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Quinquatria
In ancient Roman religion, the Quinquatria or Quinquatrus was a festival sacred to the Goddess Minerva, celebrated from the 19–23 of March. The older festivals were of Etruscan origin and were to celebrate the Spring equinox, the spring rebirth rites of women. According to Varro, it was so called because it was held on the fifth ''(quinqu-)'' day after the Ides, in the same way as the Tusculans called a festival on the sixth day after the Ides ''Sexatrus'' or one on the seventh ''Septimatrus''. Both Varro and Festus state that the Quinquatrus was celebrated for only one day, but Ovid says that it was celebrated for five days, hence the name: on the first day no blood was shed, but that on the last four there were contests of gladiators. The first day was the festival proper, and that the following four were an expansion made perhaps in the time of Caesar to gratify the people. The ancient Roman religious calendars assign only one day to the festival. Ovid says that this fest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minerva
Minerva (; ett, Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena.''Larousse Desk Reference Encyclopedia'', Book People, Haydock, 1995, p. 215. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno. She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts. She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected. Marcus Teren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Festival
Festivals in ancient Rome were a very important part in religion in ancient Rome, Roman religious life during both the Roman Republic, Republican and Roman Empire, Imperial eras, and one of the primary features of the Roman calendar. ''Feriae'' ("holidays" in the sense of "holy days"; singular also ''feriae'' or ''dies ferialis'') were either public ''(publicae)'' or private ''(privatus, privatae)''. State holidays were celebrated by the Roman people and received public funding. Games ''(ludi)'', such as the Ludi Apollinares, were not technically ''feriae'', but the days on which they were celebrated were ''Glossary of ancient Roman religion#festus, dies festi'', holidays in the modern sense of days off work. Although ''feriae'' were paid for by the state, ''ludi'' were often funded by wealthy individuals. ''Feriae privatae'' were holidays celebrated in honor of private individuals or by families. This article deals only with public holidays, including rites celebrated by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gladiator
A gladiator ( la, gladiator, "swordsman", from , "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubilustrium
In Ancient Rome the month of March was the traditional start of the campaign season, and the Tubilustrium was a ceremony to make the army fit for war. The ceremony involved sacred trumpets called ''tubae''. Johannes Quasten, however, argues that the common term for war trumpets being ''tubae'' is not the same as the ''tubi'' form here. He states that ''tubi'' was only used for trumpets used in sacrifices and goes on to show how this ceremony was a feast to cleanse and purify the trumpets used in sacrifices - it is a good example, he argues, of the special connection between music and cult in Roman ritual. The festival was held on March 23, the last day of the Quinquatria festival held in tribute to the Roman God Mars and Nerine, a Sabine goddess.J.Quasten, 1983, ''Music & Worship in Pagan & Christian Antiquity'', p.8 The event took place again on May 23. The ceremony was held in Rome in a building called the Hall of the Shoemakers (''atrium sutorium'') and involved the sacr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Ancient Rome
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety ''(pietas)'' in maintaining Pax deorum, good relations with the gods. Their Polytheism, polytheistic religion is known for having honored List of Roman deities, many deities. The presence of Magna Graecia, Greeks on the Italian peninsula from the beginning of the historical period influenced Culture of ancient Rome, Roman culture, introducing some religious practices that became fundamental, such as the ''Cult (religious practice), cultus'' of Apollo. The Romans looked for common ground between their major gods and those of the Greeks (''interpretatio graeca''), adapting Greek mythology, Greek myths and iconography for Latin literature and Roman art, as the Etruscans h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium (ancient Rome)
A (plural ), or college, was any association in ancient Rome that acted as a legal entity. Following the passage of the ''Lex Julia'' during the reign of Julius Caesar as Consul and Dictator of the Roman Republic (49–44 BC), and their reaffirmation during the reign of Caesar Augustus as ''Princeps senatus'' and Imperator of the Roman Army (27 BC–14 AD), ''collegia'' required the approval of the Roman Senate or the Emperor in order to be authorized as legal bodies. Such associations could be civil or religious. The word literally means "society", from (‘colleague’). They functioned as social clubs or religious collectives whose members worked towards their shared interests. These shared interests encompassed a wide range of the various aspects of urban life; including political interests, cult practices, professions, trade, and civic services. The social connections fostered by ''collegia'' contributed to their influence on politics and the economy; acting as lobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venatio
Venatio ( la, venatio, "hunting", plural ''venationes'') was a type of entertainment in Roman amphitheaters involving the hunting and killing of wild animals. History Venatio was first introduced by Marcus Fulvius Nobilior, who celebrated his Greek campaign by hosting games where gladiators would fight lions and panthers. He was possibly inspired by Alexander the Great's purported pastime of pitting lions against both men and dogs. Exotic wild beasts from the far reaches of the Roman Empire were brought to Rome and hunts were held in the morning prior to the afternoon main event of gladiatorial duels. The hunts were held in the Roman Forum, the Saepta, and in the Circus Maximus, though none of these venues offered protection to the crowd from the wild animals on display. Special precautions were taken to prevent the animals from escaping these venues, such as the erection of barriers and the digging of ditches. Very few animals survived these hunts though they did sometimes defe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baiae
Baiae ( it, Baia; nap, Baia) was an ancient Roman town situated on the northwest shore of the Gulf of Naples and now in the ''comune'' of Bacoli. It was a fashionable resort for centuries in antiquity, particularly towards the end of the Roman Republic, when it was reckoned as superior to Capri, Pompeii, and Herculaneum by wealthy Romans, who built villas here from 100 BC to AD 500. It was notorious for its hedonistic offerings and the attendant rumours of corruption and scandal. The lower part of the town later became submerged in the sea due to local volcanic, bradyseismic activity which raised or lowered the land, and recent underwater archaeology has revealed many of the fine buildings now protected in the submerged archaeological park. Many impressive buildings from the upper town can be seen in the ''Parco Archeologico delle Terme di Baia''. Name Baiae was said to have been named after Baius ( grc-gre, Βαῖος, ''Baîos''), the helmsman of Odysseus's ship in Homer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nero
Nero Claudius Caesar Augustus Germanicus ( ; born Lucius Domitius Ahenobarbus; 15 December AD 37 – 9 June AD 68), was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68. He was adopted by the Roman emperor Claudius at the age of 13 and succeeded him on the throne. Nero was popular with the members of his Praetorian Guard and lower-class commoners in Rome and its provinces, but he was deeply resented by the Roman aristocracy. Most contemporary sources describe him as tyrannical, self-indulgent, and debauched. After being declared a public enemy by the Roman Senate, he committed suicide at age 30. Nero was born at Antium in AD 37, the son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger, a great-granddaughter of the emperor Augustus. When Nero was two years old, his father died. His mother married the emperor Claudius, who eventually adopted Nero as his heir; when Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agrippina The Younger
Julia Agrippina (6 November AD 15 – 23 March AD 59), also referred to as Agrippina the Younger, was Roman empress from 49 to 54 AD, the fourth wife and niece of Emperor Claudius. Agrippina was one of the most prominent women in the Julio-Claudian dynasty. She was the daughter of the Roman general Germanicus and Agrippina the Elder, granddaughter of Augustus (the first Roman emperor). Her father, Germanicus, was the nephew and heir apparent of the second emperor, Tiberius. Agrippina's brother Caligula became emperor in 37 AD. After Caligula was assassinated in 41 AD, Germanicus' brother Claudius took the throne. Agrippina married Claudius in 49 AD. Agrippina functioned as a behind-the-scenes advisor in the affairs of the Roman state via powerful political ties. She maneuvered her son Nero into the line of succession. Claudius became aware of her plotting, but died in 54; it was rumoured that Agrippina poisoned him.Tacitus, ''Annals'' XII.66; Cassius Dio, ''Roman History'' LXI.3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
