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Richard Temple (bass-baritone)
Richard Barker Cobb Temple (2 March 1846 – 19 October 1912) was an English opera singer, actor and stage director, best known for his performances in the bass-baritone roles in the famous series of Gilbert and Sullivan comic operas. After an opera career in London and throughout Britain beginning in 1869, Temple joined the D'Oyly Carte Opera Company in 1877. There, he created most of the bass-baritone roles in the Savoy Operas, as follows: Sir Marmaduke in ''The Sorcerer'' (1877), Dick Deadeye in ''H.M.S. Pinafore'' (1878), the Pirate King in the London production of ''The Pirates of Penzance'' (1880), Colonel Calverley in ''Patience'' (1881), Arac in ''Princess Ida'' (1884), the title character in ''The Mikado'', Sir Roderic in ''Ruddigore'' and Sergeant Meryll in ''The Yeomen of the Guard'' (1888). He also played the baritone roles of Strephon in the original production of ''Iolanthe'' (1882), and Giuseppe in the New York production of ''The Gondoliers'' (1890). During the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Marmaduke (Richard Temple) And Lady Sangazure (Mrs
''Sir'' is a formal honorific address in English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "Sieur" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as part of "Monsieur", with the equivalent "My Lord" in English. Traditionally, as governed by law and custom, Sir is used for men titled as knights, often as members of orders of chivalry, as well as later applied to baronets and other offices. As the female equivalent for knighthood is damehood, the female equivalent term is typically Dame. The wife of a knight or baronet tends to be addressed as Lady, although a few exceptions and interchanges of these uses exist. Additionally, since the late modern period, Sir has been used as a respectful way to address a man of superior social status or military rank. Equivalent terms of address for women are Madam (shortened to Ma'am), in addition to social honorifics such as Mrs, Ms or Miss. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St George's Hall, London
St. George's Hall was a theatre located in Langham Place, off Regent Street in the West End of London. It was built in 1867 and closed in 1966. The hall could accommodate between 800 and 900 persons, or up to 1,500 persons including the galleries. The architect was John Taylor of Whitehall. The hall was known for three decades for its presentation of the German Reed Entertainments alongside other musical works and lectures. After 1895, it was used for vaudeville, drama, magic shows, as the headquarters of the London Academy of Music, and even as a skating rink. In 1933, it became a BBC broadcasting studio but was shut down after extensive damage from bombing in March 1943. The theatre was demolished in 1966, and the St Georges Hotel and Henry Wood House now stand on the site. German Reed Entertainments and lectures The hall was built as a concert hall for the New Philharmonic Society and opened on 24 April 1867. The Hall could be used as a theatre, however, and the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Bouffe
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maritana
''Maritana'' is a three-act opera including both spoken dialogue and some recitatives, composed by William Vincent Wallace, with a libretto by Edward Fitzball (1792–1873). The opera is based on the 1844 French play ''Don César de Bazan'' by Adolphe d'Ennery and Philippe François Pinel (Dumanoir), which was also the source material for Jules Massenet's opéra comique ''Don César de Bazan'' (the character of Don César de Bazan first appeared in Victor Hugo's ''Ruy Blas''). The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845. The first of six operas by Wallace, the work is often cited as an inspiration for a plot device in Gilbert and Sullivan's comic opera ''The Yeomen of the Guard'' in which a man weds a woman while awaiting execution in prison, escapes and, while he is disguised, the couple fall in love. Performance history ''Maritana'' was first produced at the Theatre Royal, Drury Lane under Alfred Bunn's management on 15 November 1845, conducted fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rose Of Castille
''The Rose of Castille'' (or ''Castile'') is an opera in three acts, with music by Michael William Balfe to an English-language libretto by Augustus Glossop Harris and Edmund Falconer, after the libretto by Adolphe d'Ennery and Clairville (alias of Louis-François Nicolaïe (1811–1879)) for Adolphe Adam's ''Le muletier de Tolède'' (1854). It was premiered on 29 October 1857, at the Lyceum Theatre, London. Background After the closure in 1852 of Her Majesty's Theatre, Balfe, who had conducted the Italian Opera there since the departure of Michael Costa (conductor), Michael Costa in 1846, embarked on extensive tours of European theatres, visiting Berlin, Vienna, Saint Petersburg and Trieste. In 1857, he returned to London and composed six new English operas for the Pyne-Harrison Opera Company, founded by the soprano Louisa Pyne and the tenor William Harrison (singer), William Harrison, which after touring Britain for four years had sailed for New York in 1854. ''The Rose of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Palace
The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of , and was three times the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Doug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_and_Lady_Sangazure_(Mrs._Howard_Paul)_in_The_Sorceror%2C_1877.jpg "Click for more on -> Richard Temple (bass-baritone)")
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