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Singjay
Singjaying is a Jamaican style of reggae vocals combining toasting and singing in an elastic format that encourages rhythmically compelling and texturally impressive vocal embellishments. The performer is called a singjay, a combination of singer and deejay. The fusion of singing and deejaying occurred early in reggae music. Artists like Big Youth combined singing and toasting on tracks like "Sky Juice", "Every Negro Is a Star" and "Hit the Road Jack". However, the term "singjay" more accurately describes the transition from singer to deejay, rather than deejay to singer. This phenomenon happened years after the deejay style had gone mainstream. Among the earliest performers of what would later be known as singjaying is Michael Rose, who used to integrate highly rhythmic but completely meaningless deejay " scatting" in his roots songs. As the rhythm of reggae changed in the late 1970s and became what is now known as "rockers" style reggae, the themes changed as well. The classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toasting (Jamaican Music)
Toasting (rap in other parts of the Anglo Caribbean) or deejaying is the act of Speech, talking, usually in a monotone melody, over a rhythm or Beat (music), beat by a Disc jockey#reggae, deejay. It can either be improvised or pre-written. Toasting developed in Jamaica, before it took up that name and being part of the sound system era, a similar sound of it is found in mento and now can be heard over musical styles including ska, reggae, dancehall, dub music, dub, Grime music, grime, Hip hop music, hip hop, Soca music, soca and bouyon music. The combination of singing and toasting is known as singjaying. In the late 1950s in Jamaica, one of the first Selector, also being a promoter optimized of using a mic and to entertain an audience while playing records was Count Matchuki. He conceived the idea for being comically entertaining from listening to commercial ads and disc jockeys on American radio stations etc. He would create and come up with comical phrases also doing African ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deejay (Jamaican)
Toasting (rap in other parts of the Anglo Caribbean) or deejaying is the act of talking, usually in a monotone melody, over a rhythm or beat by a deejay. It can either be improvised or pre-written. Toasting developed in Jamaica, before it took up that name and being part of the sound system era, a similar sound of it is found in mento and now can be heard over musical styles including ska, reggae, dancehall, dub, grime, hip hop, soca and bouyon music. The combination of singing and toasting is known as singjaying. In the late 1950s in Jamaica, one of the first Selector, also being a promoter optimized of using a mic and to entertain an audience while playing records was Count Matchuki. He conceived the idea for being comically entertaining from listening to commercial ads and disc jockeys on American radio stations etc. He would create and come up with comical phrases also doing African American jive over the music while selecting and playing R&B music. Deejays like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Red Rose
Anthony Cameron (born 19 December 1962), better known as Anthony Red Rose, is a Jamaican singjay.Stolzoff, Norman C. (2000) ''Wake the Town and Tell the People: Dancehall Culture in Jamaica'', Duke University Press, , p. 171 Biography Born in St. Mary, Cameron initially recorded under the name Tony Rose, adopting 'Anthony Red Rose' to avoid confusion with roots reggae singer, Michael Rose, who at the time also performed under the name Tony Rose.Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p. 244-5Room, Adrian (2010) ''Dictionary of Pseudonyms'', McFarland & Co. Ltd., , p. 400 He was one of the first artists to record at the studio that King Tubby opened in the mid-1980s, and had a huge hit in Jamaica in 1985 with "Tempo", which followed "Under Mi Fat Thing", another take on Prince Jammy's and Wayne Smith (musician) "Sleng Teng" riddim.Barrow, Steve & Dalton, Peter (2004) ''The Rough Guide to Reggae, 3rd edn.'', Rough Guides, , p. 295 He continued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., metre (British English, Commonwealth spelling) or meter (American English, American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mavado (singer)
David Constantine Brooks (born 30 November 1981), better known by his stage name Mavado, is a Jamaican singer. Mavado signed with DJ Khaled's We the Best Music Group, a then-imprint of Cash Money and Republic Records in 2011. He guest performed on each of Khaled's studio albums, beginning with '' We the Best Forever'' (2011) until parting ways with the label prior to the release of his twelfth, ''Khaled Khaled'' (2021). His 2013 single, "Give It All to Me" (featuring Nicki Minaj) was released in promotion for his debut major label studio album, which remains unreleased. Biography David Constantine Brooks was raised in the Cassava Piece community of uptown Kingston, Jamaica. He cites the music of Bounty Killer as an early influence. Bounty took him under his wing to show him the ropes of the music industry and introduced him to his manager, Julian Jones-Griffith. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yami Bolo
Rolando Ephraim McLean (born 1 October 1970), better known as Yami Bolo, is a Jamaican reggae singer. Biography Yami Bolo grew up in postal zone 13 of Kingston. His first professional job and exposure was with Sugar Minott's Youth Promotion Crew. His first singles were released in 1986, produced by Minott, and he had his greatest success working with Augustus Pablo in the late 1980s and early 1990s, on singles such as "Struggle in Babylon". In 1994, Bolo earned international acclaim from his collaboration with Japanese reggae performer, Kazafumi Mizayawa (Miya). Their ''Love Is Dangerous'' album sold 500,000 units in Japan. In addition, the duo's "Miya-Yami Project" earned the Japanese "Best Music Video '94" title. He contributed to Damian Marley's 2001 Grammy Award winning album ''Halfway Tree'' (2002 Best Reggae Album). Bolo has collaborated with some of reggae's most prominent artists and producers; including Damian Marley, Tenor Saw, Sugar Minott, Capleton, Tapper Zukie, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nitty Gritty
Glen Augustus Holness (1957–24 June 1991), otherwise known by his stage name Nitty Gritty, was a popular reggae singer. Born in the August Town section of Kingston, Jamaica, he was the second of eleven children born to religious parents. Biography Holness formed The Soulites in the early 1970s and recorded his first solo single in the early 1980s for producer Sugar Minott.Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, He worked on the Zodiac sound system and recorded further singles, working with George Phang before moving on to King Jammy in 1985, with whom he had his breakthrough success with "Hog inna Minty", a Jamaican folk song. Nitty Gritty was the first to record the song and was an instant success. He enjoyed further successful singles produced by Jammy, and his debut album, ''Turbo Charged'' was released in 1986, as was the split album with King Kong, ''Musical Confrontation''. He moved to live in London before relocating to New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Smith (musician)
Wayne Smith (born Ian Flemmings Smith; born 5 December 1965 – 17 February 2014) was a Jamaican reggae and dancehall musician best known for his 1985 hit "Under Me Sleng Teng", which is regarded as the track which initiated the digital era of reggae. Biography Smith grew up in the Waterhouse area of Kingston, Jamaica, Kingston, Jamaica.Campbell, Howard (2014)Wayne Smith, Trailblazer, ''Jamaica Observer'', 19 February 2014; retrieved 19 February 2014 He performed with Sound system (Jamaican), sound systems and began recording in 1980 at age 14, initially working with producer Prince Jammy, his next door neighbour, who produced his debut album ''Youthman Skanking'' (1982) and the 1985 follow-up ''Smoker Super''. Wayne Smith's early musical styles and lyrical meditations are consciously educated in, and grounded in an earlier Roots Reggae, roots reggae awareness, but slowed down in the spacious dancehall style of the time, backed by Earl "Chinna" Smith's High Times Players, Roots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinchers
Delroy Thompson (born 19 November 1965), better known by his stage name Pinchers, is a Jamaican reggae and dancehall artist. Career He released his first album as a teenager in Jamaica for Blue Trac Records, before briefly moving to the UK in 1985. Pinchers made his first hits in 1986 with "Borrow No Gun", which he released through King Jammy, "Abrakabra", "Eat Man", and "Jailhouse Hot". Pinchers gained fame with the single "Agony", from the album of the same name produced by King Jammy. In the same year, he recorded the ''Mass Out'' album, produced by Philip "Fatis" Burrell and backed by Sly & Robbie, Jackie Mittoo and Robbie Lyn, among others. In 1990, he released "Bandelero", which became his signature tune. It was later part of the soundtrack for the movie ''Shottas''. He continued with hits through the mid-1990s, including "Carpenter", "Send Another One Come" and "Venti Uno" with Bounty Killer. Pinchers continues to record music and perform concerts, where he is k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little John (musician)
John McMorris (born March 30 1965), better known as Little John, is a Jamaican dancehall musician best known for his 1980s recordings. Biography Born March 30 1965 in Kingston, Jamaica, Little John was so called as he began performing and recording at the age of nine. He first recorded for Captain Sinbad's Youth in Progress label (including debut single "51 Storm"), and is regarded by some as the first dancehall singer, known for his ability to create lyrics over any backing track. Throughout the 1980s, he was backed by Roots Radics and Sly and Robbie, with frequent discomix vocal and dubwise production duties performed by Scientist. After joining Sugar Minott's Youth Promotion organisation, he performed with sound systems such as Romantic Hi Fi, ( notably, also the name of Little John's own record label) Kilimanjaro, Gemini, and Henry "Junjo" Lawes' Volcano Hi Power. He recorded for many producers in the 1980s, notably for Lawes, Joseph Hoo Kim, George Phang, Jah Thomas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
