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Pueblo Nuevo (danzón)
"Juventud del Pueblo Nuevo", or simply "Pueblo Nuevo", is a danzón composed by Cuban bassist Israel López "Cachao". It is one of his many compositions dedicated to a Cuban venue where he frequently played as part of the charanga Arcaño y sus Maravillas. It has become a standard of the genre, being regularly performed by danzón orchestras over the years. It was first recorded in 1946 by Belisario López's orchestra for RCA Victor. The Maravillas recorded it in their eponymous 1980 reunion album, released by Areito. It was recorded by Frank Emilio Flynn for his 1999 album ''Ancestral Reflections'' and by Buena Vista Social Club for their eponymous album (although misattributed to Rubén González in the liner notes). See also *Redención (danzón) *Social Club Buenavista (composition) "Social Club Buenavista" (also known as "Buena Vista Social Club") is a danzón composed by Cuban bassist Israel López " Cachao". It is one of his many compositions dedicated to a Cuban venue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachao
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific Charanga (Cuba), charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed 'Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcaño Y Sus Maravillas
Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño. Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón-mambo by its two main composers and musicians: Orestes López (piano, cello, bass) and his brother Israel López "Cachao" (bass). Such upbeat version of the danzón served as a precursor of the mambo popularized by Pérez Prado, as well as the chachachá created by Enrique Jorrín, a violinist who started his career in the Maravillas. Other important musicians in the Maravillas were pianist Jesús López (unrelated to Orestes and Israel), timbalero Ulpiano Díaz, violinist Félix Reina and flautist Eulogio Ortiz. Antonio Arcaño, former member of singer Fernando Collazo's La Maravilla del Siglo, founded his orchestra in November 1937 under the name La Maravilla de Arcaño, featuring many of the members of Collazo's group. Collazo himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standard r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Victor
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American history, af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Areito (record Label)
Areito is a Cuban record label founded in 1964 as the primary imprint of EGREM, which is based in Havana. Areito is named after the recording studio from which the vast majority of its catalog stems, which in turn was named after the Taíno ritual of the same name. The record studio had established in 1944, originally named Panart studios and was associated with recording engineer Ramón Sabat's Panart Panart was one of the first and most successful independent record labels in Cuba, founded in 1944 by engineer Ramón Sabat. In 1961, its studios were seized by Fidel Castro's communist regime and the label was nationalized, becoming "Panart Nacio ... record label. The 1959 government nationalized the Cuban music industry, including the associated studio and record company in 1961. Since the 1960s, Areito/EGREM has been the main music company in Cuba, managing most of the recording, manufacture and distribution of albums, EPs and singles in the country. Areito's counterpart in eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Emilio Flynn
Francisco Emilio Flynn Rodríguez (April 13, 1921 – August 23, 2001), better known as Frank Emilio Flynn, was a renowned Cuban pianist. Despite being blind, he was a skilled and versatile pianist who mastered many forms of Cuban music, from danzas and danzones to filin, descarga and Afro-Cuban jazz. He was the founder and director of several ensembles, including Loquibambia (1946) and Los Modernistas (1951), both co-founded with José Antonio Méndez, as well as the Quinteto Instrumental de Música Moderna (1958), which later became Los Amigos. Biography Early life and career Francisco Emilio Flynn Rodríguez was born in Havana on April 13, 1921, to a Cuban mother and an American father. His eyes were damaged during birth by the doctor's forceps. As a result, he was unable to distinguish shapes as a child, and by his late teens he was totally blind. From a young age he was known as Frank Emilio instead of Francisco Emilio due to his father. His mother died when he was 5 year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buena Vista Social Club
Buena Vista Social Club is an ensemble of Cuban musicians established in 1996. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years. The group's eponymous album was recorded in March 1996 and released in September 1997, quickly becoming an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in 1998. German director Wim Wenders captured the performance on film for a documentary—also called ''Buena Vista Social Club''—that included interviews with the musicians conducted in Havana. Wenders' film was released in June 1999 to critical a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buena Vista Social Club (album)
''Buena Vista Social Club'' is the debut album by the Buena Vista Social Club, an ensemble of Cuban musicians directed by Juan de Marcos González and American guitarist Ry Cooder. It was recorded at Havana's EGREM studios in March 1996 and released on September 16, 1997, on World Circuit. It is the only standard studio album exclusively credited to the Buena Vista Social Club. ''Buena Vista Social Club'' was recorded in parallel with ''A toda Cuba le gusta'' by the Afro-Cuban All Stars, a similar project also promoted by World Circuit executive Nick Gold and featuring largely the same lineup. In contrast to ''A toda Cuba le gusta'', which was conceived as a revival of the son ''conjunto'', ''Buena Vista Social Club'' was meant to bring back the traditional trova and filin, a mellower take on the Cuban son and bolero, as well as the danzón. A critical and commercial success, the album's release was followed by a short concert tour in Amsterdam and New York's Carnegie Hall in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubén González (pianist)
Rubén González Fontanills (26 May 1919 – 8 December 2003) was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have "forged the style of modern Cuban piano playing in the 1940s". Between the 1940s and his retirement in the 1980s, he played with Cuba's most successful acts, including Paulina Álvarez, Arsenio Rodríguez, Orquesta América del 55, Orquesta Riverside and Enrique Jorrín. In the 1990s, he came out of retirement to play in the revival ensembles Afro-Cuban All Stars and Buena Vista Social Club, also recording solo material and performing live until 2002. Biography Early life and career González was born in Santa Clara, Cuba, on 26 May 1919. His family moved to the small village of Encrucijada when he was 6 years old. He took up the piano at age seven and graduated from the Cienfuegos Conservatory at age 15.Lucy Duran. Sleeve notes from ''Introducing... Rubén González'', World Circuit Records WCD 049, 1997. He grew up wanting to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redención (danzón)
"Redención Sport Club", or simply "Redención", is a danzón composed by Cuban multi-instrumentalist Orestes López in the 1940s. It is one of his many compositions dedicated to a Cuban venue where he frequently played as part of the charanga Arcaño y sus Maravillas, alongside his brother Israel López "Cachao". The latter recorded the song multiple times during his career and included it in his albums '' Jam Session with Feeling'' (1958) and ''Cuba linda'' (2000). These and other recordings and performances have made of the tune a standard of danzón repertoire. An experimental version of the song was used as the opener on the only album by Orlando "Cachaíto" López, Orestes's son. The composition is named after the Redención Sport Club, a venue and association in the Pogolotti neighbourhood of Havana (named after Dino Pogolotti, the area was originally meant to be called Redención). See also *Pueblo Nuevo (danzón) *Social Club Buenavista (composition) "Social Club Buenavis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
