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Portrait Of Pier Luigi Farnese
''Portrait of Pier Luigi Farnese'' is a heavily-damaged 1546 oil on canvas painting of Pier Luigi Farnese, Duke of Parma by Titian, now in Room 2 of the National Museum of Capodimonte. It was produced on the artist's return to Venice from Rome in 1546. Its subject was a son of Pope Paul III, dressed in the armour and accoutrements of a papal gonfaloniere. He was stabbed to death in 1547 in a plot instigated by the Landi and Anguissola families on the advice of the duke of Milan Ferrante I Gonzaga. See also * List of works by Titian This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. Lis ... References {{Titian Paintings in the Museo di Capodimonte Farnese, Pier Luigi Farnese, Pier Luigi Farnese, Pier Luigi 1546 paintings Farnese Collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Luigi Farnese Di Tiziano
Seaside pleasure pier in Brighton, England. The first seaside piers were built in England in the early 19th century.">England.html" ;"title="Brighton, England">Brighton, England. The first seaside piers were built in England in the early 19th century. A pier is a raised structure that rises above a body of water and usually juts out from its shore, typically supported by piling, piles or column, pillars, and provides above-water access to offshore areas. Frequent pier uses include fishing, [oat docking and access for both passengers and cargo, and oceanside recreation. Bridges, buildings, and walkways may all be supported by architectural piers. Their open structure allows tides and currents to flow relatively unhindered, whereas the more solid foundations of a quay or the closely spaced piles of a wharf can act as a breakwater, and are consequently more liable to silting. Piers can range in size and complexity from a simple lightweight wooden structure to major structures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Luigi Farnese, Duke Of Parma
Pier Luigi Farnese (19 November 1503 – 10 September 1547) was the first Duke of Castro from 1537 to 1545 and the first Duke of Parma and Piacenza from 1545 to 1547. Born in Rome, Pier Luigi was the illegitimate son of Cardinal Alessandro Farnese (who later became Pope Paul III). He became a soldier and participated in the sack of Rome in 1527. Youth Pier Luigi Alessandro Farnese was born in 1503 from the union between Cardinal Alessandro Farnese (future Pope Paul III) and probably Silvia Ruffini - a Roman noblewoman who also gave birth with Alessandro to three other children: Costanza, Paolo and Ranuccio. In July 1505, Pope Julius II legitimated Pier Luigi so that he could inherit the Farnese family estates. On 23 June, 1513, Pope Leo X published a second legitimation of Pier Luigi. In spite of the legitimations, his illegitimacy tormented Pier Luigi all his life, and doubtless contributed to the formation of his character. The nobility of Piacenza was frequently known t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand House of Bourbon, Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the list of largest art museums, largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Kingdom of the Two Sicilies, Naples and Sicily (later Charles III of Spain, Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous House of Farnese, Farnese art collection which he had in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Paul III
Pope Paul III ( la, Paulus III; it, Paolo III; 29 February 1468 – 10 November 1549), born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in November 1549. He came to the papal throne in an era following the sack of Rome in 1527 and rife with uncertainties in the Catholic Church following the Protestant Reformation. His pontificate initiated the Counter-Reformation with the Council of Trent in 1545, as well as the wars of religion with Emperor Charles V's military campaigns against the Protestants in Germany. He recognized new Catholic religious orders and societies such as the Jesuits, the Barnabites, and the Congregation of the Oratory. His efforts were distracted by nepotism to advance the power and fortunes of his family, including his illegitimate son Pier Luigi Farnese. Paul III was a significant patron of artists including Michelangelo, and it is to him that Nicolaus Copernicus dedicated his h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonfaloniere
The Gonfalonier (in Italian: ''Gonfaloniere'') was the holder of a highly prestigious communal office in medieval and Renaissance Italy, notably in Florence and the Papal States. The name derives from ''gonfalone'' (in English, gonfalon), the term used for the banners of such communes. In Florence, the office was known as Gonfalonier of Justice (''Gonfaloniere di Giustizia'') and was held by one of the nine citizens selected by the drawing lots every two months, who formed the city's government, or Signoria. In the papal states, it was known as Gonfalonier of the Church or Papal Gonfalonier. Other central and northern Italian communes, from Spoleto to the County of Savoy, elected or appointed ''gonfalonieri.'' The Bentivoglio family of Bologna aspired to this office during the sixteenth century. However, by the year 1622, when Artemisia Gentileschi painted a portrait of Pietro Gentile as a gonfaloniere of Bologna, with the ''gonfalone'' in the background, the office had merely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferrante I Gonzaga
Ferrante I Gonzaga (also Ferdinando I Gonzaga; 28 January 1507 – 15 November 1557) was an Italian condottiero, a member of the House of Gonzaga and the founder of the branch of the Gonzaga of Guastalla. Biography He was born in Mantua, the third son of Francesco II Gonzaga and Isabella d'Este. At the age of sixteen he was sent to the court of Spain as a page to the future emperor Charles V, to whom Ferrante remained faithful for his whole life. In 1527 he took part in the Sack of Rome and attended Charles' triumphant coronation at Bologna in 1530: at the death of Charles of Bourbon (1527) he was appointed commander-in-chief of the Imperial army in Italy. He became a Knight in the Order of the Golden Fleece in 1531. He defended Naples from the assault of the French troops under Odet of Foix, Viscount of Lautrec, and obtained the surrender of the Republic of Florence. For this feat Pope Clement VII, a member of the Medici who had been ousted from that city, named him papal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. List of works by year References {{Lists of paintings Lists of works of art, Titian Paintings by Titian, * Portraits by Titian, * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Museo Di Capodimonte
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits By Titian
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Portraits
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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