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DONATO DI NICCOLò DI BETTO BARDI (c. 1386 – 13 December 1466), better known as DONATELLO (Italian: ), was an Italian Renaissance sculptor from Florence
Florence
. He studied classical sculpture and used this to develop a complete Renaissance
Renaissance
style in sculpture, whose periods in Rome, Padua
Padua
and Siena
Siena
introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.

CONTENTS

* 1 Early life * 2 Work in Florence
Florence
* 3 Major commissions in Florence
Florence
* 4 In Padua
Padua
* 5 Main works * 6 In popular culture * 7 Notes * 8 References * 9 Further reading * 10 External links

EARLY LIFE

Statue of St. John the Baptist in the Duomo
Duomo
di Siena
Siena

Donatello
Donatello
was the son of Niccolò di Betto Bardi, who was a member of the Florentine Arte della Lana , and was born in Florence, most likely in the year 1386. Donatello
Donatello
was educated in the house of the Martelli family. He apparently received his early artistic training in a goldsmith's workshop, and then worked briefly in the studio of Lorenzo Ghiberti .

While undertaking study and excavations with Filippo Brunelleschi in Rome (1404–1407), work that gained the two men the reputation of treasure seekers, Donatello
Donatello
made a living by working at goldsmiths' shops. Their Roman sojourn was decisive for the entire development of Italian art in the 15th century, for it was during this period that Brunelleschi undertook his measurements of the Pantheon dome and of other Roman buildings. Brunelleschi's buildings and Donatello's sculptures are both considered supreme expressions of the spirit of this era in architecture and sculpture, and they exercised a potent influence upon the artists of the age.

WORK IN FLORENCE

In 1409–1411 he executed the colossal seated figure of Saint John the Evangelist. Donatello
Donatello
David head and shoulders front right

In Florence, Donatello
Donatello
assisted Lorenzo Ghiberti
Lorenzo Ghiberti
with the statues of prophets for the north door of the Baptistery
Baptistery
of Florence
Florence
Cathedral , for which he received payment in November 1406 and early 1408. In 1409–1411 he executed the colossal seated figure of Saint John the Evangelist, which until 1588 occupied a niche of the old cathedral façade, and is now placed in the Museo dell\'Opera del Duomo
Duomo
. This work marks a decisive step forward from late Gothic Mannerism in the search for naturalism and the rendering of human feelings. The face, the shoulders and the bust are still idealized, while the hands and the fold of cloth over the legs are more realistic.

In 1411–13, Donatello
Donatello
worked on a statue of St. Mark for the guild church of Orsanmichele . In 1417 he completed the Saint George for the Confraternity of the Cuirass-makers. The elegant St. George and the Dragon relief on the statue's base, executed in schiacciato (a very low bas-relief ) is one of the first examples of central-point perspective in sculpture. From 1423 is the Saint Louis of Toulouse for the Orsanmichele, now in the Museum of the Basilica di Santa Croce . Donatello
Donatello
had also sculpted the classical frame for this work, which remains, while the statue was moved in 1460 and replaced by Incredulity of Saint Thomas by Verrocchio .

Between 1415 and 1426, Donatello
Donatello
created five statues for the campanile of Santa Maria del Fiore
Santa Maria del Fiore
in Florence, also known as the Duomo
Duomo
. These works are the Beardless Prophet; Bearded Prophet (both from 1415); the Sacrifice of Isaac (1421); Habbakuk (1423–25); and Jeremiah (1423–26); which follow the classical models for orators and are characterized by strong portrait details. From the late teens is the Pazzi Madonna relief in Berlin
Berlin
. In 1425, he executed the notable Crucifix for Santa Croce; this work portrays Christ in a moment of the agony, eyes and mouth partially opened, the body contracted in an ungraceful posture.

From 1425 to 1427, Donatello
Donatello
collaborated with Michelozzo
Michelozzo
on the funerary monument of the Antipope John XXIII for the Battistero in Florence. Donatello
Donatello
made the recumbent bronze figure of the deceased, under a shell. In 1427, he completed in Pisa
Pisa
a marble relief for the funerary monument of Cardinal Rainaldo Brancacci at the church of Sant\'Angelo a Nilo in Naples . In the same period, he executed the relief of the Feast of Herod and the statues of Faith and Hope for the Baptistery
Baptistery
of San Giovanni in Siena
Siena
. The relief is mostly in stiacciato, with the foreground figures are done in bas-relief.

MAJOR COMMISSIONS IN FLORENCE

David at Bargello
Bargello
, Florence.

Around 1430, Cosimo de\' Medici , the foremost art patron of his era, commissioned from Donatello
Donatello
the bronze David (now in the Bargello
Bargello
) for the court of his Palazzo Medici . This is now Donatello's most famous work, and the first known free-standing nude statue produced since antiquity. Conceived fully in the round, independent of any architectural surroundings, and largely representing an allegory of the civic virtues triumphing over brutality and irrationality, it is arguably the first major work of Renaissance
Renaissance
sculpture. Also from this period is the disquietingly small Love-Atys, housed in the Bargello. Statue of St. George in Orsanmichele , Florence
Florence

Some have perceived the David as having homo-erotic qualities, and have argued that this reflected the artist's own orientation. The historian Paul Strathern makes the claim that Donatello
Donatello
made no secret of his homosexuality, and that his behaviour was tolerated by his friends. The main evidence comes from anecdotes by Angelo Poliziano in his "Detti piacevoli". This may not be surprising in the context of attitudes prevailing in the 15th- and 16th-century Florentine republic. However, little detail is known with certainty about his private life, and no mention of his sexuality has been found in the Florentine archives (in terms of denunciations) albeit which during this period are incomplete. Actual details of Donatello's relationships therefore remain speculative.

When Cosimo was exiled from Florence, Donatello
Donatello
went to Rome, remaining until 1433. The two works that testify to his presence in this city, the Tomb of Giovanni Crivelli at Santa Maria in Aracoeli , and the Ciborium at St. Peter\'s Basilica , bear a strong stamp of classical influence.

Donatello's return to Florence
Florence
almost coincided with Cosimo's. In May 1434, he signed a contract for the marble pulpit on the facade of Prato cathedral , the last project executed in collaboration with Michelozzo
Michelozzo
. This work, a passionate, pagan, rhythmically conceived bacchanalian dance of half-nude putti, was the forerunner of the great Cantoria, or singing tribune, at the Duomo
Duomo
in Florence
Florence
on which Donatello
Donatello
worked intermittently from 1433 to 1440 and was inspired by ancient sarcophagi and Byzantine ivory chests. In 1435, he executed the Annunciation for the Cavalcanti altar in Santa Croce, inspired by 14th-century iconography, and in 1437–1443, he worked in the Old Sacristy of the San Lorenzo in Florence, on two doors and lunettes portraying saints, as well as eight stucco tondoes. From 1438 is the wooden statue of St. John the Baptist for Santa Maria Gloriosa dei Frari in Venice. Around 1440, he executed a bust of a Young Man with a Cameo now in the Bargello, the first example of a lay bust portrait since the classical era.

IN PADUA

Donatello's equestrian statue of Gattamelata at Padua
Padua
.

In 1443, Donatello
Donatello
was called to Padua
Padua
by the heirs of the famous condottiero Erasmo da Narni (better known as the Gattamelata, or "Honey-Cat"), who had died that year. Completed in 1450 and placed in the square facing the Basilica of St. Anthony , his Equestrian Monument of Gattamelata was the first example of such a monument since ancient times. (Other equestrian statues, from the 14th century, had not been executed in bronze and had been placed over tombs rather than erected independently, in a public place.) This work became the prototype for other equestrian monuments executed in Italy and Europe in the following centuries.

For the Basilica of St. Anthony, Donatello
Donatello
created, most famously, the bronze Crucifix of 1444–47 and additional statues for the choir, including a Madonna with Child and six saints, constituting a Holy Conversation , which is no longer visible since the renovation by Camillo Boito in 1895. The Madonna with Child portrays the Child being displayed to the faithful, on a throne flanked by two sphinxes , allegorical figures of knowledge. On the throne's back is a relief of Adam and Eve. During this period—1446–50— Donatello
Donatello
also executed four extremely important reliefs with scenes from the life of St. Anthony for the high altar.

MAIN WORKS

* St. Mark (1411–13), Orsanmichele , Florence * St. George Tabernacle (c. 1415–17) – Museo Nazionale del Bargello
Bargello
, Florence * Prophet Habakkuk (1423–25) – Museo dell\'Opera del Duomo
Duomo
, Florence * The Feast of Herod (c. 1425) – Baptismal font , Baptistry of San Giovanni , Siena
Siena
* David (c. 1425–30) – Museo Nazionale del Bargello, Florence * Madonna of the Clouds (c. 1425–35) marble relief, Museum of Fine Arts, Boston * Equestrian Monument of Gattamelata (1445–50) – Piazza del Santo, Padua
Padua
* Magdalene Penitent
Magdalene Penitent
(c. 1455) – Museo dell'Opera del Duomo, Florence * Judith and Holofernes (1455–1460) – Palazzo Vecchio
Palazzo Vecchio
, Florence * Virgin and Child with Four Angels or Chellini Madonna (1456), Victoria and Albert Museum

*

Bust of Niccolo da Uzzano by Donatello. Cast from original in Museo Nazionale del Bargello, Florence, Italy. *

Magdalene Penitent
Magdalene Penitent
(c. 1455) – Museo dell'Opera del Duomo, Florence. *

The head of Saint John the Evangelist, 1408-15 which until 1588 occupied a niche of the old cathedral façade, and is now placed in the Museo dell'Opera del Duomo.

IN POPULAR CULTURE

Donatello
Donatello
is portrayed by Ben Starr in the 2016 television series Medici: Masters of Florence
Florence
. Donatello
Donatello
in the Teenage Mutant Ninja Turtles is named after him. The Donatello
Donatello
Multi-Purpose Logistics Module (MPLM) built by the Italian Space Agency , was one of three MPLMs operated by NASA
NASA
to transfer supplies and equipment to and from the International Space Station
International Space Station
. The others were named Leonardo and Raffaello .

NOTES

* ^ Giorgio Vasari: art and history By Patricia Lee Rubin. Retrieved 20 October 2009. * ^ * ^ Janson, The Sculpture of Donatello, Princeton, 1963. * ^ H.W. Janson, The Sculpture of Donatello, Princeton, 1957, II, 77–86; Laurie Schneider, "Donatello's Bronze David," The Art Bulletin, 55 (1973) 213–216. * ^ Paul Strathern, The Medici: Godfather of the Renaissance, London, 2003 * ^ Michael Rocke, Forbidden Friendships: Homosexuality and Male Culture in Renaissance
Renaissance
Florence * ^ J. Poeschke, Donatello
Donatello
and His World (1994) * ^ Louis Crompton, Homosexuality and Civilization, Harvard Press, 2003, p. 264. * ^ "Medici: Masters of Florence". Internet Movie Database . Retrieved 24 December 2016.

REFERENCES

* This article incorporates text from a publication now in the public domain : Chisholm, Hugh, ed. (1911). "Donatello". Encyclopædia Britannica . 8 (11th ed.). Cambridge University Press. pp. 406–408. * Charles Avery and Sarah Blake McHam. "Donatello." Grove Art Online. Oxford Art Online. Oxford University Press, accessed 16 June 2015, subscription required * Hartt, Frederick , History of Italian Renaissance
Renaissance
Art, (2nd edn.)1987, Thames & Hudson (US Harry N Abrams), ISBN 0500235104 * Olson, Roberta J.M., Italian Renaissance
Renaissance
Sculpture, 1992, Thames ;background:none transparent;border:none;-moz-box-shadow:none;-webkit-box-shadow:none;box-shadow:none;">v

* t * e

Donatello
Donatello

SCULPTURES

* Saint Mark (1411–13) * St. George Tabernacle (c. 1415–17) * Marzocco (1418–20) * David (1408–09) * Prophet Habacuc (1423–25) * Tomb of Antipope John XXIII (1424–27) * Tomb of Cardinal Rainaldo Brancacci (c. 1427–28) * The Feast of Herod (1425) * David (c. 1440) * Equestrian statue of Gattamelata (1453) * Magdalene Penitent
Magdalene Penitent
(1453–55) * Virgin and Child with Four Angels (1456) * Judith and Holofernes (1457–64)

* v * t * e

House of Medici

PEOPLE

LORDS OF FLORENCE

* Cosimo il Vecchio * Piero "The Gouty" * Lorenzo il Magnifico * Giuliano * Piero il Fatuo * Giovanni (Leo X) * Giuliano * Lorenzo II * Giulio (Clement VII) * Ippolito * Alessandro "The Moor"

DUKES OF FLORENCE

* Alessandro "The Moor" * Cosimo I

GRAND DUKES OF TUSCANY

* Cosimo I * Francesco I * Ferdinando I * Cosimo II * Ferdinando II * Cosimo III * Gian Gastone

QUEENS

* Caterina * Maria

POPES

* Leo X * Clement VII * Leo XI

CARDINALS

* male line: Giovanni (Leo X) * Giulio (Clement VII) * Ippolito * Alessandro (Leo XI) * Giovanni * Ferdinando I * Carlo * Giovan Carlo * Leopoldo * Francesco Maria

* Francesco female line: Luigi de\' Rossi * Giovanni Salviati
Giovanni Salviati
* Innocenzo Cybo * Bernardo Salviati * Niccolò Ridolfi * Lorenzo Strozzi * Ferrante Gonzaga * Vincenzo II Gonzaga

BISHOPS AND ARCHBISHOPS

* Filippo * Bernardo Antonio * Giuliano * Zanobi

CONDOTTIERI

* Giovanni dalle Bande Nere * Don Giovanni * Mattias

GENEALOGY

* Genealogical tables of the House of Medici

Festina Lente

BUILDINGS

VILLAS

* Cafaggiolo * Trebbio * Careggi * Fiesole * La Quiete * Collesalvetti * Poggio a Caiano * Castello * Mezzomonte * Agnano * Spedaletto * La Petraia * Camugliano * Stabbia * La Topaia * Cerreto Guidi * Marignolle * Arena Metato * Poggio Imperiale * Lapeggi * L\'Ambrogiana * La Màgia * Liliano * Coltano * Montevettolini * Artimino * Buti * Seravezza

PALACES

* Palazzo Medici Riccardi * Palazzo Pitti
Palazzo Pitti
* Villa Medici * Palazzo Medici Tornaquinci * Livorno * Pisa
Pisa
* Materdei * Palazzo Medici di Ottaviano

FOUNTAIN FOUNTAINS AND GARDENS

* Medici fountain * Villa di Pratolino

FORTRESSES

* Arezzo * Grosseto * Piombino * Pistoia * San Piero a Sieve * Siena
Siena
* Volterra

CHAPELS

* Cappelle medicee * The Chapel of Medici di Gragnano

PATRONAGE

PAINTERS, SCULPTORS AND ARCHITECTS

* Bartolomeo Ammannati * Sandro Botticelli
Sandro Botticelli
* Filippo Brunelleschi * Michelangelo
Michelangelo
* Bernardo Buontalenti * Leonardo da Vinci
Leonardo da Vinci
* Donatello * Michelozzo
Michelozzo
* Antonio del Pollaiolo
Antonio del Pollaiolo
* Jacopo della Quercia * Giorgio Vasari
Giorgio Vasari

POETS AND OTHER LITERARY FIGURES

* Agnolo Poliziano * Niccolò Machiavelli

HUMANISTS AND PHILOSOPHERS

* Pico della Mirandola * Marsilio Ficino

SCIENTISTS

* Galileo Galilei
Galileo Galilei

MUSICIANS

* Emilio de\' Cavalieri * Jacopo Peri

HERALDRY

* Medici coat of arms * Crown of the Grand Duke of Tuscany
Crown of the Grand Duke of Tuscany
* Order of Saint Stephen

INSTITUTIONS

* Medici Bank

ART

* Medici lions * Medici porcelain * Medici Vase * Venus de\' Medici * Arazzeria Medicea

RELATED

* Medici giraffe * Galilean moons * Stories set to music: "opera" * Albizzi * Pazzi conspiracy * Savonarola

AUTHORITY CONTROL

* WorldCat Identities * VIAF : 22171330 * LCCN : n50046696 * ISNI : 0000 0001 2123 6619 * GND : 118526693 * SELIBR : 207165 * SUDOC : 029391415 * BNF : cb121028756 (data) * ULAN : 500026022 * NLA : 36384120 * NDL : 00512925 * NKC : xx0086229 * ICCU : ITICCUCFIV/331 * BNE : XX1163291 * KulturNav : id * RKD : 23664 * IATH : w6dv1xhf

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Donatello
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