S Curve (art)
In the visual arts, an S-curve is an '' S''-shaped curve that can serves a wide variety of compositional purposes. The term is usually applied to the standing human figure bending first one way and then back the other. It may also be applied more generally, for example in landscape painting and photography. Human figure In Ancient Greek and Roman sculpture, the S-curve is a traditional art concept where the figure's body and posture is depicted like a sinuous or serpentine manner. It is related to and is an extension of the art term of contrapposto which is when a figure is depicted slouching or placing one's weight and thus center of gravity to one side. However, the S Curve involves more of the body than the contrapposto, and is therefore considered to be a more advanced technical development. The "S Curve" concept was probably invented by the famous Greek sculptor Praxiteles, son of Kifissodotos, who lived in the 4th century BC. The Indian tribhanga ("three bend") pose is s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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History Of Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Odisha
Odisha (English: , ), formerly Orissa ( the official name until 2011), is an Indian state located in Eastern India. It is the 8th largest state by area, and the 11th largest by population. The state has the third largest population of Scheduled Tribes in India. It neighbours the states of Jharkhand and West Bengal to the north, Chhattisgarh to the west, and Andhra Pradesh to the south. Odisha has a coastline of along the Bay of Bengal in Indian Ocean. The region is also known as Utkala and is also mentioned in India's national anthem, " Jana Gana Mana". The language of Odisha is Odia, which is one of the Classical Languages of India. The ancient kingdom of Kalinga, which was invaded by the Mauryan Emperor Ashoka (which was again won back from them by King Kharavela) in 261 BCE resulting in the Kalinga War, coincides with the borders of modern-day Odisha. The modern boundaries of Odisha were demarcated by the British Indian government when Orissa Province wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Loggia Dei Lanzi
The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria. History Sometimes erroneously referred to as ''Loggia dell' Orcagna'' because it was once thought to be designed by that artist, it was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. Simone Talenti is also well known from his contributions to the churches Orsanmichele and San Carlo. The vivacious construction of the Loggia is in stark contrast w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abduction Of A Sabine Woman
''Abduction of a Sabine Woman'' (or ''Rape of the Sabine Women'') is a large and complex marble statue by the Flemish sculptor and architect Giambologna (Johannes of Boulogne). It was completed between 1579 and 1583 for Cosimo I de' Medici.Janson; Janson (2013), p.42 Giambologna achieved widespread fame in his lifetime, and this work is widely considered his masterpiece. It has been in the Loggia dei Lanzi, Florence, since August 1582.Pritchard, Shannon.Giambologna, Abduction of a Sabine Woman. Khan Academy. Retrieved 15 November 2020 The statue is composed in the figura serpentinata style. It depicts three nude figures: a young man in the center who has seemingly taken a woman from a despairing older man below him. It is ostensibly based on the rape of the Sabine Women incident from the early history of Rome when the city contained relatively few women, leading to their men committing a raptio (''large-scale abduction''; the word is rendered as ''rape'' in archaic or literar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Saint Barbara (The Cloisters)
''Saint Barbara'' is a sculpture statuette in limewood with paint, completed by an unknown, probably German, artist in Strasbourg, Alsace, in present-day France, around 1490. This representation of the early Christian martyr Saint Barbara is today in the collection of the Metropolitan Museum of Art, New York. It was commissioned as a fitting as part of for the high altarpiece of the Saint Mauritius church, near Strasbourg.Saint Barbara Metropolitan Museum of Art. Retrieved 28 March 2016 Some of the painted wings and figures of this central shrine have survived, allowing art historians to propose a possible reconstruction, usually with this work as one of the two outermost figures. Lost sculptures, but known from record include those of [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Figura Serpentinata
(Italian for ‘ serpentine figure’) is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to contrapposto, and features figures often in a spiral pose. Early examples can be seen in the work of Leonardo da Vinci, Raphael and Michelangelo. Emil Maurer writes of the painter and theorist Giovanni Paolo Lomazzo (1538–1600): "The recommended ideal form unites, after Lomazzo, three qualities: the pyramid, the movement and a certain numerical proportion, all three united to form one whole. At the same time, precedence is given to the "moto", that is, to the meandering movement, which should make the pyramid, in exact proportion, into the geometrical form of a cone." Bousquet holds that the style arose as a result of the discovery of the Laocoön group in 1506, and its deep impact on all artists, but on Michelangelo in particular. John Shearman also argues that it was invented by M ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |