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Portrait Of Lucina Brembati
The ''Portrait of Lucina Brembati'' is an oil-on-panel painting by the Italian High Renaissance painter Lorenzo Lotto, dating to ''c.'' 1518. It is housed in the Accademia Carrara of Bergamo, northern Italy. The work is known since 1882, when the Accademia acquired it from a private collection. The subject was identified later, after the rebus included in it was recognized: the moon in the upper left background contains the inscription "CI", which, in Italian, translates as "CI in Luna", e.g. "LuCIna"; the Brembati coat of arms is instead contained in ring of the woman's left forefinger. Description The painting is a bust portrait, with the face slightly from three-quarters. Lucina wears rich clothes with gilt ribbons and shell-shaped embroideries, as well as several jewels including a necklace of pearls, and another with a horn-shaped pendant, which at the time was used as a toothpick. Working differently from the idealized portraits Titian and Palma the Elder Palma Vec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an idiosyncratic style (although it fits w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Carrara
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northern Italy
Northern Italy ( it, Italia settentrionale, it, Nord Italia, label=none, it, Alta Italia, label=none or just it, Nord, label=none) is a geographical and cultural region in the northern part of Italy. It consists of eight administrative regions: Aosta Valley, Piedmont, Liguria, Lombardy, Emilia-Romagna, Veneto, Friuli-Venezia Giulia and Trentino-Alto Adige. As of 2014, its population was 27,801,460. Rhaeto-Romance and Gallo-Italic languages are spoken in the region, as opposed to the Italo-Dalmatian languages spoken in the rest of Italy. The Venetian language is sometimes considered to be part of the Italo-Dalmatian languages, but some major publications such as '' Ethnologue'' (to which UNESCO refers on its page about endangered languages) and '' Glottolog'' define it as Gallo-Italic. For statistic purposes, the Istituto Nazionale di Statistica (ISTAT) uses the terms Northwest Italy and Northeast Italy for two of Italy's five statistical regions in its reporting. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebus
A rebus () is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". It was a favourite form of heraldic expression used in the Middle Ages to denote surnames. For example, in its basic form, three salmon (fish) are used to denote the surname "Salmon". A more sophisticated example was the rebus of Bishop Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water. The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder ''Non verbis, sed rebus'', which Latin expression signifies "not by words but by things" (''res, rei'' (f), a thing, object, matter; ''rebus'' being ablative plural). Rebuses within heraldry Rebuses are used extensively as a form of heraldic ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma The Elder
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Moranda Cavazzola
Paolo Morando Cavazzola (1486–1522) was an Italian painter of the Renaissance, active mainly in his hometown of Verona. He appears to have been a pupil of one of the brothers Morone, likely Francesco Morone. He painted in a style resembling that of Giorgione Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quali .... References *''Review of Cavazzola by Christian Hornig'', Rona Goffen. The Art Bulletin, Vol. 62, No. 2 (Jun., 1980), pp. 323–325. Web Gallery of Art biography.* {{DEFAULTSORT:Cavazzola, Paolo Moranda 1486 births 1522 deaths 15th-century Italian painters Italian male painters 16th-century Italian painters Painters from Verona Italian Renaissance painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Young Man With A Lamp
The ''Portrait of a Young Man with a Lamp'' is an oil-on-canvas painting by the Italian High Renaissance painter Lorenzo Lotto, dating to c. 1506. It is housed in the Kunsthistorisches Museum of Vienna, Austria. The work is generally ascribed to Lotto's stay in Treviso. It was acquired by the Viennese museum in 1816. Description The picture portrays the bust a young man from three-quarter, looking at the viewer. It shows an extreme attention to details, such as the slight epidermic imperfections, the elongated nose, the soft hair. The use of light and the composition are similar to other early works by Lotto, such as the ''Portrait of Bishop Bernardo de' Rossi'' (1505). The face is framed by the dark clothes and hat, painted over a white brocade drapery with a green border. On the right, an opening to a darker background shows a burning lamp, a symbol which could allude to the man's personality or deeds, and which has been variously interpreted (from a reference to an evangel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
