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The Yeomen Of The Guard
''The Yeomen of the Guard; or, The Merryman and His Maid'', is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh collaboration of fourteen between Gilbert and Sullivan. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages. The libretto does contain considerable humour, including a lot of pun-laden one-liners, but Gilbert's trademark satire and topsy-turvy plot complications are subdued in comparison with the other Gilbert and Sullivan operas. The dialogue, though in prose, is quasi-William Shakespeare, Shakespearean, or Early Modern English, early modern English, in style. Critics considered the score to be Sullivan's finest, including its ...
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Yeomen 1906
Yeoman is a noun originally referring either to one who owns and cultivates land or to the middle ranks of servants in an English royal or noble household. The term was first documented in mid-14th-century England. The 14th century also witnessed the rise of the yeoman longbow archer during the Hundred Years' War, and the yeoman outlaws celebrated in the Robin Hood ballads. Yeomen also joined the English Navy during the Hundred Years' War as seamen and archers. In the early 15th century, yeoman was the rank of chivalry between page and squire. By the late 17th century, yeoman became a rank in the new Royal Navy for the common seamen who were in charge of ship's stores, such as foodstuffs, gunpowder, and sails. References to the emerging social stratum of wealthy land-owning commoners began to appear after 1429. In that year, the Parliament of England re-organized the House of Commons into counties and boroughs, with voting rights granted to all freeholders. The Act of 1430 ...
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Ivanhoe (opera)
''Ivanhoe'' is a romantic opera in three acts based on the 1819 novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, a record for a grand opera.''Ivanhoe''
at The Gilbert and Sullivan Archive. This has been surpassed only by 's 2003 production of ''''.
Later that year it was performed six more times, making a total of 161 performances.Dailey, Chapter 7 It was toured by

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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
''

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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Cut Music
Cut may refer to: Common uses * The act of cutting, the separation of an object into two through acutely-directed force ** A type of wound ** Cut (archaeology), a hole dug in the past ** Cut (clothing), the style or shape of a garment ** Cut (earthmoving), an excavation to make way for a transport route ** Cut (etiquette), a snub or slight such as failure to greet an acquaintance ** Cut (gems) ** Cut of meat ** Cutting agent, a diluent used to dilute illicit drugs Geography * Cut, Alba, Romania * Cut, Texas, an unincorporated community in Houston County, Texas * Cut, a village in Dumbrava Roșie, Neamț County, Romania * Cut River (Mackinac County, Michigan) * Cut River (Roscommon County, Michigan) * Cutral Có Airport, Argentina (IATA code CUT) * Cuts, Oise, France Computing and mathematics * Cut (logic programming) * cut (Unix), a command line utility * Cut, copy, and paste, a set of editing procedures * Control Unit Terminal, a kind of IBM display terminal for mainfra ...
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Headsman
An executioner, also known as a hangman or headsman, is an official who executes a sentence of capital punishment on a legally condemned person. Scope and job The executioner was usually presented with a warrant authorising or ordering him to ''execute'' the sentence. The warrant protects the executioner from the charge of murder. Common terms for executioners derived from forms of capital punishment—though they often also performed other physical punishments—include hangman (hanging) and headsman ( beheading). In the military, the role of executioner was performed by a soldier, such as the ''provost''. A common stereotype of an executioner is a hooded medieval or absolutist executioner. Symbolic or real, executioners were rarely hooded, and not robed in all black; hoods were only used if an executioner's identity and anonymity were to be preserved from the public. As Hilary Mantel noted in her 2018 Reith Lectures, "Why would an executioner wear a mask? Everybody ...
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Jester
A jester, court jester, fool or joker was a member of the household of a nobleman or a monarch employed to entertain guests during the medieval and Renaissance eras. Jesters were also itinerant performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events. During the Middle Ages, jesters are often thought to have worn brightly colored clothes and eccentric hats in a motley pattern. Their modern counterparts usually mimic this costume. Jesters entertained with a wide variety of skills: principal among them were song, music, and storytelling, but many also employed acrobatics, juggling, telling jokes (such as puns, stereotypes, and imitation), and performing magic tricks. Much of the entertainment was performed in a comic style. Many jesters made contemporary jokes in word or song about people or events well known to their audiences. Etymology The modern use of the English w ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Richard Cholmondeley
Sir Richard Cholmondeley (or Cholmeley) (c. 1460–1521) was an English farmer and soldier, who served as Lieutenant of the Tower of London from 1513 to 1520 during the reign of Henry VIII. He is remembered because of his tomb at the Tower of London and because he is fictionalized as a character in Gilbert and Sullivan's darkly comic opera, ''The Yeomen of the Guard''. Cholmeley's name has frequently been misspelled "Cholmondeley" because of its misspelling in the plaque on his tomb, which led to the misspelling of the character's name in the opera; other branches of Cholmeley's family use the longer spelling. Knighted in 1497 for valour in battle against the Scots, Cholmeley continued to serve as a soldier until 1513, becoming entrusted with many positions of responsibility for security of castles and fortifications in England. He was successful as a farmer and a shrewd investor in land, much increasing his family wealth. As Lieutenant of the Tower of London, he drew criticis ...
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Denny And Bond
Denny or Dennie may refer to: People *Denny (given name), a list of people named Denny or Dennie *Denny (surname), a list of people surnamed Denny or Dennie *Denny (hybrid hominin) Places *Denny, California, a ghost town *Denny, Falkirk, a town in Scotland **Dennyloanhead, an adjoining village *Denny Island, in the Severn Estuary, between England and Wales *Denny Island (Canada), British Columbia *Denny Triangle, Seattle, a neighborhood in the United States *Denny Run, a stream in the U.S. state of Missouri *23257 Denny, an asteroid named after Bob Denny Other uses *Denny Abbey, a former abbey in Cambridgeshire, England *Denny baronets, three baronetcies *Denny Party, American pioneer group *Denny's, a large restaurant chain *Denny Field (Alabama), former home stadium for the University of Alabama football team *Denny Field (Washington), former home grounds for the University of Washington football team *William Denny and Brothers, often referred to as "Denny", Scottish shipbuildi ...
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