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The Outpost (opera)
''The Outpost'' is an opera or operetta by the composer Hamilton Clarke with a libretto by A. O'D. Bartholeyns. The story is an adaptation of the Singspiel ''Der vierjährige Posten'' by Theodor Körner with music by Franz Schubert.Walters, Michael and George Low"The Outpost" ''Curtain Raisers'', The Gilbert and Sullivan Archive, 25 April 2008, accessed 8 May 2010 The piece was one of Clarke's last compositions following several operettas that he had composed for the German Reeds. It premiered at the Savoy Theatre from 2 July 1900 to 3 November 1900 as a companion piece to the Gilbert and Sullivan opera ''The Pirates of Penzance'', for the second London revival of ''Pirates'', and also played from 10 November 1900 to 7 December 1900 as a companion piece to ''Patience'', a total of 131 performances. After this, the work was performed on tour from late 1901 through 1902 as a companion piece to ''Pirates'', ''Patience'' and ''Iolanthe''. Both the score and the libretto appear t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton Clarke
James Hamilton Siree Clarke (25 January 1840 – 9 July 1912), better known as Hamilton Clarke, was an English conductor, composer and organist. Although Clarke was a prolific composer, he is best remembered as an associate of Arthur Sullivan, for whom he arranged music and compiled overtures for some of the Savoy Operas, including Gilbert and Sullivan's ''The Mikado''. Clarke began as an organist, pianist and theatre conductor, becoming a musical director for Gilbert and Sullivan, among others. While conducting at London theatres, he also composed a tremendous volume of church music, organ solos, songs, operettas and orchestral works. Beginning in the late 1870s, he composed incidental music as musical director for many of Henry Irving's spectacular productions at the Lyceum Theatre, London, Lyceum Theatre. He also composed music for many of the German Reed Entertainments and conducted at many other London theatres in the 1870s and 1880s. Clark published a ''Manual of Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwardian Era
The Edwardian era or Edwardian period of British history spanned the reign of King Edward VII, 1901 to 1910 and is sometimes extended to the start of the First World War. The death of Queen Victoria in January 1901 marked the end of the Victorian era. Her son and successor, Edward VII, was already the leader of a fashionable elite that set a style influenced by the art and fashions of continental Europe. Samuel Hynes described the Edwardian era as a "leisurely time when women wore picture hats and did not vote, when the rich were not ashamed to live conspicuously, and the sun really never set on the British flag." The Liberals returned to power in 1906 and made significant reforms. Below the upper class, the era was marked by significant shifts in politics among sections of society that had largely been excluded from power, such as labourers, servants, and the industrial working class. Women started to play more of a role in politics.Roy Hattersley, ''The Edwardians'' (2004). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Comic Operas
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital Offence
Capital punishment, also known as the death penalty, is the state-sanctioned practice of deliberately killing a person as a punishment for an actual or supposed crime, usually following an authorized, rule-governed process to conclude that the person is responsible for violating norms that warrant said punishment. The sentence ordering that an offender is to be punished in such a manner is known as a death sentence, and the act of carrying out the sentence is known as an execution. A prisoner who has been sentenced to death and awaits execution is ''condemned'' and is commonly referred to as being "on death row". Crimes that are punishable by death are known as ''capital crimes'', ''capital offences'', or ''capital felonies'', and vary depending on the jurisdiction, but commonly include serious crimes against the person, such as murder, mass murder, aggravated cases of rape (often including child sexual abuse), terrorism, aircraft hijacking, war crimes, crimes against hum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Powis Pinder
Powis Pinder (6 September 1872 – 25 July 1941) was an operatic baritone who created a number of minor roles in the Savoy Operas and played a range of more important parts in Gilbert and Sullivan operas and other works during a two decade long stage career. His later years were spent managing concert parties on the Isle of Wight where he later served as a volunteer fireman on the outbreak of World War II. Early life and career Henry Powis Pinder was born in Camberwell, London, in 1872, the son of Naomi Maria ''née'' Devall (1839–1906) and Edward Pinder (1815–1888), a physician. His first known theatrical appearance was in an 1893 tour as the Vicomte de Champletreaux in ''Mam'zelle Nitouche'' opposite Violet Melnotte and her husband Frank Wyatt, and his début in London was at the Savoy Theatre from December 1894 to March 1895 when he created the small role of Escatero in ''The Chieftain'' with the D'Oyly Carte Opera Company before continuing in the role for a short tou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Childerstone
Charles Childerstone (3 July 1872 – 29 May 1947) was an English operatic tenor and actor who after a career on the stage including a period with the D'Oyly Carte Opera Company from 1896 to 1903 later had a career on the music halls and in film. His theatrical career spanned four decades and included musical comedy and the legitimate theatre. Early life Childerstone was born in Enfield, Middlesex, the son of Frederick Childerstone, a lockfitter, and Emma ''née'' Everett. In 1891 he was working as a clerk in a gun factory in London and studied at the Guildhall School of Music. In 1894 he won third prize in the tenor section at a Stratford East Festival. Gänzl, KurtCharles Childerstone Kurt of Gerolstein, 31 May 2020 D'Oyly Carte Opera Company On joining the D'Oyly Carte Opera Company in 1896 at the Savoy Theatre Childerstone sang in the chorus for the 1896 revivals of the Gilbert and Sullivan operas ''The Mikado'' and ''Trial by Jury'' and probably also in the original pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtain Raiser (drama)
A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashion in the late Victorian era and Edwardian era was to present long evenings in the theatre, and so full-length pieces were often presented together with, usually shorter, companion pieces. Each full-length work was normally accompanied by one or two short companion pieces. If the piece began the performance, it was called a curtain raiser. One that followed the full-length piece was called an afterpiece. W. J. MacQueen-Pope commented, concerning the curtain raisers: :This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Opera
Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern musical. Gilbert, Sullivan, Carte and other Victorian era British composers, librettists and producers, as well as the contemporary British press and literature, called works of this kind "comic operas" to distinguish their content and style from that of the often risqué continental European operettas that th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the adoption ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
