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Pyeongtaek Nongak
Pyeongtaek nongak is a ''nongak'' or Korean farmer's music which has been performed and handed down in the Pyeongtaek region of Gyeonggi Province. There are five types of nongak in Korea: Wootdari (웃다리) nongak of Gyeonggi and Chungcheong, Left Jeolla nongak, Right Jeolla nongak, Southeastern Korea (Yeongnam, 영남) nongak, and Eastern Gangwon-do ( Yeongdong, 영동) nongak. Each nongak has its unique representation of Korean culture and has been recognized as an important intangible cultural asset in each regio It was designated as the eleventh asset of the Important Intangible Cultural Properties of Korea, Important Intangible Cultural Property by the South Korean government on December 1, 1985. Since then, there have been a lot of performances in and out of South Korea. Origins Pyeongtaek has had open fields called ''Sosabeol'', 소사벌 and traditionally its people have farmed. This was a crucial background for developing Pyeongtaek nongak. In Gyeonggi and Chungch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nongak
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its usag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseon Dynasty
Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens. During its 500-year duration, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally the practitioners faced persecutions. Joseon consolidated its effective rule over the territory of current Korea and saw the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samul Nori
Samul nori (사물놀이) is a genre of percussion music that originated in Korea. The word ''samul'' means "four objects", while ''nori'' means "play". Samul nori is performed with four traditional Korean musical instruments. They are ''Kkwaenggwari'' (꽹과리), a small gong; '' Jing'' (징), a larger gong; ''Janggu'' (장구), an hourglass-shaped drum; and '' Buk'' (북), a barrel drum similar to the bass drum. Samul nori's roots are in ''Pungmul nori'' (풍물놀이), meaning "playing Korean traditional percussion instruments", which is a Korean folk genre comprising music, acrobatics, folk dance, and rituals. Samul nori was traditionally performed in rice-farming villages in order to ensure and to celebrate good harvests. Until modern times, nine-tenths of Korea's people were employed in agricultural work, and this genre defined Korean music. ''Samul nori'' is the formalized, more modern version of ''Pungmul nori''. ''Samul nori'' started by adapting music from ''Utdari pun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taepyeongso
The ''taepyeongso'' (lit. "big peace wind instrument"; also called ''hojok'', ''hojeok'' 호적 號笛/ 胡 笛, ''nallari'', or ''saenap'', 嗩 吶) is a Korean double reed wind instrument in the shawm or oboe family, probably descended from the Persian sorna and closely related to the Chinese suona. It has a conical wooden body made from ''yuja'' (citron), ''daechu'' (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392). The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially " farmer's band music") and to marching bands, the latter performed for royalty in the genre known as ''daechwita''. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as "Lalalay" by Sunmi (2019). Writings English Written sources in English are scarce. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jing (instrument)
The ''jing'' is a large gong used in traditional Korean music, particularly in ''samul nori'', ''pungmul'', and ''daechwita'' to keep beat. It is usually made from high-quality brass and is struck by a stick that is layered with cloth at one end to soften the texture of the sound produced. It is typically played in farmer, shaman, Buddhist, and military music for ceremonies and special occasions, varying in size for each occasion. It is capable of producing a gentle and lingering sound as well as a big sound with a roaring effect, depending on force applied when striking against the brass. Although the ''jing'' is a percussion instrument, it has a constant pitch and produces a harmonious and beautiful sound on its own. Jing is classified into '' Amjing'' (korean: 암징) and '' Sujing'' (korean: 수징) according to the pitch. ''Amjing'' is low-pitched, and ''Sujing'' is high-pitched. Cultural presence The jing's name was originally pronounced ''jeong'' ( 정, deriving from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buk (drum)
The ''buk'' () is a traditional Korean drum. While the term ''buk'' is a native Korean word used as a generic term meaning "drum" (the Sino-Korean vocabulary, Sino-Korean word being ''go''), it is most often used to refer to a shallow barrel-shaped drum, with a round wooden body that is covered on both ends with animal skin. Buk are categorized as ''hyeokbu'' (혁부, ) which are instruments made with leather, and has been used for ''jeongak'' (Korean court music) and folk music. History The buk used for court music are usually fixed with nails on the rims, while ones used for folk music are usually tied up with leather straps to form the shape. Performers in the court music usually beat their with ''bukchae'' (북채, a drum stick) on one hand or two hands together, while drummers in the folk music commonly beat their with it on their right hand as hitting the other side of the buk with their bare left hand. A while ago, even ''jong'' (종, bell) was referred to as "''soebu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janggu
The ''janggu'' (, also transliterated as ''janggo'' or ''changgo'') or sometimes called ''seyogo'' (slim waist drum) is the most representative drum in traditional Korean music. It is available in most kinds, and consists of an hourglass-shaped body with two heads made from animal skin. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리). History The earliest depictions of the instrument were inscribed on a bell belonging to the Silla (57 BC–935 AD) period and in a mural painting of the same period in Goguryeo (37 BC–668 AD) tomb. The oldest written records about an hourglass-shaped drum may be traced to the reign of King Munjong (1047–1084) of Goryeo as a field instrument. The Korean record from 1451 titled ''Goryeo-sa'', or History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kkwaenggwari
The ''kkwaenggwari'' () is a small flat gong used primarily in the folk music of Korea. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. It is particularly important in ''samul nori'' and ''pungmul'', although it is also used in other genres. The instrument's name is likely onomatopoetic for the sound the instrument produces, "kkwaeng-kkwaeng" (hangul: 꽹꽹). An alternate name is ''swe''. This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. Sound is largely divided into Gaen(갠 )gang (갱), and zig-gaen (''지갠''). In Nongak, the person who beats a kkwaenggwari is called '' Sangsoe''(korean: 상쇠) or '' Busoe''(korean Korean may refer to: Peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hwaseong City
Hwaseong () is a city in Gyeonggi Province, South Korea. It has the largest area of farmland of any city or county in Gyeonggi Province. Seoul Subway Line 1 passes through Hwaseong, stopping at Byeongjeom Station. Suin Bundang Line also passes through Hwaseong, stopping at Eocheon Station. Historically, the former Namyang-gun region in the west and the former Suwon-gun region in the east form a heterogeneous landscape due to the large east-west gap due to the area about 1.4 times that of Seoul and the geographical condition stretching from east to west. History Universal Studios On November 27, 2007 the city was chosen as the site for the future Universal Studios South Korea theme park. Originally set to open in 2016, it would have been the world's largest Universal Studios theme park, being larger than all the other four combined. The US$3.1 billion park is expected to create at least 58,000 new jobs. In 2014, the project was put on hold. The plan was restarted in 2015, and K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anseong
Anseong () is a city in Gyeonggi Province, South Korea, south of Seoul. Its geographical location is . Anseong promotes itself as "The City of Masters". It is known for producing brassware and arts and crafts. From late spring to fall, Anseong holds its own Namsadang Neuri Festival. The agriculture of Anseong consists of Asian pears, grapes, ginseng, and rice. It borders Pyeongtaek-si to the west, Yongin-si to the north, Icheon-si and Eumseong-gun to the east, and Cheonan-si, Chungcheongnam-do and Jincheon-gun, Chungcheongbuk-do to the south. It is located in the southernmost part of Gyeonggi-do and is adjacent to Chungcheong-do along with Pyeongtaek-si, so it serves as a kind of gateway. Modern history In 1963, Gosam town of Yongin was incorporateded by Anseong. At that time, Anseong was a county. In 1983, 6 towns ceded by Anseong and attached as a district of Pyeongtaek.Laws concerning change of districts of city, county, district, town, township and Establishment of new tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namsadang
The ''namsadang'' () is a Korean itinerant troupe which consists of male performers who present various performing arts such as acrobatics, singing, dancing and playing like a circus. It is said that ''namsadang'' was spontaneously formed before 1900 during the Joseon Dynasty and used to wander about marketplaces and villages. The troupe was considered the lowest class in society along with ''cheonmin'' (vulgar commoners) or ''baekjeong'' (butchers), so that very few historical documents remain on them. However, since a record that a puppet show was performed during the Silla period (57 BCE – 935 CE) has been found, it is assumed that similar types of itinerant companies appeared in Korean history a long time ago. During the late Joseon Dynasty, there were several ''namsadang'', but the one whose base was set in Cheongryongsa temple (청룡사) in Anseong, Gyeonggi Province was the most famous. They became called ''namsadang'' because the troupe were composed of only men an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
