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Raggacore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sickboy Milkplus
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Snares
Aaron Funk (born January 11, 1975), known as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba. He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed to Planet Mu, an experimental electronic music label. His signature style involves meticulously complex drums, eclectic use of samples, and odd time signatures, in particular, . His 2005 release ''Rossz Csillag Alatt Született'' combined breakbeats with orchestral samples, and was released to critical acclaim, helping bring the artist and genre into popularity within the experimental electronic music community. Funk is a very prolific musician, often releasing several records each year, sometimes on several different record labels, including Planet Mu, Hymen, Sublight, and his own imprint Timesig, and also under different aliases, including Last Step, Snares Man!, Snares, and Speed Dealer Moms. He has also explored other elec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore (electronic Dance Music Genre)
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UndaCova
Jan Robbe (born 14 June 1980 in Ghent, Belgium), otherwise known by his music project aliases Atomhead, Erratic, UndaCova and Diagnostic, is an electronic music artist. He founded the experimental netlabel Entity in 2003 with friend Nico de Gols (aka Kaebin Yield). Jan Robbe is known for expressing various musical styles under different pseudonyms. ''Atomhead'' and ''UndaCova'', his two most prominent projects, focus on fractured industrial beats and densely textured DSP sound design techniques, whereas ''Erratic'' is a vehicle for pursuing more minimal long-form ambiental directions. The most recent (2018) ''Diagnostic'' project explores experimental An experiment is a procedure carried out to support or refute a hypothesis, or determine the efficacy or likelihood of something previously untried. Experiments provide insight into cause-and-effect by demonstrating what outcome occurs when ... sound design, Glitch (music), glitch and Noise music, noise structures, combinin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy Hardcore
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as ''happy hardcore'' where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/4 – notably Slipmatt through the ''SMD'' releases, Wishdokta as ''Naughty Naughty'', and Seduction on the ''Impact'' label. In mainland Europe, new beat and hardcore techno from Belgium had spread into Germany and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drop The Lime
Drop the Lime (born Luca Venezia in New York City) is an electronic producer and DJ and founder of dance label Trouble & Bass. Drop the Lime's new material and DJ sets also feature live vocals on original compositions. With roots in breakcore music, in 2008 he changed his focus to more mainstream dance music, remixing tracks for Armand Van Helden, Little Boots, Robyn, Moby, Rex the Dog, Dan le Sac vs Scroobius Pip and Buraka Som Sistema as well as indie acts such as Surfer Blood, Creep (band), Creep and O. Children Over the years, Venezia has created his own distinct twist on the Trouble & Bass sound and now combines his love of Rockabilly with his own take on bass-driven music. In 2015, Drop The Lime finished, and Venezia pursued other musical projects. Musical style Vivian Host describes Venezia's sound as comprising "chopped-up breaks making hairpin turns, breakdowns coming out of nowhere, a foundation of wobbling goblin bass often cut in with tropical, clacking snares", with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Scotch Egg
Shigeru Ishihara, better known by the stage name DJ Scotch Egg, is a Japanese producer of chiptune/ gabba music based in Berlin, Germany. He has released music on the Wrong Music label and Adaadat, and was signed to Load Records after Lightning Bolt were impressed by his music. A new album entitled ''Scotch Hausen'' was released in Spring 2007. Contributions with other artists include Ove-Naxx, Hrvatski (Keith Fullerton Whitman), Mike Paradinas, Duracell, Bong-Ra, The Pipettes and The Go! Team. Shige has recorded improvised music collaboratively with Ashley Marlowe and Sam Dook under the moniker Same Things. Two tracks have so far been released through Junior Aspirin Records. Discography Demos *''Shiez 2000 demos'' *'' Scotch Dub'' (2006, The Compliants Department) Singles *" Scotch Chicken" 7" single, Wrong Music, 2005 *" Scotch Vader" (featuring additional remixes by Ove-Naxx and Bong-Ra; Netherlands only) Kriss Records, 2006 *" Scotch Bach" (features additional remix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shitmat
Shitmat is an English breakcore artist and mashup producer, one of several monikers used by Henry Collins. Shitmat became known in the early 2000s for releases on the Ad Noiseam and Planet Mu labels. He also set up his own label, Wrong Music and put on parties in Brighton. His 2012 project Mash Hits remixed every UK number one single from 1952 onwards. He then stopped the Shitmat project, restarting it again in 2016. Background Shitmat is used as a pseudonym by artist Henry Collins, who also uses monikers such as Kyler, Armand Van Hard-On and Misty Conditions. DJ Slipmatt took exception to the name when they were both on the same lineup and insisted on Shitmat's name being written in smaller text. In the early 2000s, Shitmat set up the label Wrong Music and put on events in Brighton. He became known for his mashup productions which blended jungle, breakcore and plunderphonics, released on Ad Noiseam, Planet Mu and his own label. In the 2004 release ''Killababylonkutz'', Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
