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Antonio Tempesta
Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. Life He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-''Maniera''" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Commissions Tempesta and the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Gregory XIII
Pope Gregory XIII ( la, Gregorius XIII; it, Gregorio XIII; 7 January 1502 – 10 April 1585), born Ugo Boncompagni, was head of the Catholic Church and ruler of the Papal States from 13 May 1572 to his death in April 1585. He is best known for commissioning and being the namesake for the Gregorian calendar, which remains the internationally accepted civil calendar to this day. Early biography Youth Ugo Boncompagni was born the son of Cristoforo Boncompagni (10 July 1470 – 1546) and of his wife Angela Marescalchi in Bologna, where he studied law and graduated in 1530. He later taught jurisprudence for some years, and his students included notable figures such as Cardinals Alexander Farnese, Reginald Pole and Charles Borromeo. He had an illegitimate son after an affair with Maddalena Fulchini, Giacomo Boncompagni, but before he took holy orders, making him the last Pope to have left issue. Career before papacy At the age of 36 he was summoned to Rome by Pope Paul III (1534 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marchese Giustiniani
Marchese Vincenzo Giustiniani (13 September 1564 – 27 December 1637) was an aristocratic Italian banker, art collector and intellectual of the late 16th and early 17th centuries, known today largely for the Giustiniani art collection, assembled at the Palazzo Giustiniani, Rome, Palazzo Giustiniani, near the Pantheon, Rome, Pantheon, in Rome, and at the family palazzo at Bassano Romano, Bassano by Vincenzo and his brother, Benedetto Giustiniani, Cardinal Benedetto, and for his patronage of the artist Caravaggio. Biography Vincenzo's father, Giuseppe Giustiniani, had been the last Genoa, Genoese ruler of the Aegean island of Chios, which had been a family possession for centuries. In 1566 the island was lost to the Ottomans. On April 14, 1566 an Ottoman fleet under Piali Pasha arrive at the port of Chios (town), Chios and occupied it. The island was pillaged; churches destroyed or converted to mosques. Some members of the family were taken captive and transported to Constantinople ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Doria Pamphilj
The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was from the Piazza del Collegio Romano). The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains. Collection The large collection of paintings, furniture and statuary has been assembled since the 16th century by the Doria, Pamphilj, Landi and Aldobrandini families now united through marriage and descent under the simplified surname Doria Pamphilj. The collection includes paintings and furnishings from Innocent X's Palazzo Pamphilj (in Piazza Navona), who bequeathed them to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Colonna
The Palazzo Colonna () is a palatial block of buildings in central Rome, Italy, at the base of the Quirinal Hill, and adjacent to the church of Santi Apostoli. It is built in part over the ruins of an old Roman serapeum, and it has belonged to the prominent Colonna family for over twenty generations. History The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante during his visit to Rome. The first documentary mention notes that the property hosted Cardinals Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Pope Martin V in 1417. With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of Pope Julius II. The Colonna family's alliance to the Habsburg power likely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tivoli, Italy
Tivoli ( , ; la, Tibur) is a town and in Lazio, central Italy, north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills. The city offers a wide view over the Roman Campagna. History Gaius Julius Solinus cites Cato the Elder's lost ''Origines'' for the story that the city of Tibur was founded by Catillus the Arcadian, a son of Amphiaraus, who came there having escaped the slaughter at Thebes, Greece. Catillus and his three sons Tiburtus, Coras, and Catillus drove out the Siculi from the Aniene plateau and founded a city they named Tibur in honor of Tiburtus. According to another account, Tibur was a colony of Alba Longa. Historical traces of settlement in the area date back to the thirteenth century BC. ''Tibur'' may share a common root with the river Tiber and the Latin praenomen ''Tiberius''. From Etruscan times Tibur, a Sabine city, was the seat of the Tiburtine Sibyl. There are two small temples above the falls, the rotunda traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa D'Este
The Villa d'Este is a 16th-century villa in Tivoli, near Rome, famous for its terraced hillside Italian Renaissance garden and especially for its profusion of fountains. It is now an Italian state museum, and is listed as a UNESCO World Heritage Site. History The Villa was commissioned by Cardinal Ippolito II d'Este (1509–1572), second son of Alfonso I d'Este, the Duke of Ferrara and grandson of Pope Alexander VI through his mother Lucrezia Borgia. The Este family had been lords of Ferrara since 1393, and were famous as patrons of the arts and of the humanist scholars of the Renaissance. As a second son, Ippolito was destined for a career in the church; he was named archbishop of Milan when he was only ten years old. At the age of 27, he was sent to the French court, where he became an advisor to the French King, Francis I, and in 1540 became a member of the King's Private Council. At the age of thirty, at the request of the King, Pope Paul III made d'Este a cardinal. Thanks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caprarola
Caprarola is a town and ''comune'' in the province of Viterbo, in the Lazio region of central Italy. The village is situated in a range of volcanic hills known as the Cimini Mounts. The town is home to the large Renaissance mansion or villa which dominates the surrounding country-side, Villa Farnese (or Villa Caprarola). Not to be confused with the Palazzo Farnese in Rome, it was initially built as a fortress, as the town and the surrounding area was a feud of the House of Farnese, by the cardinal Alessandro Farnese senio in 1530, according to a project of the architect Antonio da Sangallo the Younger. After only four years the project came to a halt when the cardinal was elected pope in 1534 under the name Paul III Pope Paul III ( la, Paulus III; it, Paolo III; 29 February 1468 – 10 November 1549), born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in November 1549. He came to .... Filmography Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Farnese
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately north-west of Rome. This villa should not be confused with the Palazzo Farnese and the Villa Farnesina, both in Rome. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. The Villa Farnese is situated directly above the town of Caprarola and dominates its surroundings. It is a massive Renaissance and Mannerist construction, opening to the Monte Cimini, a range of densely wooded volcanic hills. It is built on a five-sided plan in reddish gold stone; buttresses support the upper floors. As a centerpiece of the vast Farnese holdings, Caprarola was always an expression of Farnese power, rather than a villa in the more usual agricultural or pleasure senses. History In 1504, Cardinal Alessandro Farnese, the future Pope Paul III, acquired the estate at Caprarola. He had designs made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagnaia, Viterbo
Bagnaia is a village in Lazio, central Italy, administratively a frazione of the comune of Viterbo, province of Viterbo. Former municipality, it was annexed to the ''comune'' of Viterbo in 1928. Bagnaia is about 18 km from Viterbo and 16 km from Rome. Main sights *''San Giovanni Battista'', parish church built in the late 16th century, it was enterely restructured in 1753 by cardinal Federico Marcello Lante *''Sant'Antonio Abate'' *Castle of Bagnaia *Villa Lante Villa Lante is a Mannerism, Mannerist garden of surprise in Bagnaia, Viterbo, Bagnaia, Viterbo, central Italy, attributed to Jacopo Barozzi da Vignola. Villa Lante did not become so known until it passed to Ippolito Lante Montefeltro della Rovere ..., built between 1566 and 1588 and commissioned by cardinal Giovanni Francesco Gambara References Frazioni of the Province of Viterbo Viterbo {{Lazio-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Lante
Villa Lante is a Mannerism, Mannerist garden of surprise in Bagnaia, Viterbo, Bagnaia, Viterbo, central Italy, attributed to Jacopo Barozzi da Vignola. Villa Lante did not become so known until it passed to Ippolito Lante Montefeltro della Rovere, Bomarzo, Duke of Bomarzo, in the 17th century, when it was already 100 years old. The Villa, a property of the Republic of Italy, since December 2014's run by the Polo Museale del Lazio. Architectural design The Villa Lante is formed by two ''casini'' (houses), nearly identical but built by different owners in a period separated by 30 years. Each square building has a ground floor of rusticated arcades or loggias which support a piano nobile above. Each facade on this floor has just three windows, alternating round or pointed pediments. Each window is divided by pilasters in pairs. An upper floor is merely hinted at by small rectangular, mezzanine type, windows above those of the piano nobile. Each casino is then crowned by a roof lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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