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Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul As Protest
Pungmul (Hangul: 풍물; Hanja: 風物; also spelled "poongmul") is a Korean folk musical art that has a long history of being used for tradition, community formation, ritual, and expression. Its roots are deeply tied to Korean pre-industrial farming culture. Although pungmul was used in earlier protests, it became widely acknowledged as a method of protest during South Korea's pro-democracy movement in the 1970s. Through the minjung movement that spurred the struggle for democratization and labor rights, pungmul's regular presence at protests signifies a "sonic marker of dissent" and continues to be an active part of contemporary protest culture in South Korea and beyond. Pungmul as protest in South Korea Origin in the Minjung Movement Pungmul, along with other Korean folk arts such as talchum, madang guk, and minyo were important in the minjung movement. The minjung movement was a movement of the people during the 1970s and 1980s, led by workers and university students which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Korea
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyeongtaek Nongak
Pyeongtaek nongak is a ''nongak'' or Korean farmer's music which has been performed and handed down in the Pyeongtaek region of Gyeonggi Province. There are five types of nongak in Korea: Wootdari (웃다리) nongak of Gyeonggi and Chungcheong, Left Jeolla nongak, Right Jeolla nongak, Southeastern Korea (Yeongnam, 영남) nongak, and Eastern Gangwon-do ( Yeongdong, 영동) nongak. Each nongak has its unique representation of Korean culture and has been recognized as an important intangible cultural asset in each regio It was designated as the eleventh asset of the Important Intangible Cultural Properties of Korea, Important Intangible Cultural Property by the South Korean government on December 1, 1985. Since then, there have been a lot of performances in and out of South Korea. Origins Pyeongtaek has had open fields called ''Sosabeol'', 소사벌 and traditionally its people have farmed. This was a crucial background for developing Pyeongtaek nongak. In Gyeonggi and Chungch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Korea
The traditional culture of Korea is the shared cultural and historical heritage of Korea and southern Manchuria before the division of Korea in 1945. Manchuria refers to the ancient geographical and historical region in Northeast Asia, including countries like China and Russia. Since the mid-20th century, Korea has been split between the North Korean and South Korean states, resulting in a number of cultural differences that can be observed even today. the practice of Confucianism and Korean shamanism is deeply rooted in Korean culture. Clothing The traditional dress known as ''hanbok'' (한복, 韓服) (known as ''joseonot'' 선옷in the DPRK). The ''hanbok'' consists of a shirt (''jeogori'') and a skirt (''chima''). According to social status, Koreans used to dress differently, making clothing an important mark of social rank. Costumes were worn by the ruling class and the royal family. These upper classes also used jewelry to distance themselves from the ordinar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangmo
Sangmo (''상모'') is a Korean folk arts hat. A kind of a hat with feathers or paper streamers called pi-ji, made of Korean paper attached to the top which is worn when dancing and moving the head around (Kor. 머리춤, lit. head dance) during a pungmul (nongak) performance. Sangmo is also called ''chae-sang, beop-go''. The performance with sangmo also called sangmo-noleum, chaesang-noleum, buckgu-noleum. Noleum (놀음) means performance. And a person who wears a sangmo is called a beok-gu (벅구), chaeSang-chibae (채상치배) and beokgu-jaebi (버꾸잽이). Chibae (치배) and jaeb-i (잽이) is a term means percussionists in the pungmul. These terms are called different places in Korea. Origin The origin of it can be found in the history of the ''jeon-lip''. ''Jeonp-lip'' is a black cap of the sangmo. The origin of the ''jeon-lip'' is the ''jeolpung'' on the head. ''Jeolpung'' is the basic type of crown cap of the Three Kingdoms Period, and used various ornaments such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Intangible Cultural Properties Of Korea
The Intangible Cultural Heritage (, ''Muhyeong Munhwajae'') are aspects of intangible culture that the government of South Korea has officially designated for preservation in accordance with the 1962 Cultural Property Protection Law. They are proclaimed and maintained by South Korea's Cultural Heritage Administration. Practices of particular importance can be designated as Important Intangible Cultural Properties (, ''Jungyo Muhyeong Munhwajae''). The first practice so designated was '' Jongmyo jeryeak'', the ancient music and dance performed at the Jongmyo Royal Ancestral Shrine in Seoul; it was proclaimed on December 7, 1964. The most recent, announced on November 16, 2006, was Important Intangible Cultural Property 119, ''geumbakjang'' (gold leaf decoration), practiced in Seongnam, Gyeonggi-do. A similarly named yet distinct designation, "Intangible Cultural Properties," also exists, with 33 items having been proclaimed. These are proclaimed by provinces or cities rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janggu
The ''janggu'' (, also transliterated as ''janggo'' or ''changgo'') or sometimes called ''seyogo'' (slim waist drum) is the most representative drum in traditional Korean music. It is available in most kinds, and consists of an hourglass-shaped body with two heads made from animal skin. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리). History The earliest depictions of the instrument were inscribed on a bell belonging to the Silla (57 BC–935 AD) period and in a mural painting of the same period in Goguryeo (37 BC–668 AD) tomb. The oldest written records about an hourglass-shaped drum may be traced to the reign of King Munjong (1047–1084) of Goryeo as a field instrument. The Korean record from 1451 titled ''Goryeo-sa'', or History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kkwaenggwari
The ''kkwaenggwari'' () is a small flat gong used primarily in the folk music of Korea. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. It is particularly important in ''samul nori'' and ''pungmul'', although it is also used in other genres. The instrument's name is likely onomatopoetic for the sound the instrument produces, "kkwaeng-kkwaeng" (hangul: 꽹꽹). An alternate name is ''swe''. This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. Sound is largely divided into Gaen(갠 )gang (갱), and zig-gaen (''지갠''). In Nongak, the person who beats a kkwaenggwari is called '' Sangsoe''(korean: 상쇠) or '' Busoe''(korean Korean may refer to: Peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyeongsangnam-do
South Gyeongsang Province ( ko, 경상남도, translit=Gyeongsangnam-do, ) is a province in the southeast of South Korea. The provincial capital is at Changwon. It is adjacent to the major metropolitan center and port of Busan. The UNESCO World Heritage Site Haeinsa, a Buddhist temple that houses the ''Tripitaka Koreana'' and tourist attraction, is located in this province. Automobile and petrochemical factories are largely concentrated along the southern part of the province, extending from Ulsan through Busan, Changwon, and Jinju. Etymology The name derives ; . The name derives from the names of the principal cities of Gyeongju () and Sangju (). History Before 1895, the area corresponding to modern-day South Gyeongsang Province was part of Gyeongsang Province, one of the Eight Provinces of Korea during the Joseon dynastic kingdom. In 1895, southern Gyeongsang was replaced by the districts of Jinju in the west and Dongnae (modern-day Busan) in the east. In 1896, they were me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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