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Santa Prisca Church (Rome)
Santa Prisca is a titular church of Rome, on the Aventine Hill, for Cardinal-priests. It is recorded as the ''Titulus Priscae'' in the acts of the 499 synod. Church It is devoted to Saint Prisca, a 1st-century martyr, whose relics are contained in the altar in the crypt. It was built in the 4th or 5th century over a temple of Mithras. Damaged in the Norman Sack of Rome, the church was restored several times. The current aspect is due to the 1660 restoration, which included a new facade by Carlo Lombardi. In the interior, the columns are the only visible remains of the ancient church. Also a baptismal font allegedly used by Saint Peter is conserved. The frescoes in the crypt, where an altar contains the relics of Saint Prisca, are by Antonio Tempesta. Anastasio Fontebuoni frescoed the walls of the nave with ''Saints and angels with the instruments of passion''. In the sacristy hangs a painting of the ''Immaculate conception with angels'' by Giovanni Odazzi, and on the main alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trajan
Trajan ( ; la, Caesar Nerva Traianus; 18 September 539/11 August 117) was Roman emperor from 98 to 117. Officially declared ''optimus princeps'' ("best ruler") by the senate, Trajan is remembered as a successful soldier-emperor who presided over one of the greatest military expansions in Roman history and led the empire to attain its greatest territorial extent by the time of his death. He is also known for his philanthropic rule, overseeing extensive public building programs and implementing social welfare policies, which earned him his enduring reputation as the second of the Five Good Emperors who presided over an era of peace within the Empire and prosperity in the Mediterranean world. Trajan was born in Italica, close to modern Seville in present-day Spain, a small Roman ''municipium'' founded by Italic settlers in the province of Hispania Baetica. He came from a branch of the gens Ulpia, the ''Ulpi Traiani'', that originated in the Umbrian town of Tuder. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustinians
Augustinians are members of Christian religious orders that follow the Rule of Saint Augustine, written in about 400 AD by Augustine of Hippo. There are two distinct types of Augustinians in Catholic religious orders dating back to the 12th–13th centuries: * Various congregations of Canons Regular also follow the Rule of Saint Augustine, embrace the evangelical counsels and lead a semi-monastic life, while remaining committed to pastoral care appropriate to their primary vocation as priests. They generally form one large community which might serve parishes in the vicinity, and are organized into autonomous congregations. * Several orders of friars who live a mixed religious life of contemplation and apostolic ministry. The largest and most familiar is the Order of Saint Augustine (OSA), founded in 1244 and originally known as the Hermits of Saint Augustine (OESA). They are commonly known as the Austin Friars in England. Two other orders, the Order of Augustinian Recollects a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraeum
A Mithraeum , sometimes spelled Mithreum and Mithraion ( grc, Μιθραίον), is a Mithraic temple, erected in classical antiquity by the worshippers of Mithras. Most Mithraea can be dated between 100 BC and 300 AD, mostly in the Roman Empire. The Mithraeum was either an adapted natural cave or cavern, or a building imitating a cave. Where possible, the Mithraeum was constructed within or below an existing building, such as the Mithraeum found beneath the Basilica of San Clemente in Rome. While most Mithraea are underground, some feature openings in the ceiling to allow light to enter, a reminder of the connection to the universe and the passage of time. The site of a Mithraeum may also be identified by its singular entrance or vestibule, which stands across from an apse at the back of which stands an altar on a pedestal, often in a recess, and its "cave", called the ''Spelaeum'' or ''Spelunca'', with raised benches along the side walls for the ritual meal. Many mithraea th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Prisca Mithraeum
Santa Claus, also known as Father Christmas, Saint Nicholas, Saint Nick, Kris Kringle, or simply Santa, is a legendary figure originating in Western Christian culture who is said to bring children gifts during the late evening and overnight hours on Christmas Eve of toys and candy or coal or nothing, depending on whether they are "naughty or nice". In the legend, he accomplishes this with the aid of Christmas elves, who make the toys in his workshop, often said to be at the North Pole, and flying reindeer who pull his sleigh through the air. The modern figure of Santa is based on folklore traditions surrounding Saint Nicholas, the English figure of Father Christmas and the Dutch figure of ''Sinterklaas''. Santa is generally depicted as a portly, jolly, white-bearded man, often with spectacles, wearing a red coat with white fur collar and cuffs, white-fur-cuffed red trousers, red hat with white fur, and black leather belt and boots, carrying a bag full of gifts for childr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Passignano
Domenico Passignano (1559 – 17 May 1638), born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-''Maniera'' (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century. Biography Cresti was born in Passignano in Val di Pesa, Passignano, currently a ''frazione'' of Barberino Tavarnelle about 30 km south of Florence, and was educated by the local Vallombrosan monks. He started his works in the stylized Tuscan manner, working with Giovanni Battista Naldini and Girolamo Macchietti. After travelling from Rome to Venice (1581–1589), he came under the influence of Tintoretto's style. He had traveled to Venice as an assistant to Federico Zuccari, who had employed him previously in the completion of Giorgio Vasari's ''The Last Judgement (Vasari and Zuccari), The Last Judgment'' on the ceiling of the dome of Florence Cathedral. He was known to paint with great speed; however, as he used less paint in order to work q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Altar
Main may refer to: Geography * Main River (other) **Most commonly the Main (river) in Germany *Main, Iran, a village in Fars Province *"Spanish Main", the Caribbean coasts of mainland Spanish territories in the 16th and 17th centuries *''The Main'', the diverse core running through Montreal, Quebec, Canada, also separating the Two Solitudes *Main (lunar crater), located near the north pole of the Moon *Main (Martian crater) People and organisations *Main (surname), a list of people with this family name *Ma'in, alternate spelling for the Minaeans, an ancient people of modern-day Yemen *Main (band), a British ambient band formed in 1991 *Chas. T. Main, an American engineering and hydroelectric company founded in 1893 *MAIN (Mountain Area Information Network), former operator of WPVM-LP (MAIN-FM) in Asheville, North Carolina, U.S. Ships * ''Main'' (ship), an iron sailing ship launched in 1884 * SS ''Main'', list of steamships with this name * ''Main'' (A515), a modern G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Odazzi
Giovanni Odazzi (1663 – 6 June 1731) was an Italian painter and etcher of the Baroque period, active mainly in Rome. Biography Rest on Flight to Egypt He was a pupil of Ciro Ferri, then worked under the guidance of Giovanni Battista Gaulli. He also worked with Cornelis Bloemaert. Among his many works in Rome, he painted a ''Prophet Hosea'' for San Giovanni in Laterano and a ''Fall of Lucifer and rebel angels'' for the basilica of the Santi Apostoli, Rome. He frescoed the cupola of the cathedral of San Bruno in Velletri. He painted an ''Adoration of the Magi'' and ''Flight to Egypt'' for the church of Santa Maria in Aracoeli in Rome. He also painted altarpieces for Santa Maria degli Angeli, a ''Dream of Joseph'' for Santa Maria della Scala, San Clemente, a ''San Ciriaco'' for Santa Maria in Via Lata and San Giovanni in Laterano. He was knighted into the Academy of St Luke by Pope Clement XI. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasio Fontebuoni
Anastasio Fontebuoni (also spelt Anastazio Fontebuoni, or Anastagio Fontebuoni) (1571–1626) was an Italian painter of the Baroque, native of Florence. Fontebuoni proved to be one of the Florentine painters are more open to the influence of Caravaggio's naturalism. Fontebuoni was educated in the school of Domenico Passignano. According to Giovanni Baglioni, he visited Rome in the pontificate of Paul V, where he painted some pictures for the churches. His work flourished in Rome from 1600 to 1620 but this promising artist died young in Florence in 1626. Major works * San Giovanni dei Fiorentini: two paintings of the ''Birth of the Virgin'' and ''the Death of the Virgin'', which are considered his best works. * Santa Prisca: frescoes depicting the Saints and angels with the instruments of passion * Santa Balbina: frescoes of the triumphal arch depicting Saint Paul and Saint Peter. Frescoes in the apse representing Saint Balbina between other martyrs. * Santa Lucia in Selci: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Tempesta
Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. Life He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-''Maniera''" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Commissions Tempesta and the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
