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Sarasangi (pronounced sarasāngi) is a ragam in
Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
(musical scale of South Indian classical music). It is the 27th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowrasena in
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications In Western music it is known as the
Harmonic major scale In music theory, the harmonic major scale is a musical scale found in some music from the common practice era and now used occasionally, most often in jazz. In George Russell's '' Lydian Chromatic Concept'' it is the fifth mode (V) of the Lydian ...
.


Structure and Lakshana

It is the 3rd rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Go''. The mnemonic phrase is ''sa ri gu ma pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This rāgam uses the ''swaras'' ''chathusruthi rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and ''kakali nishadham''. By definition, Sarasangi, a ''melakarta'' rāgam, is a ''sampurna'' rāgam (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''
Latangi Latangi (pronounced latāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 63rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Geetapriya or Gitapriya in th ...
'', which is the 63rd ''melakarta'' scale.


''Janya'' rāgams

''Sarasangi'' has a few minor ''
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
'' rāgams (derived scales) associated with it, of which ''Kamala manohari'' and ''Nalinakanti'' are popular. See List of ''janya'' rāgams for all rāgams associated with ''Sarasangi''.


Compositions

Here are a few common compositions sung in concerts, set to ''Sarasangi''. *''Jaya jaya padmanabha'' by
Swati Tirunal ( ml, സ്വാതി തിരുനാള്‍ രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over ...
*''Sourasenesham vallisham'' by
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
*''Nikela dayaradu'' by Ramaswami Sivan *''Paripaliso guru vadiraja'' by R. K. Padmanabha *''Vandeham govinda'' by M Balamuralikrishna * "Tirupati malaiyurai Venkata vaa" by M. M. Dandapani Desigar


Film Songs


Language:

Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...


Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Sarasangi's'' notes when shifted using '' Graha bhedam'', yields 2 other major Melakarta rāgams, namely, ''
Dharmavati Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school o ...
'' and '' Chakravakam''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For further details and an illustration refer '' Graha bhedam on Dharmavati''.


Notes


References

{{Janya, state=collapsed Melakarta ragas