna. It is a remake of the 1980 Malayalam film ''Meen'', and also draws inspiration from the Hindi film '' Trishul'' (1978). The film revolves around a man seeking revenge on his father for abandoning the former's mother. It was released on 5 June 1981. Plot Selvanayakam alias is a poor but hard-working fisherman who is in love with Bhagyam from the same fishing hamlet. After a tiff with the locals, Selvam moves to a neighbouring village for fishing and is feared dead during a cyclone. Selvam returns alive after a while and unable to find Bhagyam, marries another woman. Bhagyam has borne his child but lives in isolation away from the life of Selvam who has grown to be a rich businessman. After several years, Bhagyam's son Rajan finds out about his father whom he despises for having deserted his mother. He vengefully joins his father's r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marupadiyum
''Marupadiyum'' () is a 1993 Indian Tamil-language drama film written, filmed and directed by Balu Mahendra. The film stars Revathi, Nizhalgal Ravi, Arvind and Rohini. A remake of the 1982 Hindi film ''Arth'', it focuses on Thulasi, a wife caught up in marital discord, and her life henceforth. ''Marupadiyum'' was released on 14 January 1993. Revathi won the Filmfare Award for Best Tamil Actress for her performance. Plot Thulasi, who grew up as an orphan girl and always dreamt of owning a house, becomes insecure when she finds that she and her husband, Muralikrishna, have to leave the apartment they rent. The twist that occurred when Murali gives her the keys of a new house proves to be double-edged, when it is revealed that he is in love with another woman, Kavitha, with whom he earned the money (in the film industry) for the new apartment. While previously giving advice to her maid cheated by her husband, now Thulasi becomes herself involved in a similar situation. When M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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