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Ragga Kreyol
Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is generally recognized as the seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than singjaying or singing on top of the riddim. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. One of the reasons for ragga's swift propagation is that it is generally easier and less expensive to produce than reggae per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singjay
Singjaying is a Jamaican style of reggae vocals combining toasting and singing in an elastic format that encourages rhythmically compelling and texturally impressive vocal embellishments. The performer is called a singjay, a combination of singer and deejay. The fusion of singing and deejaying occurred early in reggae music. Artists like Big Youth combined singing and toasting on tracks like "Sky Juice", "Every Negro Is A Star" and "Hit The Road Jack". However, the term "singjay" more accurately describes the transition from singer to deejay, rather than deejay to singer. This phenomenon happened years after the deejay style had gone mainstream. Among the earliest performers of what would later be known as singjaying is Michael Rose, who used to integrate highly rhythmic but completely meaningless deejay "scatting" in his roots songs. As the rhythm of reggae changed in the late 1970s and became what is now known as "rockers" style reggae, the themes changed as well. The classic r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingroup
In sociology and social psychology, an in-group is a social group to which a person self-categorization theory, psychologically identifies as being a member. By contrast, an out-group is a social group with which an individual does not identify. People may for example identify with their peer group, family, community, sports team, political party, gender, sexual orientation, religion, or nation. It has been found that the psychological membership of social groups and categories is associated with a wide variety of phenomena. The terminology was made popular by Henri Tajfel and colleagues beginning in the 1970s during his work in formulating social identity theory. The significance of in-group and out-group categorization was identified using a method called the minimal group paradigm. Tajfel and colleagues found that people can form self-preferencing in-groups within a matter of minutes and that such groups can form even on the basis of completely arbitrary and invented discrimin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reappropriation
In linguistics, reappropriation, reclamation, or resignification is the cultural process by which a group reclaims words or artifacts that were previously used in a way disparaging of that group. It is a specific form of a semantic change (i.e. change in a word's meaning). Linguistic reclamation can have wider implications in the fields of discourse and has been described in terms of personal or sociopolitical empowerment. Characteristics A ''reclaimed'' or ''reappropriated'' word is a word that was at one time pejorative but has been brought back into acceptable usage, usually starting within its original target, i.e. the communities that were pejoratively described by that word, and later spreading to the general populace as well. Some of the terms being reclaimed have originated as non-pejorative terms that over time became pejorative. Reclaiming them can be seen as restoring their original intent. This, however, does not apply to all such words as some were used in a der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonialism
Colonialism is a practice or policy of control by one people or power over other people or areas, often by establishing colonies and generally with the aim of economic dominance. In the process of colonisation, colonisers may impose their religion, language, economics, and other cultural practices. The foreign administrators rule the territory in pursuit of their interests, seeking to benefit from the colonised region's people and resources. It is associated with but distinct from imperialism. Though colonialism has existed since ancient times, the concept is most strongly associated with the European colonial period starting with the 15th century when some European states established colonising empires. At first, European colonising countries followed policies of mercantilism, aiming to strengthen the home-country economy, so agreements usually restricted the colony to trading only with the metropole (mother country). By the mid-19th century, the British Empire gave up me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Empire
The British Empire was composed of the dominions, colonies, protectorates, mandates, and other territories ruled or administered by the United Kingdom and its predecessor states. It began with the overseas possessions and trading posts established by England between the late 16th and early 18th centuries. At its height it was the largest empire in history and, for over a century, was the foremost global power. By 1913, the British Empire held sway over 412 million people, of the world population at the time, and by 1920, it covered , of the Earth's total land area. As a result, its constitutional, legal, linguistic, and cultural legacy is widespread. At the peak of its power, it was described as "the empire on which the sun never sets", as the Sun was always shining on at least one of its territories. During the Age of Discovery in the 15th and 16th centuries, Portugal and Spain pioneered European exploration of the globe, and in the process established large overse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaican Patois
Jamaican Patois (; locally rendered Patwah and called Jamaican Creole by linguists) is an English-based creole language with West African influences, spoken primarily in Jamaica and among the Jamaican diaspora. A majority of the non-English words in Patois come from the West African Akan language. It is spoken by the majority of Jamaicans as a native language. Patois developed in the 17th century when enslaved people from West and Central Africa were exposed to, learned, and nativized the vernacular and dialectal forms of English spoken by the slaveholders: British English, Scots, and Hiberno-English. Jamaican Creole exhibits a gradation between more conservative creole forms that are not significantly mutually intelligible with English, and forms virtually identical to Standard English. Jamaicans refer to their language as ''Patois'', a term also used as a lower-case noun as a catch-all description of pidgins, creoles, dialects, and vernaculars worldwide. Creoles, includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragamuffin
Ragamuffin or Raggamuffin may refer to: Film * ''The Ragamuffin'', a 1916 American silent film by William C. deMille * ''Ragamuffin'', a 2014 film directed by David Schultz about Rich Mullins Music * Raggamuffin music, or ragga, a reggae and dancehall subgenre * Raggamuffin Music Festival, an annual touring festival in Australia and New Zealand * Stephen Marley (musician) (born 1972), nicknamed Raggamuffin, Jamaican-American reggae musician * "Raggamuffin" (song), a 2010 song by Selah Sue * "Raggamuffin", a 2019 song by Koffee from ''Rapture'' * ''Ragamuffin'', a 1920 piano composition from ''London Pieces'' by John Ireland Other uses * ''Ragamuffin'' (novel), a 2007 novel by Tobias S. Buckell * Ragamuffin cat, a breed of domestic cat * Ragamuffin, a series of Australian racing yachts run by Syd Fischer * Ragamuffin, a character in the comic book series ''Lenore, the Cute Little Dead Girl'' * Ragamuffins, an English term for the ''farrapos'' in the Ragamuffin War The Ragamu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raggacore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakcore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhangra (music)
Bhangra () is a type of non-traditional music of Punjab originating in the Southall area of United Kingdom. It is a type of upbeat popular music associated with the Punjabi diaspora in Britain. The style has its origins in the folk music of Punjab as well as western pop music of the 1970s and 1980s. Prior to this musical fusion, Bhangra existed only as a dance form in the native Punjab. This British music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, Bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers. Origins The roots of modern bhangra music date back to the British Punjabi community in Britain during the 1960s. An early pop music and modern recording artist/group of this type of music in the United Kingdom was Bhujhangy Group, founded by Tarloc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhangragga
Bhangra () is a type of non-traditional music of Punjab originating in the Southall area of United Kingdom. It is a type of upbeat popular music associated with the Punjabi diaspora in Britain. The style has its origins in the folk music of Punjab as well as western pop music of the 1970s and 1980s. Prior to this musical fusion, Bhangra existed only as Bhangra (dance), a dance form in the native Punjab. This British music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, Bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers. Origins The roots of modern bhangra music date back to the British Punjabi community in Britain during the 1960s. An early pop music and modern recording artist/group of this type of music in the United Kingdom was Bhujhangy Group, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
