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Paquita Más
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise-en-scène
''Mise-en-scène'' (; en, "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. ''Mise-en-scène'' has been called film criticism's "grand undefined term." It has been criticized for its focus on the theatrical or dramatic design aspects rather than the plot itself, as those who utilize ''Mise-en-scène'' tend to look at what is "put before the camera," rather than the story. The use of ''mise-en-scène'' is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Definition in film studies When applied to the cinema, ''mise-en-scène'' refers to everything that appears before the camera and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Nureyev
Rudolf Khametovich Nureyev ( ; Tatar/ Bashkir: Рудольф Хәмит улы Нуриев; rus, Рудо́льф Хаме́тович Нуре́ев, p=rʊˈdolʲf xɐˈmʲetəvʲɪtɕ nʊˈrʲejɪf; 17 March 19386 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is regarded by some as the greatest male ballet dancer of his generation.Lord of the dance – Rudolf Nureyev at the National Film Theatre, London, 1–31 January 2003 , by John Percival, '''', 26 December 2002. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaise (dance)
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gitanos
The Romani in Spain, generally known by the exonym () or the endonym ''Calé'', belong to the Iberian Cale Romani subgroup, with smaller populations in Portugal (known as ) and in Southern France. Their sense of identity and cohesion stems from their shared value system, expressed among the as the ('Gypsy laws'). Traditionally, they maintain their social circles strictly within their patrigroups, as interaction between patrigroups increases the risk of feuding, which may result in fatalities. The emergence of Pentecostalism has impacted this practice, as the lifestyle of Pentecostal ''gitanos'' involves frequent contact with ''gitanos'' from outside their own patrigroups during church services and meetings. Data on ethnicity are not collected in Spain, although the public pollster CIS estimated in 2007 that the number of ''gitanos'' present in Spain is probably around one million. Name The term ''gitano'' evolved from the word ''egiptano'' ("Egyptian"), which was the Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoleon
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who rose to prominence during the French Revolution and led successful campaigns during the Revolutionary Wars. He was the ''de facto'' leader of the French Republic as First Consul from 1799 to 1804, then Emperor of the French from 1804 until 1814 and again in 1815. Napoleon's political and cultural legacy endures to this day, as a highly celebrated and controversial leader. He initiated many liberal reforms that have persisted in society, and is considered one of the greatest military commanders in history. His wars and campaigns are studied by militaries all over the world. Between three and six million civilians and soldiers perished in what became known as the Napoleonic Wars. Napoleon was born on the island of Corsica, not long af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Gerdt
Pavel Andreyevich Gerdt (russian: Па́вел Андре́евич Ге́рдт), also known as Paul Gerdt (near Saint Petersburg, Russia, 22 November 1844 – Vamaloki, Finland, 12 August 1917), was the ''Premier Danseur Noble'' of the Imperial Ballet, the Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elisaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa ( Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in '' The Sleeping Beauty'' and Pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Petipa
Lucien Petipa (December 22, 1815 – July 7, 1898) was a French ballet dancer in the early 19th century ( Romantic period), who was the brother of Marius Petipa, the famous ballet master of the Russian Imperial Ballet. He was born in Marseilles and died in Versailles. The son of Jean-Antoine Petipa, he was the original interpreter of many of the principal male roles during the Romantic era, working with choreographers such as Jean Coralli among others. Probably the most known role he created was Albert, duke of Sliesa (later to be known as count Albrecht) in the two-act ballet of ''Giselle'' in 1841, opposite the Italian-born ballerina Carlotta Grisi for whom the ballet was created. Between 1860 and 1868 he was '' maître de ballet'' at the Paris Opera and between 1872 and 1873 he ran the La Monnaie theater in Brussels.Ivor Guest. ''Petipa, (Joseph) Lucien'' oGrove Music Online Notable roles * Albert in ''Giselle'' (1841) * Achmed in '' La Péri'' (1843) Ballets * In 1857 Lucien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekaterina Vazem
Yekaterina Ottovna Vazem (born Matilda Vazem; russian: Екатери́на Отто́вна Ва́зем; 25 January 1848, Moscow – 14 December 1937, Leningrad) aka Ekaterina Vazemwas a Russian prima ballerina and instructor, whose most noted pupil was the legendary Anna Pavlova. Early life She was born Matilda Vazem in 1848 in Moscow, Russian Empire. She moved to Saint Petersburg, where In 1866, she was named the best student of the Imperial Theatre School (now the Mariinsky Ballet). She became famous for first dancing the role of Nikiya in 1877 Marius Petipa's ballet, ''La Bayadère''. She went on to become the teacher of legendary prima ballerina Anna Pavlova. La Bayadère During the mid- to late 19th century, Russian ballet was dominated by foreign artists, though during the late 1860s through the early 1880s the theatre administration encouraged the promotion of native talent. Vazem – a ''terre-à-terre'' virtuosa – climbed the ranks of the Imperial Ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yelena Andreyanova
Elena Ivanovna Andreïanova , sometimes spelt Yelena Andreyanova (Russian Елена Ивановна Андреянова), 13 July 1819 St. Petersburg - 28 October 1857 Paris, was a Russian ballerina. She is considered to be the outstanding Russian ballerina of the romantic genre, but her life was one full of tragedy. Biography Little is known about her childhood. At ten-years of age she entered the St. Petersburg Drama school. Among her teachers were Philippe Taglioni and his daughter Marie Taglioni. She graduated in 1837, and joined the Mariinsky ballet troop where she was the first Russian dancer to interpret the title roles in Giselle (1842), La Peri (1844 ) and Paquita (1847). She became the mistress of the Director of the Imperial Theater, Alexander Guedeonov. Antagonism developed between Guedenov and Andreianova when guest French ballerinas Marie Taglioni and Fanny Elssler, were given some of her parts and got acclaim from audiences instead of her. To pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlotta Grisi
Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer. Born in Visinada, Istria (present-day Vižinada, Croatia). Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of "Giselle". Biography At her 1836 debut in London, Grisi performed with the accomplished danseur Jules Perrot. She next appeared in Paris at the Théâtre de la Renaissance (1840) and a year later, toured with Perrot to other parts of Europe. Through Perrot's contacts, the pair worked in Paris, London, Vienna, Munich, and Milan where she sang and danced. Of her two talents, it was her dancing that was acclaimed. By dancing Perrot's choreography, which at that time was receiving great attention, she gained notable attention of both th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
