|
Tata Güines
Federico Arístides Soto Alejo (June 30, 1930 – February 4, 2008), better known as Tata Güines, was a Cuban percussionist, bandleader and arranger. He was widely regarded as a master of the conga drum, and alongside Carlos "Patato" Valdés, influential in the development of contemporary Afro-Cuban music, including Afro-Cuban jazz. He specialized in a form of improvisation known as descarga, a format in which he recorded numerous albums throughout the years with Cachao, Frank Emilio Flynn, Estrellas de Areito, Alfredo Rodríguez and Jane Bunnett, among others. In the 1990s he released two critically acclaimed albums as a leader: ''Pasaporte'' and ''Aniversario''. His composition "Pa' gozar" has become a standard of the descarga genre. Life and career Early years Arístides Soto was born in Güines, a town east of Havana in the former province of Havana in Cuba, on June 30, 1930. He grew up with his parents and his seven siblings, leaving school after year 4 to work as a shoeshine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güines
Güines is a municipality and town in the Mayabeque Province of Cuba. It is located southeast of Havana, next to the Mayabeque River. It is the most populated town, but not the capital, of its province. History The city was founded in 1737 by the Spanish. Prior to the arrival of the Spanish, what is now Güines was part of a region ruled by the Indian chief Habaguanex. One of the earliest mentions of the word Güines is in 1598, when Don Diego de Rivera or Ribera was awarded a land grant for ''Los Güines Corral''. Güines can be considered one of the primary points of Cuba's transformation into a sugar-producing slave society in the wake of the Haitian Revolution. Its demographics radically changed as a result. As the historian Ada Ferrer explains, "people classified as white had accounted for about three-quarters of the population in 1775" but "by the 1820s, they constituted less than 38 percent." In 1837, a railway was opened from Havana - the first in Cuba and Spain, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos "Patato" Valdés
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (born 1986) * Carlos (footballer, born 1995), Brazilian footballer * Carlos (footballer, born 1985), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (DJ) (born 1966), British DJ * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist *Carlos (DJ) (born 2010) Guyanese DJ Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Carlos the Jackal * ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunto Casino
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and ''tejano'', Cuban ''conjuntos'' specialize in the ''son'', as well as its derivations such as ''salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The ''bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural and soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Fajardo (musician)
José Antonio Fajardo (October 18, 1919 – December 11, 2001) was a Cuban charanga bandleader and flautist, who played the traditional five-keyed wooden flute. Born in Pinar del Río, Cuba, Fajardo after performing with the band of Antonio María Romeu Antonio María Romeu Marrero (11 September 1876 – 18 January 1955) was a Cuban pianist, composer and bandleader. His orchestra was Cuba's leading Charanga (Cuba), charanga for over thirty years, specializing in the danzón. Throughout his ca ..., formed his own charanga band in 1949. Fajardo died in December 2001, at the age of 82. References 1919 births 2001 deaths Cuban bandleaders Cuban flautists Cuban composers Male composers Mambo musicians Cha-cha-cha musicians Danzón musicians People from Pinar del Río Cuban charanga musicians Cuban male musicians 20th-century flautists {{Cuba-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonora Matancera
La Sonora Matancera is a Cuban band that played Latin American urban popular dance music. Founded in 1924 and led for more than five decades by guitarist, vocalist, composer, and producer Rogelio Martínez, musicologists consider it an icon of this type of music. Notable singers to have sung and recorded with the band include Bienvenido Granda,''FIU Libraries. Florida International University/The Díaz Ayala Cuban and Latin American Popular Music Encyclopedic Discography of Cuban Music, Sección 04 M.'' Chronology of personnel changes and recordings based on the two-volume book ''Historia de la Sonora Matancera'' by Dr. Héctor Ramírez Bedoya. Discography compiled with the assistance of Ramírez Bedoya, Carlos Deiby Velásquez, Humberto Corredor, and Osvaldo Oganes. Data assembled by Dr. Cristóbal Díaz Ayala.Ramírez Bedoya, http://sonoramatancera.com/s-m/artistas-grabaron-con-la-sm.html.Ramírez Bedoya, http://sonoramatancera.com/s-m/historia.html. Daniel Santos, Myrta Sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arsenio Rodríguez
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; 31 August 1911 – 30 December 1970)Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana, v. 4 p. 45 et seq. was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles. In the 1940s and 1950s Rodríguez established the ''conjunto'' format and contributed to the development of the son montuno, the basic template of modern-day salsa. He claimed to be the true creator of the mambo and was an important as well as a prolific composer who wrote nearly two hundred songs. Despite being blind since the age of seven, Rodríguez quickly managed to become one of Cuba's foremost ''treseros''. Nonetheless, his first hit, "Bruca maniguá" by Orquesta Casino de la Playa, came as a songwriter in 1937. For the following two years, Rodríguez worked as composer and guest guitarist for the Casino de la Playa, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tres (instrument)
The tres (Spanish for ''three'') is a three- course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the cuatro. The tres developed in the second half of the 19th century in the eastern region of Guantánamo, where it was used to play changüí, a precursor of son cubano. Its exact origins are not known, but it is assumed to have developed from the 19th century Spanish guitar, which it resembles in shape, as well as the laúd and bandola, two instruments used in punto cubano since at least the 18th century. Tres playing revolves around the ''guajeo'', an '' ostinato'' pattern found in many Afro-Cuban music styles. Tres players are commonly known as ''treseros'' (in C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugarcane
Sugarcane or sugar cane is a species of (often hybrid) tall, Perennial plant, perennial grass (in the genus ''Saccharum'', tribe Andropogoneae) that is used for sugar Sugar industry, production. The plants are 2–6 m (6–20 ft) tall with stout, jointed, fibrous stalks that are rich in sucrose, which accumulates in the Plant stem, stalk internodes. Sugarcanes belong to the grass family, Poaceae, an economically important flowering plant family that includes maize, wheat, rice, and sorghum, and many forage crops. It is native to the warm temperate and tropical regions of India, Southeast Asia, and New Guinea. The plant is also grown for biofuel production, especially in Brazil, as the canes can be used directly to produce ethyl alcohol (ethanol). Grown in tropical and subtropical regions, sugarcane is the world's largest crop by production quantity, totaling 1.9 billion tonnes in 2020, with Brazil accounting for 40% of the world total. Sugarcane accounts for 79% of sug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paperboy
A paperboy is someoneoften an older child or adolescentwho distributes printed newspapers to homes or offices on a regular route, usually by bicycle or automobile. In Western nations during the heyday of print newspapers during the early 20th century, this was often a young person's first job, perhaps undertaken before or after school. This contrasts with the newsboy or newspaper hawker, now extremely rare in Western nations, who would sell newspapers to passersby on the street, often with very vocal promotion. They were common when multiple daily papers in every cityas many as 50 in New York City alonecompeted. History The paperboy occupies a prominent place in the popular memory of many countries, including the United Kingdom, United States, Canada, Australia, New Zealand, Ireland, and Japan. This is because it has long been the first paying job available to young boys. Newspaper industry lore suggests that the first paperboy, hired in 1833, was 10-year-old Barney Flaher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoeshiner
Shoeshiner or boot polisher is an occupation in which a person cleans and buffs shoes and then applies a waxy paste to give a shiny appearance and a protective coating. They are often known as shoeshine boys because the job was traditionally done by a male child. Other synonyms are bootblack and shoeblack. While the role is denigrated in much of Western civilization, shining shoes is an important source of income for many children and families throughout the world. Some shoeshiners offer extra services, such as shoe repairs and general tailoring. Some well-known people started their working life as shoeshiners, including singers and presidents. History Very large households in Victorian England sometimes included a young male servant called the Boot Boy, specializing in the care of footwear. Hotel staff for this function were commonly called The Boots. (A Boots was one of the crew in The Hunting of the Snark.) Branded shoe polish appeared early in the 19th century: Charle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
