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Powis Pinder
Powis Pinder (6 September 1872 – 25 July 1941) was an operatic baritone who created a number of minor roles in the Savoy Operas and played a range of more important parts in Gilbert and Sullivan operas and other works during a two decade long stage career. His later years were spent managing concert parties on the Isle of Wight where he later served as a volunteer fireman on the outbreak of World War II. Early life and career Henry Powis Pinder was born in Camberwell, London, in 1872, the son of Naomi Maria ''née'' Devall (1839–1906) and Edward Pinder (1815–1888), a physician. His first known theatrical appearance was in an 1893 tour as the Vicomte de Champletreaux in ''Mam'zelle Nitouche'' opposite Violet Melnotte and her husband Frank Wyatt, and his début in London was at the Savoy Theatre from December 1894 to March 1895 when he created the small role of Escatero in ''The Chieftain'' with the D'Oyly Carte Opera Company before continuing in the role for a short tou ...
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Louie Pounds And Powis Pinder In Lady Tatters
Louie may refer to: Arts and entertainment * ''Louie'' (American TV series), by comedian Louis C.K. * ''Louie'' (French TV series), animated series about a young rabbit who draws pictures which come to life * "Louie" (song), by Blood Raw * ''Louie'' (album), a 2022 album by Kenny Beats People * Louie (given name) * Louie (surname) Fictional characters * Louie, one of Donald Duck's nephews * Louie De Palma, dispatcher in the television series ''Taxi'' * King Louie, in the 1967 Disney animated film ''The Jungle Book (1967 film)'' * Big Louie, a gangster-mafia boss in the 1987-1996 animated television series ''Teenage Mutant Ninja Turtles'' * Louie, in the soap opera ''EastEnders'' * Louie, a character in the strategy video game series ''Pikmin'' * Louie, a comic strip created and drawn by Harry Hanan * Buzz Saw Louie, a character in the ''VeggieTales'' video, ''The Toy That Saved Christmas'' Mascots * Louie the Bear, the St. Louis Blues mascot * Louie the Laker, the Gr ...
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Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore'', and the seco ...
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Ib And Little Christina
''Ib and Little Christina'' refers to two theatrical adaptations by Basil Hood of the 1855 fairy tale by Hans Christian Andersen, Hans Andersen of the same name: a play (1900) and an opera (1901). Play The first version was a play subtitled "A Picture in 3 Parts", with incidental music by Arthur Bruhns, first produced at the Prince of Wales Theatre, opening on 15 May 1900 and running for 60 performances. It starred John Martin-Harvey, Martin Harvey and the nine-year-old Phyllis Dare. The piece transferred to the Coronet Theatre, London, Coronet Theatre that summer. There was also a Broadway theatre, Broadway run in 1900. It was revived at Terry's Theatre in January 1903, playing for 16 performances, and again at Terry's in early 1904, for 31 more performances. The play was also revived at the Adelphi Theatre in September 1908, playing for seven performances. Opera Hood rewrote ''Ib and Little Christina'' as an opera styled "A Picture in 3 Panels", with music by Franco Leoni. It ...
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The Emerald Isle
''The Emerald Isle''; ''or, The Caves of Carrig-Cleena'', is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. The plot concerns the efforts of an Irish patriot to resist the oppressive "re-education" programme of the English, which has robbed the Irish of their cultural heritage. A quirky "Professor of Elocution" who is hired by the English to continue this "re-education" of the Irish switches sides to help the Irish defend their culture. Romantic complications cause a confrontation between the Irish patriots and the superstitious English at the supposedly haunted caves of Carric-Cleena, and disguises are employed to hold the English off; but the professor ultimately comes up with a solution that works out happily for all. The opera premiered at the Savoy Theatre on 27 April 1901, closing on 9 November 1901 after a run of 205 performances. The opening night cast included such Savoy regulars as Robert Evett, Walter Passmore, ...
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A Princess Of Kensington 1903
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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The Outpost (opera)
''The Outpost'' is an opera or operetta by the composer Hamilton Clarke with a libretto by A. O'D. Bartholeyns. The story is an adaptation of the Singspiel ''Der vierjährige Posten'' by Theodor Körner with music by Franz Schubert.Walters, Michael and George Low"The Outpost" ''Curtain Raisers'', The Gilbert and Sullivan Archive, 25 April 2008, accessed 8 May 2010 The piece was one of Clarke's last compositions following several operettas that he had composed for the German Reeds. It premiered at the Savoy Theatre from 2 July 1900 to 3 November 1900 as a companion piece to the Gilbert and Sullivan opera ''The Pirates of Penzance'', for the second London revival of ''Pirates'', and also played from 10 November 1900 to 7 December 1900 as a companion piece to ''Patience'', a total of 131 performances. After this, the work was performed on tour from late 1901 through 1902 as a companion piece to ''Pirates'', ''Patience'' and ''Iolanthe''. Both the score and the libretto appear t ...
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The Pirates Of Penzance
''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 29th of February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Freder ...
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The Rose Of Persia
''The Rose of Persia''; ''or, The Story-Teller and the Slave'', is a two-act comic opera, with music by Arthur Sullivan and a libretto by Basil Hood. It premiered at the Savoy Theatre on 29 November 1899, closing on 28 June 1900 after a profitable run of 211 performances. The opera then toured, had a brief run in America and played elsewhere throughout the English-speaking world. The original cast included Savoy Theatre regulars Ellen Beach Yaw, Rosina Brandram, Emmie Owen, Louie Pounds, Isabel Jay, Walter Passmore, Henry Lytton and Robert Evett. Later, Decima Moore joined the cast as Scent-of-Lillies. The opera was regularly revived by amateur theatre groups, particularly in Britain, through the 1950s, but it has been produced only sporadically since then. The New York Gilbert and Sullivan Players produced the opera professionally in 2007 at New York City Center. Background and original production When the Gilbert and Sullivan partnership collapsed after the production of ' ...
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Richard Temple (bass-baritone)
Richard Barker Cobb Temple (2 March 1846 – 19 October 1912) was an English opera singer, actor and stage director, best known for his performances in the bass-baritone roles in the famous series of Gilbert and Sullivan comic operas. After an opera career in London and throughout Britain beginning in 1869, Temple joined the D'Oyly Carte Opera Company in 1877. There, he created most of the bass-baritone roles in the Savoy Operas, as follows: Sir Marmaduke in ''The Sorcerer'' (1877), Dick Deadeye in ''H.M.S. Pinafore'' (1878), the Pirate King in the London production of ''The Pirates of Penzance'' (1880), Colonel Calverley in ''Patience'' (1881), Arac in ''Princess Ida'' (1884), the title character in ''The Mikado'', Sir Roderic in ''Ruddigore'' and Sergeant Meryll in ''The Yeomen of the Guard'' (1888). He also played the baritone roles of Strephon in the original production of ''Iolanthe'' (1882), and Giuseppe in the New York production of ''The Gondoliers'' (1890). During the ...
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His Majesty (comic Opera)
''His Majesty, or, The Court of Vingolia'' is an English comic opera in two acts with dialogue by F. C. Burnand, lyrics by R. C. Lehmann, additional lyrics by Adrian Ross and music by Alexander Mackenzie. The work premiered at the Savoy Theatre in London on 20 February 1897, running for only 61 performances until 24 April 1897, despite a strong cast including George Grossmith, Ilka Pálmay, Scott Russell, Fred Billington, Florence Perry and Walter Passmore. The D'Oyly Carte Opera Company then toured the opera throughout 1897 alongside more familiar Gilbert and Sullivan works. Background When the Gilbert and Sullivan partnership collapsed after the production of ''The Gondoliers'' in 1889, impresario Richard D'Oyly Carte struggled to find successful new works to present at the Savoy Theatre. He was able to bring Gilbert and Sullivan together briefly for two more operas, neither of which was a great success. In fact, after its disappointingly short run, their last piece, ''The ...
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The Gondoliers
''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances (at that time the fifth longest-running piece of musical theatre in history), closing on 30 June 1891. This was the twelfth comic opera collaboration of fourteen between Gilbert and Sullivan. The story of the opera concerns the young bride of the heir to the throne of the fictional kingdom of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives ...
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The Yeomen Of The Guard
''The Yeomen of the Guard; or, The Merryman and His Maid'', is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh collaboration of fourteen between Gilbert and Sullivan. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages. The libretto does contain considerable humour, including a lot of pun-laden one-liners, but Gilbert's trademark satire and topsy-turvy plot complications are subdued in comparison with the other Gilbert and Sullivan operas. The dialogue, though in prose, is quasi-William Shakespeare, Shakespearean, or Early Modern English, early modern English, in style. Critics considered the score to be Sullivan's finest, including its ...
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