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Jam Session With Feeling
''Jam Session with Feeling'' is the second descarga album recorded by Cuban bassist Cachao. Following the recording and release of ''Cuban Jam Sessions in Miniature'', which received critical and commercial acclaim, Cachao assembled a similar roster of musicians to record ''Jam Session with Feeling'' in Havana in 1958. The album was meant to be released by Maype, but due to the political events of the time, it was not released until 1962, in the United States, once Maype had relocated there. The title of the album is a reference to '' filin'' (feeling), the 1940s movement in which forms such as the bolero were used as a basis for descargas (improvised jam sessions). Recording The album focuses on improvised arrangements of Afro-Cuban standards: danzones, boleros and sones. This is unlike ''Cuban Jam Sessions in Miniature'', where the compositions were novel and not adscribable to any genre besides the unspecific "descarga". On ''Jam Session with Feeling'', many of the songs are deca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachao
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific Charanga (Cuba), charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arsenio Rodríguez
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; 31 August 1911 – 30 December 1970)Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana, v. 4 p. 45 et seq. was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles. In the 1940s and 1950s Rodríguez established the ''conjunto'' format and contributed to the development of the son montuno, the basic template of modern-day salsa. He claimed to be the true creator of the mambo and was an important as well as a prolific composer who wrote nearly two hundred songs. Despite being blind since the age of seven, Rodríguez quickly managed to become one of Cuba's foremost ''treseros''. Nonetheless, his first hit, "Bruca maniguá" by Orquesta Casino de la Playa, came as a songwriter in 1937. For the following two years, Rodríguez worked as composer and guest guitarist for the Casino de la Playa, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachao Albums
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spain in 1962, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1962 Albums
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redención (danzón)
"Redención Sport Club", or simply "Redención", is a danzón composed by Cuban multi-instrumentalist Orestes López in the 1940s. It is one of his many compositions dedicated to a Cuban venue where he frequently played as part of the charanga Arcaño y sus Maravillas, alongside his brother Israel López "Cachao". The latter recorded the song multiple times during his career and included it in his albums '' Jam Session with Feeling'' (1958) and ''Cuba linda'' (2000). These and other recordings and performances have made of the tune a standard of danzón repertoire. An experimental version of the song was used as the opener on the only album by Orlando "Cachaíto" López, Orestes's son. The composition is named after the Redención Sport Club, a venue and association in the Pogolotti neighbourhood of Havana (named after Dino Pogolotti, the area was originally meant to be called Redención). See also *Pueblo Nuevo (danzón) *Social Club Buenavista (composition) "Social Club Buenavis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindo Garay
Sindo Garay (born Antonio Gumersindo Garay García; Santiago de Cuba, 12 April 1867 – Havana, 17 July 1968) was a Cuban trova musician. He was taught by Pepe Sánchez. Garay was one of the ''four greats of the trova''. He was of Spanish and Arawakan descent. Life & work Garay was the most outstanding composer of trova songs, and his best have been sung and recorded many times. ''Perla marina'', ''Adios a La Habana'', ''Mujer bayamesa'', ''El huracan y la palma'', ''Guarina'' and many others are now part of Cuba's heritage. Garay was also musically illiterate – in fact, he only taught himself the alphabet at 16 – but in his case not only were scores transcribed by others, but there are recordings as well. For a long period he sang in a duo with his eldest son Guarionex; he had two other sons and a daughter, and gave them all Indian names. In the 1890s Garay got involved in the Cuban War of Independence, and decided a stay in Hispaniola (Haiti and Dominican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miami
Miami ( ), officially the City of Miami, known as "the 305", "The Magic City", and "Gateway to the Americas", is a East Coast of the United States, coastal metropolis and the County seat, county seat of Miami-Dade County, Florida, Miami-Dade County in South Florida, United States. With a population of 442,241 at the 2020 United States census, 2020 census, it is the List of municipalities in Florida, second-most populous city in Florida and the eleventh-most populous city in the Southeastern United States. The Miami metropolitan area is the ninth largest in the U.S. with a population of 6.138 million in 2020. The city has the List of tallest buildings in the United States#Cities with the most skyscrapers, third-largest skyline in the U.S. with over List of tallest buildings in Miami, 300 high-rises, 58 of which exceed . Miami is a major center and leader in finance, commerce, culture, arts, and international trade. Miami's metropolitan area is by far the largest urban econ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trap Set
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumbadora
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tata Güines
Federico Arístides Soto Alejo (June 30, 1930 – February 4, 2008), better known as Tata Güines, was a Cuban percussionist, bandleader and arranger. He was widely regarded as a master of the conga drum, and alongside Carlos "Patato" Valdés, influential in the development of contemporary Afro-Cuban music, including Afro-Cuban jazz. He specialized in a form of improvisation known as descarga, a format in which he recorded numerous albums throughout the years with Cachao, Frank Emilio Flynn, Estrellas de Areito, Alfredo Rodríguez and Jane Bunnett, among others. In the 1990s he released two critically acclaimed albums as a leader: ''Pasaporte'' and ''Aniversario''. His composition "Pa' gozar" has become a standard of the descarga genre. Life and career Early years Arístides Soto was born in Güines, a town east of Havana in the former province of Havana in Cuba, on June 30, 1930. He grew up with his parents and his seven siblings, leaving school after year 4 to work as a shoeshine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo "Chocolate" Armenteros
Alfredo "Chocolate" Armenteros (4 April 1928 – 6 January 2016) was a Cuban trumpeter. He played with artists such as Arsenio Rodríguez, Generoso Jiménez, Chico O'Farrill, Orchestra Harlow, Eddie Palmieri, Cachao and Sonora Matancera. Due to his characteristic approach to Afro-Cuban trumpet playing as well as his extensive recording career, several monographs have been written on his music. Life and career Armenteros was born on April 4, 1928, in Santa Clara, Las Villas Province, Cuba. He first began playing in a band led by the sonero/ composer René Álvarez called Conjunto Los Astros and soon after with Arsenio Rodríguez. The nickname "Chocolate" was bestowed on him owing to a case of mistaken identity, when someone took him for Kid Chocolate, the champion boxer. After the Cuban Revolution, Armenteros moved to New York, where he lived until his death. Armenteros went on to play with José Fajardo, Beny Moré, Tito Puente, César Concepción, Machito, Wynton Marsa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generoso Jiménez
Generoso Jiménez García (July 17, 1917 – September 15, 2007), commonly known as Tojo, was a Cuban trombonist, bandleader and arranger. He was a member of Beny Moré's Banda Gigante and a frequent collaborator of musicians in the descarga scene such as Cachao. Producer Nat Chediak described Tojo as "the father of the creole trombone". In 1939, together with flautist Efraín Loyola and violinist Gilberto La Rosa, he founded the Orquesta Rítmica. He stayed in Cuba after Fidel Castro took over the government in 1959, and recorded in 1965 ''El trombón majadero'', considered a classic in Cuban music. He later fell out of favor with the Cuban government, stopped playing the trombone, and became a roaming street vendor. In 2001, he composed, arranged and directed a new album ''Generoso qué bueno toca usted'', featuring a lineup with 27 musicians including Paquito D'Rivera and Arturo Sandoval. In 2003, he was allowed to attend the Grammy ceremony in New York City following the nom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
