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Namsadang
The ''namsadang'' () is a Korean itinerant troupe which consists of male performers who present various performing arts such as acrobatics, singing, dancing and playing like a circus. It is said that ''namsadang'' was spontaneously formed before 1900 during the Joseon Dynasty and used to wander about marketplaces and villages. The troupe was considered the lowest class in society along with ''cheonmin'' (vulgar commoners) or ''baekjeong'' (butchers), so that very few historical documents remain on them. However, since a record that a puppet show was performed during the Silla period (57 BCE – 935 CE) has been found, it is assumed that similar types of itinerant companies appeared in Korean history a long time ago. During the late Joseon Dynasty, there were several ''namsadang'', but the one whose base was set in Cheongryongsa temple (청룡사) in Anseong, Gyeonggi Province was the most famous. They became called ''namsadang'' because the troupe were composed of only men an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anseong
Anseong () is a city in Gyeonggi Province, South Korea, south of Seoul. Its geographical location is . Anseong promotes itself as "The City of Masters". It is known for producing brassware and arts and crafts. From late spring to fall, Anseong holds its own Namsadang Neuri Festival. The agriculture of Anseong consists of Asian pears, grapes, ginseng, and rice. It borders Pyeongtaek-si to the west, Yongin-si to the north, Icheon-si and Eumseong-gun to the east, and Cheonan-si, Chungcheongnam-do and Jincheon-gun, Chungcheongbuk-do to the south. It is located in the southernmost part of Gyeonggi-do and is adjacent to Chungcheong-do along with Pyeongtaek-si, so it serves as a kind of gateway. Modern history In 1963, Gosam town of Yongin was incorporateded by Anseong. At that time, Anseong was a county. In 1983, 6 towns ceded by Anseong and attached as a district of Pyeongtaek.Laws concerning change of districts of city, county, district, town, township and Establishment of new tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Intangible Cultural Properties Of Korea
The Intangible Cultural Heritage (, ''Muhyeong Munhwajae'') are aspects of intangible culture that the government of South Korea has officially designated for preservation in accordance with the 1962 Cultural Property Protection Law. They are proclaimed and maintained by South Korea's Cultural Heritage Administration. Practices of particular importance can be designated as Important Intangible Cultural Properties (, ''Jungyo Muhyeong Munhwajae''). The first practice so designated was '' Jongmyo jeryeak'', the ancient music and dance performed at the Jongmyo Royal Ancestral Shrine in Seoul; it was proclaimed on December 7, 1964. The most recent, announced on November 16, 2006, was Important Intangible Cultural Property 119, ''geumbakjang'' (gold leaf decoration), practiced in Seongnam, Gyeonggi-do. A similarly named yet distinct designation, "Intangible Cultural Properties," also exists, with 33 items having been proclaimed. These are proclaimed by provinces or cities rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul Nori
''Pungmul'' (; ) is a Music of Korea#Folk music, Korean folk music tradition that includes drumming, dance, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on Culture of Korea#Festivals of the lunar calendar, rural holidays, at other village community-building events, and to accompany Korean shamanism, shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively Pungmul as Protest, used in political protest during the pro-democracy movement, although today it is most often seen as a Performing arts, performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the Korea under Japanese rule, colonial era (1910–1945). The Cultural Heritage Administration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul Nori
''Pungmul'' (; ) is a Music of Korea#Folk music, Korean folk music tradition that includes drumming, dance, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on Culture of Korea#Festivals of the lunar calendar, rural holidays, at other village community-building events, and to accompany Korean shamanism, shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively Pungmul as Protest, used in political protest during the pro-democracy movement, although today it is most often seen as a Performing arts, performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the Korea under Japanese rule, colonial era (1910–1945). The Cultural Heritage Administration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyeonggi Province
Gyeonggi-do (, ) is the most populous province in South Korea. Its name, ''Gyeonggi'', means "京 (the capital) and 畿 (the surrounding area)". Thus, ''Gyeonggi-do'' can be translated as "Seoul and the surrounding areas of Seoul". Seoul, the nation's largest city and capital, is in the heart of the area but has been separately administered as a provincial-level ''special city'' since 1946. Incheon, the nation's third-largest city, is on the coast of the province and has been similarly administered as a provincial-level ''metropolitan city'' since 1981. The three jurisdictions are collectively referred to as '' Sudogwon'' and cover , with a combined population of 25.5 million—amounting to over half of the entire population of South Korea. History Gyeonggi-do has been a politically important area since 18 BCE, when Korea was divided into three nations during the Three Kingdoms period. Ever since King Onjo, the founder of Baekje (one of the three kingdoms), founded the govern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stunt
A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theaters, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double. Types of stunt effects Practical effects One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrobatics
Acrobatics () is the performance of human feats of balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro dance, circus, and gymnastics, and to a lesser extent in other athletic activities including ballet, slacklining and diving. Although acrobatics is most commonly associated with human body performance, the term is used to describe other types of performance, such as aerobatics. History Acrobatic traditions are found in many cultures, and there is evidence that the earliest such traditions occurred thousands of years ago. For example, Minoan art from c. 2000 BC contains depictions of acrobatic feats on the backs of bulls. Ancient Greeks practiced acrobatics, and the noble court displays of the European Middle Ages would often include acrobatic performances that included juggling. In China, acrobatics have been a part of the culture si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feat , English reputed sorcerer
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Feat or FEAT may refer to: * ''FEAT'' (album), a 2012 The Hood Internet album * Feat (d20 System), concept in role-playing game system d20 * ''Feat (stato di natura)'', a 2020 album by Francesca Michielin * An abbreviation for ''featuring'', used in credit lists to indicate a guest appearance (common in music) * Far Eastern Air Transport * FEAT Stiftung (''Foundation for Exceptional Abilities and Talents'') See also * Feats ''A Dialogue Concerning Witches and Witchcrafts'' was a book written by George Gifford and published in 1593. It 'is notable for its attention to the ministerial challenges posed by witch belief as well as for its entertaining dialogue designed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Mask
Korean masks have a long tradition with the use in a variety of contexts. Masks of any type are called ''tal'' ( ko, 탈) in Korean, but they are also known by many others names such as ''gamyeon'', ''gwangdae'', ''chorani'', ''talbak'' and ''talbagaji.'' Korean masks come with black cloth attached to the sides of the mask designed to cover the back of the head and also to simulate black hair. Purpose They were used in war, on both soldiers and their horses; ceremonially, for burial rites in jade and bronze and for shamanistic ceremonies to drive away evil spirits, to remember the faces of great historical figures, and in the arts, particularly in ritual dances, courtly, and theatrical plays. The present uses are as miniature masks for tourist souvenirs, or on cell-phones where they hang as good-luck talismans. There are two ways to categorize masks: religious masks and artistic masks. Religious masks were often used to ward off evil spirits and the artistic masks were mostly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tightrope
Tightrope walking, also called funambulism, is the skill of walking along a thin wire or rope. It has a long tradition in various countries and is commonly associated with the circus. Other skills similar to tightrope walking include slack rope walking and slacklining. Types Tightwire is the skill of maintaining balance while walking along a tensioned wire between two points. It can be done either using a balancing tool (umbrella, fan, balance pole, etc.) or "freehand", using only one's body to maintain balance. Typically, tightwire performances either include dance or object manipulation. Object manipulation acts include a variety of props in their acts, such as clubs, rings, hats, or canes. Tightwire performers have even used wheelbarrows with passengers, ladders, and animals in their act. The technique to maintain balance is to keep the performer's centre of mass above their support point—usually their feet. Highwire is a form of tightwire walking but performed at much g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
