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Redención (danzón)
"Redención Sport Club", or simply "Redención", is a danzón composed by Cuban multi-instrumentalist Orestes López in the 1940s. It is one of his many compositions dedicated to a Cuban venue where he frequently played as part of the charanga Arcaño y sus Maravillas, alongside his brother Israel López "Cachao". The latter recorded the song multiple times during his career and included it in his albums '' Jam Session with Feeling'' (1958) and ''Cuba linda'' (2000). These and other recordings and performances have made of the tune a standard of danzón repertoire. An experimental version of the song was used as the opener on the only album by Orlando "Cachaíto" López, Orestes's son. The composition is named after the Redención Sport Club, a venue and association in the Pogolotti neighbourhood of Havana (named after Dino Pogolotti, the area was originally meant to be called Redención). See also *Pueblo Nuevo (danzón) *Social Club Buenavista (composition) "Social Club Buenavis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orestes López
Orestes López Valdés (August 28, 1908 – January 26, 1991), nicknamed Macho, was a Cuban multi-instrumentalist, composer and bandleader. As a double bassist he was a founding member of the Havana Philharmonic Orchestra, and later a member of the National Symphony Orchestra of Cuba. A long-time member of the charanga Arcaño y sus Maravillas, where he played cello and piano, he is considered the co-creator of the mambo, together with his brother Israel "Cachao" López, and one of the most prolific danzón composers of the 20th century. Biography Early life and career Orestes López was born in Old Havana on August 28, 1908, into a family of musicians. As a pre-teenager he studied piano, cello, violin and the five-key ebony flute. In 1924, at age 15, he became double bassist for the newly-founded Havana Philharmonic Orchestra directed by Pedro Sanjuán. A few years later, he was playing bass for Miguel "El Moro" Vázquez's charanga. According to his brother Cachao, in 1926 he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed 'Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcaño Y Sus Maravillas
Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño. Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón-mambo by its two main composers and musicians: Orestes López (piano, cello, bass) and his brother Israel López "Cachao" (bass). Such upbeat version of the danzón served as a precursor of the mambo popularized by Pérez Prado, as well as the chachachá created by Enrique Jorrín, a violinist who started his career in the Maravillas. Other important musicians in the Maravillas were pianist Jesús López (unrelated to Orestes and Israel), timbalero Ulpiano Díaz, violinist Félix Reina and flautist Eulogio Ortiz. Antonio Arcaño, former member of singer Fernando Collazo's La Maravilla del Siglo, founded his orchestra in November 1937 under the name La Maravilla de Arcaño, featuring many of the members of Collazo's group. Collazo himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachao
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific Charanga (Cuba), charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session With Feeling
''Jam Session with Feeling'' is the second descarga album recorded by Cuban bassist Cachao. Following the recording and release of ''Cuban Jam Sessions in Miniature'', which received critical and commercial acclaim, Cachao assembled a similar roster of musicians to record ''Jam Session with Feeling'' in Havana in 1958. The album was meant to be released by Maype, but due to the political events of the time, it was not released until 1962, in the United States, once Maype had relocated there. The title of the album is a reference to '' filin'' (feeling), the 1940s movement in which forms such as the bolero were used as a basis for descargas (improvised jam sessions). Recording The album focuses on improvised arrangements of Afro-Cuban standards: danzones, boleros and sones. This is unlike ''Cuban Jam Sessions in Miniature'', where the compositions were novel and not adscribable to any genre besides the unspecific "descarga". On ''Jam Session with Feeling'', many of the songs are deca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standard r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando "Cachaíto" López
Candelario Orlando López Vergara (February 2, 1933 – February 9, 2009), better known as Cachaíto, was a Cuban bassist and composer, who gained international fame after his involvement in the Buena Vista Social Club recordings. He was nicknamed Cachaíto ("little Cachao") after his uncle, the famous bassist and innovator of mambo music Israel "Cachao" López. His father and Cachao's older brother was Orestes López, also a famous bassist/multi-instrumentalist and composer. Life and career Born in Havana on February 2, 1933, Orlando "Cachaíto" López first got actively involved in music when he was only nine years old. His early desire was to play the violin, but his grandfather Pedro insisted he take up the double bass, as there had been a long tradition of bassists in the López family, a trend that they did not want stopped. He started learning the double bass on a cello, quickly moving onto a double bass when he was large enough. His musical career is said to have starte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havana
Havana (; Spanish: ''La Habana'' ) is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center.Cuba ''''. . The city has a population of 2.3million inhabitants, and it spans a total of – making it the largest city by area, the most populous city, and the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dino Pogolotti
Dino Pogolotti (1879–1923) was a real estate entrepreneur best known for the development in 1911 of what is still known today as the “Barrio Pogolotti” in Havana, Cuba. He's the father of the Cuban painter Marcelo Pogolotti and grandfather of Cuban intellectual Graciela Pogolotti. Early life Dino Pogolotti was born in 1879 in Giaveno, a small town near Turin in Piedmont, Italy, son of bakers. At the end of the 19th century and the beginning of the 20th, it's estimated that about 10 million Italians emigrated abroad in search of work. In 1895, Pogolotti left his home country for New York, USA, first working as a waiter and a porter then improvising as a French language teacher. One of his pupils, Grace Joyce, a middle-class American girl, would become his wife. Thanks to Grace's family connections, he managed to become the secretary of the American consul in Cuba. Havana and the Barrio Dino Pogolotti arrived in Cuba during a very particular time for the island: after the 1895 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pueblo Nuevo (danzón)
"Juventud del Pueblo Nuevo", or simply "Pueblo Nuevo", is a danzón composed by Cuban bassist Israel López "Cachao". It is one of his many compositions dedicated to a Cuban venue where he frequently played as part of the charanga Arcaño y sus Maravillas. It has become a standard of the genre, being regularly performed by danzón orchestras over the years. It was first recorded in 1946 by Belisario López's orchestra for RCA Victor. The Maravillas recorded it in their eponymous 1980 reunion album, released by Areito. It was recorded by Frank Emilio Flynn for his 1999 album ''Ancestral Reflections'' and by Buena Vista Social Club for their eponymous album (although misattributed to Rubén González in the liner notes). See also *Redención (danzón) *Social Club Buenavista (composition) "Social Club Buenavista" (also known as "Buena Vista Social Club") is a danzón composed by Cuban bassist Israel López " Cachao". It is one of his many compositions dedicated to a Cuban venue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Club Buenavista (composition)
"Social Club Buenavista" (also known as "Buena Vista Social Club") is a danzón composed by Cuban bassist Israel López "Cachao". It is one of his many compositions dedicated to a Cuban venue where he frequently played as part of the charanga Arcaño y sus Maravillas. It has become a standard of the genre, being regularly performed by artists such as Frank Emilio Flynn and Rubén González throughout the 20th century. Although composed during the 1940s, it was first recorded in 1958 by Cachao himself, along with several former members of las Maravillas, for the album ''El Gran Cachao'', released by Kubaney. Origin and composition Between 1938 and 1948, Cachao and his brother Orestes (nicknamed "Macho") were the songwriting and arranging core of Las Maravillas de Arcaño, later known as Arcaño y sus Maravillas, one of Cuba's most popular charangas, directed by flautist Antonio Arcaño. Every night, las Maravillas would play in a different venue, including casinos, hotels, youth ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
