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Palazzo Durazzo-Pallavicini
Palazzo Durazzo-Pallavicini or Palazzo di Gio Agostino Balbi is a building on Via Balbi in the historic city centre of Genoa. On 13 July 2006 it became one of 42 palazzi included in the new Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli, Palazzi dei Rolli World Heritage Site. History Its architecture is thought of as being the link between the residential models of Strada Nuova and the compositional solutions of Via Balbi. It was designed by Bartolomeo Bianco for Gio. Agostino Balbi early in the 17th century, ably meeting the client's request for a traditional U-shaped floor plan despite the triangular plot of land available. A strong architectural element of the design is the nucleus of the diverging stairs on the courtyard, separated by a monumental staircase: a real path covered by the rooms on the mezzanine floor. Also typical of the architect is the use of the external spaces which are divided to the east and the west, allowing a gradual view of the hanging ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Durazzo Pallavicini (Genova)
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Durazzo-Centurione Di Santa Margherita Ligure
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Strozzi
Bernardo Strozzi, named il Cappuccino and il Prete Genovese (c. 1581 – 2 August 1644) was an Italian Baroque painter and engraver. A canvas and fresco artist, his wide subject range included history, allegorical, genre and portrait paintings as well as still lifes.Chiara Krawietz. "Strozzi, Bernardo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 February 2017Bernardo Strozzi, ''Nature morte avec une corbeille de fruits, un vase de fleurs et des fruits sur un entablement'' at Galerie Canesso Paris Born and initially mainly active in |
Pieter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procaccini (1671–1734)
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Procaccini is the name of a prominent family of artists from the Renaissance and Baroque periods, active mainly in Bologna and Milan. They include: *Ercole Procaccini the Elder (1520 – after 1591), father of Camillo, Giulio Cesare, and Carlo Antonio *Camillo Procaccini (1551–1629), son of Ercole *Carlo Antonio Procaccini (born 1555), son of Ercole the Elder and father of Ercole the Younger *Giulio Cesare Procaccini (1574–1625), son of Ercole *Ercole Procaccini the Younger (1605–1675), son of Carlo Antonio *Andrea Procaccini Andrea Procaccini (14 January 1671 – 1734) was an Italian painter of the Baroque period, active in Rome as well as in Spain. Biography Procaccini was born in Rome. He trained in the studio of Carlo Maratta. He painted the prophet ''Daniel' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Piola
Domenico Piola (1627 – 8 April 1703) was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.Fausta Franchini Guelfi. "Piola." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2016 Biography Piola was an Italian painter, draughtsman, printmaker and designer. He was the leading artist in Genoa in the second half of the 17th century, working for both public and private collectors. His first teacher was his 17-year older brother-in-law Stefano Camogli. Stefano Camogli, ''Still life with monkey, basin and stagnara''] at ART Casa d'Aste Piola was further trained by his older brother Pellegrino Piola, Pellegro and then studied under Pellegro's teacher, Giovanni Domenico Cappellino (1580–1651). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulinaretto
Giovanni Maria delle Piane (1660 – 28 June 1745) was an aristocratic Genovese who served as primary court painter for over 60 years in the late-Baroque period. He is also known as "il Molinaretto". Biography Giovanni Maria was born in Genoa, Italy, the son of Giovanni Battista delle Piane, from the noble house Delle Piane. He was nicknamed the "Molinaretto" as his grandparents, renown land owners from Polcevera, had watermills (from Italian ''molino'', watermill). From the age of 10 till 16 years, he apprenticed with Giovanni Battista Merano, then he transferred to Rome to work under the famed fresco painter, Giovanni Battista Gaulli (''il Baciccio''), who held him like a son. The Genoese painter Enrico Vaymer was a fellow student and lifelong friend. In the Roman studio of Gaulli, Piane copied the works of great masters like Giulio Romano, Guido Reni, Annibale Carracci and Domenichino. These copies brought him acclaim. At Gaulli's studio, he also painted portraits. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Magnasco
Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late-Baroque painter active mostly in Milan and Genoa. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Magnasco's distinctive style is characterized by fragmented forms rendered with swift brushstrokes and darting flashes of light. Life Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati (1640–1715) in Milan. Except for 1703–09 (or 1709–11)Wittkower 1993, p. 478 when working in Florence for the Grand Duke Cosimo III, Magnasco labored in Milan until 1735, when he returned to his native Genoa. Magnasco often collaborated with placing figures in the landscapes of Tavella and the ruins of Clemente Spera in Milan. Mature style After 1710, Magnasco excelled in producing small, hypochromatic canvases with eerie and gloomy landscapes and ruins, or crowded interio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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