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Portrait Of Pope Paul III With Camauro
''Portrait of Pope Paul III with Camauro'' (or ''Portrait of Pope Paul III with Cap'') is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples. AA. VV., ''I Farnese. Arte e collezionismo'', Milano, Editrice Electa, 1995, ISBN 978-8843551323, pp. 210-212. History Judging by the relative apparent ages of the Pope in the three works, the canvas was produced immediately after the '' Portrait of Pope Paul III'' (the first official version of the work) and before the '' Portrait of Pope Paul III with his Grandsons''. This assumption is fundamentally based on the age that transpires from the figure of the pope, who appears to be more advanced than that of the official portrait, already seventy-five, while it is less so than that where the pontiff himself appears with his two nephews. According to Vasari's ''Lives of the Artists'' it was produced for cardinal camerlengo Guido Ascanio Sforza di Santa Fiora, president of the Aposto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Farnese
The House of Farnese family (, also , ) was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family. Its most important members included Pope Paul III, Alessandro Farnese (a cardinal), Alexander Farnese, Duke of Parma and Piacenza (a military commander and Governor of the Spanish Netherlands), and Elisabeth Farnese, who became Queen of Spain and whose legacy was brought to her Bourbon descendants. A number of important architectural works and antiquities are associated with the Farnese family, either through construction or acquisition. Buildings include the Palazzo Farnese in Rome and the Villa Farnese at Caprarola, and ancient artifacts include the Farnese Marbles. History Origins The family could trace its origins back to around AD 984 and took its name from one of its oldest feudal possessions - ''Castrum Farneti''. There has been some debate as to the origins of the name Far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Collection
The classical sculptures in the Farnese Collection, one aspect of this large art collection, are one of the first collections of artistic items from Greco-Roman Antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the Naples National Archaeological Museum in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna collection, and received ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits By Titian
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Museo Di Capodimonte
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. List of works by year References {{Lists of paintings Lists of works of art, Titian Paintings by Titian, * Portraits by Titian, * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Degli Studi (Naples)
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Reale
This is a list of royal palaces, sorted by continent. Africa * Abdin Palace, Cairo * Al-Gawhara Palace, Cairo * Koubbeh Palace, Cairo * Tahra Palace, Cairo * Menelik Palace * Jubilee Palace * Guenete Leul Palace * Imperial Palace- Massawa Eritrea * Ludzidzini Royal Village * Lozitha Palace * Royal Palace Maseru * Royal Palace of Tripoli * Al Manar Palace * Dar al-Makhzen, Rabat * Dar al-Makhzen, Fez * Bahia Palace, Marrakech * Dar al-Makhzen, Tangier * El Badi Palace, Marrakech * Olowo of Owo's Palace * Alaafin of Oyo's Palace * Sultan of Sokoto's Palace * Nyanza Palace * Rwesero Palace * Sultan's Palace, Zanzibar * Bardo Palace, Tunis, now the national museum * Mengo Palace * Karuziika Palace * Kyabazinga Palace * Kabakas Palace Americas * Imperial Palace - Rio de Janeiro * Palace of São Cristóvão - Rio de Janeiro * Palace of Petrópolis - Petrópolis * Palace of Grão-Pará - Petrópolis * Palace of Santa Cruz - Rio de Janei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Farnese
Elisabeth Farnese (Italian: ''Elisabetta Farnese'', Spanish: ''Isabel Farnesio''; 25 October 169211 July 1766) was Queen of Spain by marriage to King Philip V. She exerted great influence over Spain's foreign policy and was the ''de facto'' ruler of Spain from 1714 until 1746. From 1759 until 1760, she governed as regent.Clarissa Campbell Orr: Queenship in Europe 1660-1815: The Role of the Consort. Cambridge University Press (2004) Parma Elisabeth was born at the Palazzo della Pilotta in Parma, the daughter of Odoardo Farnese and Dorothea Sophie of Neuburg. Her mother later married her uncle Francesco Farnese, Duke of Parma. Elisabeth was raised in seclusion in an apartment in the Palace in Parma. She had a difficult relationship with her mother, but was reportedly deeply devoted to her uncle-stepfather. She could speak and write Latin, French, and German and was schooled in rhetoric, philosophy, geography and history, but, reportedly, she found no interest in her studies and la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles III Of Spain
it, Carlo Sebastiano di Borbone e Farnese , house = Bourbon-Anjou , father = Philip V of Spain , mother = Elisabeth Farnese , birth_date = 20 January 1716 , birth_place = Royal Alcazar of Madrid, Spain , death_date = , death_place = Royal Palace of Madrid, Spain , place of burial= El Escorial , religion = Roman Catholicism , signature = Autograph Charles III of Spain.svg Charles III (born Charles Sebastian; es, Carlos Sebastián; 20 January 1716 – 14 December 1788) was King of Spain (1759–1788). He also was Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII, and King of Sicily, as Charles V (1734–1759). He was the fifth son of Philip V of Spain, and the eldest son of Philip's second wife, Elisabeth Farnese. A proponent of enlightened absolutism and regalism, he succeeded to the Spanish throne on 10 August 1759, upon the death of his childless half-brother Ferdinand VI. In 1731, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Pier Luigi Farnese
''Portrait of Pier Luigi Farnese'' is a heavily-damaged 1546 oil on canvas painting of Pier Luigi Farnese, Duke of Parma by Titian, now in Room 2 of the National Museum of Capodimonte. It was produced on the artist's return to Venice from Rome in 1546. Its subject was a son of Pope Paul III, dressed in the armour and accoutrements of a papal gonfaloniere. He was stabbed to death in 1547 in a plot instigated by the Landi and Anguissola families on the advice of the duke of Milan Ferrante I Gonzaga. See also * List of works by Titian This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. Lis ... References {{Titian Paintings in the Museo di Capodimonte Farnese, Pier Luigi Farnese, Pier Luigi Farnese, Pier Luigi 1546 paintings Farnese Collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Cardinal Alessandro Farnese (Titian)
''Portrait of Cardinal Alessandro Farnese'' is a oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520-1589) by Titian, now in the Museo nazionale di Capodimonte in Naples. AA. VV., ''Tiziano e il ritratto di corte da Raffaello ai Carracci'', Napoli, Editrice Electa, 2006, ISBN 978-8851003364, p 152 Its subject is shown in front of a green curtain, wearing a cardinal's robes and holding gloves in his right hand (an accessory more usual in portraits of gentlemen and noblemen than of clerics). Museo di Capodimonte', Touring Club Italiano, 2004, p. 28 His depiction here is similar to that in '' Pope Paul III and His Grandsons'', placing the two works close together in date. History No surviving sources mention how, when or by whom the work was commissioned. Its subject was a major patron of the arts and the main intermediary between Titian and the Farnese family, first commissioning '' Portrait of Ranuccio Farnese'' from him, showing Alessandro's yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_in_1716_by_Melendez.jpg "Click for more on -> Elisabeth Farnese")
