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Mise-en-scène
''Mise-en-scène'' (; en, "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. ''Mise-en-scène'' has been called film criticism's "grand undefined term." It has been criticized for its focus on the theatrical or dramatic design aspects rather than the plot itself, as those who utilize ''Mise-en-scène'' tend to look at what is "put before the camera," rather than the story. The use of ''mise-en-scène'' is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Definition in film studies When applied to the cinema, ''mise-en-scène'' refers to everything that appears before the camera and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Design
Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television. Scenic designer The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following: *''basic ground plan'' showing all stationary and scenic elements; *''composite ground plan'' showing all moving scenic elem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Production Designer
In film and television, the production designer is the individual responsible for the overall aesthetic of the story. The production design gives the viewers a sense of the time period, the plot location, and character actions and feelings. Working directly with the director, cinematographer, and producer, production designers have a key creative role in the creation of motion pictures and television. The term ''production designer'' was coined by William Cameron Menzies while he was working on the film ''Gone with the Wind''. Production designers are commonly confused with '' art directors'' as the roles have similar responsibilities. Production designers decide the visual concept and deal with the many and varied logistics of filmmaking including, schedules, budgets, and staffing. Art directors manage the process of making the visuals, which is done by concept artists, graphic designers, set designers, costume designers, lighting designers, etc. The production designer and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composition (visual Arts)
The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as ''design, form, visual ordering,'' or ''formal structure,'' depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout. The composition of a picture is different from its subject (what is depicted), whether a moment from a story, a person or a place. Many subjects, for example Saint George and the Dragon, are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown. Elements of design The central visual element, known as ''element of design'', ''formal element'', or ''elemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Space
Space is the boundless three-dimensional extent in which objects and events have relative position and direction. In classical physics, physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework. Debates concerning the nature, essence and the mode of existence of space date back to antiquity; namely, to treatises like the ''Timaeus'' of Plato, or Socrates in his reflections on what the Greeks called ''khôra'' (i.e. "space"), or in the ''Physics'' of Aristotle (Book IV, Delta) in the definition of ''topos'' (i.e. place), or in the later "geometrical conception of place" as "spac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with director’s vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenic Design
Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television. Scenic designer The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following: *''basic ground plan'' showing all stationary and scenic elements; *''composite ground plan'' showing all moving scenic ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constant Puyo- Mise En Scène
Constant or The Constant may refer to: Mathematics * Constant (mathematics), a non-varying value * Mathematical constant, a special number that arises naturally in mathematics, such as or Other concepts * Control variable or scientific constant, in experimentation the unchanging or constant variable * Physical constant, a physical quantity generally believed to be universal and unchanging * Constant (computer programming), a value that, unlike a variable, cannot be reassociated with a different value * Logical constant, a symbol in symbolic logic that has the same meaning in all models, such as the symbol "=" for "equals" People * Constant (given name) * Constant (surname) * John, Elector of Saxony (1468–1532), known as John the Constant * Constant Nieuwenhuys (1920-2005), better known as Constant Places * Constant, Barbados, a populated place Arts and entertainment * "The Constant", a 2008 episode of the television show ''Lost'' * ''The Constant'' (Story of the Year alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screenwriters
A screenplay writer (also called screenwriter, scriptwriter, scribe or scenarist) is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based. Terminology In the silent era, writers now considered screenwriters were denoted by terms such as photoplaywright, photoplay writer, photoplay dramatist and screen playwright.Steven Maras. ''Screenwriting: History, Theory and Practice.'' Wallflower Press, 2009. pp. 82–85. Screenwriting historian Steven Maras notes that these early writers were often understood as being the authors of the films as shown and argues that they cannot be precisely equated with present-day screenwriters because they were responsible for a technical product, a brief "scenario", "treatment", or "synopsis" that is a written synopsis of what is to be filmed. Profession Screenwriting is a freelance profession. No education is required to be a professional screenw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blocking (stage)
In theatre, blocking is the precise staging of actors to facilitate the performance of a play, ballet, film or opera. Historically, the expectations of staging/blocking have changed substantially over time in Western theater. Prior to the movements toward "realism" that occurred in the 19th century, most staging used a "tableau" approach, in which a stage picture was established whenever characters entered or left the stage, ensuring that leading performers were always shown to their best advantage. In more recent times, while nothing has changed about showing leading performers to their best advantage, there have been changing cultural expectations that have made blocking/staging more complicated. There are also artistic reasons why blocking can be crucial. Through careful use of positioning on the stage, a director or performer can establish or change the significance of a scene. Different artistic principles can inform blocking, including minimalism and naturalism. Etymology Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theorist
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L'illus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
