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Alessandro Magnasco
Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late-Baroque painter active mostly in Milan and Genoa. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Magnasco's distinctive style is characterized by fragmented forms rendered with swift brushstrokes and darting flashes of light. Life Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati (1640–1715) in Milan. Except for 1703–09 (or 1709–11)Wittkower 1993, p. 478 when working in Florence for the Grand Duke Cosimo III, Magnasco labored in Milan until 1735, when he returned to his native Genoa. Magnasco often collaborated with placing figures in the landscapes of Tavella and the ruins of Clemente Spera in Milan. Mature style After 1710, Magnasco excelled in producing small, hypochromatic canvases with eerie and gloomy landscapes and ruins, or crowded interio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Lanzi
Luigi Lanzi (14 June 1732 – 30 March 1810) was an Italian art historian and archaeologist. When he died he was buried in the church of the Santa Croce at Florence by the side of Michelangelo. Biography Born in Treia, Lanzi was educated as a priest. He entered the Order of the Jesuits, resided at Rome and in 1773 was appointed keeper of the galleries of Florence, where he became president of the Accademia della Crusca. He thereafter studied Italian painting and Etruscan antiquities and language. In the one field his labors are represented by his ''Storia Pittorica dell' Italia'', the first portion of which, containing the Florentine, Sienese, Roman and Neapolitan schools, appeared in 1792, the rest in 1796. In archaeology his great achievement was ''Saggio di lingua Etrusca'' (1789), followed by ''Saggio delle lingue d' Italia'' in 1806. In his 1806 memoir on the so-called Etruscan vases ''Dei vasi antichi dipinti volgarmente chiamati Etruschi'', Lanzi rightly p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Crespi
Giuseppe Maria Crespi (March 14, 1665 – July 16, 1747), nicknamed Lo Spagnuolo ("The Spaniard"), was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings. Giuseppe Crespi, together with Giambattista Pittoni, Giovan Battista Tiepolo, Giovan Battista Piazzetta, Canaletto and Francesco Guardi forms the traditional great Old Masters painters of that period. Biography Crespi was born in Bologna to Girolamo Crespi and Isabella Cospi. His mother was a distant relation of the noble Cospi family, which had ties to the Florentine House of Medici. He was nicknamed "the Spanish One" (Lo Spagnuolo) because of his habit of wearing tight clothes characteristic of Spanish fashion of the time. By age 12 years, he apprenticed with Angelo Michele Toni (1640–1708). From the age of 15–18 years, he worked under the Bolognese Domenico Maria Canuti. The Roman painter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Lorraine
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Morazzone
Pier Francesco Mazzucchelli (commonly known as il Morazzone; 1573–1626) was an Italian painter and draughtsman who was active in Milan. He is mainly known for his altarpieces, but his outstanding achievements are large decorative frescoes for the Sacro Monte di Varese and the Sacro Monte di Varallo. Life He was born in Morazzone, near Varese, Lombardy, the son of a mason, who soon after his birth moved to Rome. There he was influenced by Ventura Salimbeni and Cavalier D'Arpino and began to work in a Mannerist style. In Rome, he painted some canvases and also his first frescoes (''Adoration by the Magi'' and a ''Visitation'') in San Silvestro in Capite (1596). His style also shows exposure to another pupil of D'Arpino, Caravaggio. His depictions of martyrdom and ecstasy are imbued with the morbid religiosity characteristic of Lombardy in his age. He relocated to Milan in 1597. In Lombardy, he painted frescoes for the Cappella del Rosario in ''San Vittore'' in Varese ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Piola
Domenico Piola (1627 – 8 April 1703) was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.Fausta Franchini Guelfi. "Piola." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2016 Biography Piola was an Italian painter, draughtsman, printmaker and designer. He was the leading artist in Genoa in the second half of the 17th century, working for both public and private collectors. His first teacher was his 17-year older brother-in-law Stefano Camogli. Stefano Camogli, ''Still life with monkey, basin and stagnara''] at ART Casa d'Aste Piola was further trained by his older brother Pellegrino Piola, Pellegro and then studied under Pellegro's teacher, Giovanni Domenico Cappellino (1580–1651). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Wittkower
Rudolf Wittkower (22 June 1901 – 11 October 1971) was a British art historian specializing in Italian Renaissance and Baroque art and architecture, who spent much of his career in London, but was educated in Germany, and later moved to the United States. Despite having a British father who stayed in Germany after his studies, he was born and raised in Berlin. Early life Wittkower was born in Berlin to Henry Wittkower (1865–1942) and Gertrude Ansbach (Wittkower) (1876–1965). Career Rudolf Wittkower moved to London in 1933 with his wife Margot Holzmann because they were both Jewish and were fleeing Nazi Germany. He taught at the Warburg Institute, University of London from 1934 to 1956, was appointed Durning Lawrence professor at the Slade School of Fine Art, University College, London in 1949 and then moved to the United States to work at Columbia University from 1956 to 1969 where he was chairman of the Department of Art History and Archaeology. Among Wittkower's books w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Roscoe
Thomas Roscoe (Liverpool 23 June 1791 – 24 September 1871 London) was an English author and translator. Life The fifth son of William Roscoe, he was born in Toxteth Park, Liverpool in 1791, and educated by Dr. W. Shepherd and by Mr. Lloyd, a private tutor. Soon after his father's financial troubles in 1816, which led to bankruptcy, Roscoe began to write in local magazines and journals, and he continued to follow literature as a profession. He died at age 80, on 24 September 1871, at Acacia Road, St. John's Wood, London. Works Roscoe's major original works were: *''Gonzalo, the Traitor: a Tragedy'', 1820. *''The King of the Peak'' non. 1823, 3 vols. *''Owain Goch: a Tale of the Revolution'' non. 1827, 3 vols. *''The Tourist in Switzerland and Italy'', 1830; the first volume of the ''Landscape Annual'', followed for eight years by similar volumes on Italy, France, and Spain. *''Wanderings and Excursions in North Wales'', 1836. *''Wanderings in South Wales'', with Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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