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Farnese Collection
The classical sculptures in the Farnese Collection, one aspect of this large art collection, are one of the first collections of artistic items from Greco-Roman Antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the Naples National Archaeological Museum in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna collection, and receiv ...
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Herakles Farnese MAN Napoli Inv6001 N01
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from '' polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft an ...
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Paolo Monti - Servizio Fotografico (Napoli, 1969) - BEIC 6356052
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art * Paolo Alboni (1671–1734), Italian painter * Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter * Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter * Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora ...
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The Loves Of The Gods (Carracci)
''The Loves of the Gods'' is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century. Production Cardinal Odoardo Farnese, Pope Paul III's nephew, commissioned Annibale Carracci and his workshop to decorate the barrel-vaulted gallery on the ''piano nobile'' of the family palace. Work was started in 1597 and was not entirely finished until 1608, one year before Annibale's death. His brother Agostino joined him from 1597 to 1600, and other artists in the workshop included Giovanni Lanfranco Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian pain ...
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Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art schoo ...
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Odoardo Farnese
Odoardo Farnese (28 April 1612 – 11 September 1646), also known as Odoardo I Farnese to distinguish him from his grandson Odoardo II Farnese, was Duke of Parma, Piacenza and Castro from 1622 to 1646. Biography Odoardo was the eldest legitimate son of Ranuccio I Farnese and Margherita Aldobrandini. After Ranuccio's natural son and his potential rival, Ottavio, was relegated in a prison, he reigned initially under the regency of his uncle Odoardo Farnese and, after the latter's death, of his mother, Margherita Aldobrandini. He came of age in 1628 and in the same year he married Margherita de' Medici, Grand Duke of Tuscany Cosimo II de' Medici's daughter. His first notable act as Duke was an alliance with France in 1633, a move designed to counter Spanish predominance in northern Italy and support his territorial ambitions. He also asked for loans to improve the army, but his first campaigns were ineffective: Piacenza was occupied by the Spanish troops, and his army was d ...
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Fulvio Orsini
Fulvio Orsini (11 December 1529 – 18 May 1600) was an Italian humanist, historian, and archaeologist. He was a descendant of the Orsini family, one of the oldest, most illustrious, and for centuries most powerful of the Roman princely families, whose origins, when stripped of legend, can be traced back to a certain Ursus de Paro, recorded at Rome in 998. Life Orsini was the natural son of Maerbale Orsini of the line of Mugnano. Cast off by his father at the age of nine, he found a refuge among the choir boys of St. John Lateran, and a protector in Canon Gentile Delfini. He applied himself energetically to the study of the ancient languages, published a new edition of Arnobius and of the Septuagint The Greek Old Testament, or Septuagint (, ; from the la, septuaginta, lit=seventy; often abbreviated ''70''; in Roman numerals, LXX), is the earliest extant Greek translation of books from the Hebrew Bible. It includes several books beyond t ..., and wrote works dealing with t ...
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Pergamum
Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on the north side of the river Caicus (modern-day Bakırçay) and northwest of the modern city of Bergama, Turkey. During the Hellenistic period, it became the capital of the Kingdom of Pergamon in 281–133 BC under the Attalid dynasty, who transformed it into one of the major cultural centres of the Greek world. Many remains of its monuments can still be seen and especially the masterpiece of the Pergamon Altar. Pergamon was the northernmost of the seven churches of Asia cited in the New Testament Book of Revelation. The city is centered on a mesa of andesite, which formed its acropolis. This mesa falls away sharply on the north, west, and east sides, but three natural terraces on the south side provide a route up to the top. To the ...
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Lorenzo Il Magnifico
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspi ...
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Engraved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be ...
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Ottavio Farnese
Ottavio Farnese (9 October 1524 – 18 September 1586) reigned as Duke of Parma and Piacenza from 1547 until his death and Duke of Castro from 1545 to 1547 and from 1553 until his death. Biography Born in Valentano, Ottavio was the second son of Pier Luigi Farnese, Duke of Parma and Piacenza and Gerolama Orsini. His father was the grandson of Pope Paul III, and brother to Cardinal Ranuccio Farnese. On 4 November 1538 Ottavio married Margaret of Austria, the illegitimate daughter of Charles V, Holy Roman Emperor. Ottavio was 14 years old, while Margaret, recently widowed by the death of Alessandro de' Medici, was 15. At first she disliked her youthful bridegroom, but when he returned wounded from an expedition to Algiers in 1541 her aversion was turned to affection. Ottavio had become lord of Camerino in 1540, but he gave up that fief when his father became duke of Parma in 1545. After the Parmesan nobility assassinated Pierluigi Farnese in 1547, troops of the Emperor ...
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Alessandro De Medici
Alessandro de' Medici (22 July 1510 – 6 January 1537), nicknamed "il Moro" due to his dark complexion, Duke of Penne and the first Duke of the Florentine Republic (from 1532), was ruler of Florence from 1530 to his death in 1537. The first Medici to rule Florence as a hereditary monarch, Alessandro was also the last Medici from the senior line of the family to lead the city. His assassination at the hands of distant cousin Lorenzaccio caused the title of Duke to pass to Cosimo I de Medici, from the family's junior branch. Life Born in Florence, Alessandro was recognized by a plurality of his contemporaries as the only son of Lorenzo II de' Medici, grandson of Lorenzo de' Medici "the Magnificent". Others believed him to be the illegitimate son of Giulio de' Medici (later Pope Clement VII), but at the time that was a minority view.Catherine Fletcher, ''The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de' Medici'' (London: Bodley Head, 2016), ...
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