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Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VAMOS
Vamos (Greek: Βάμος) is a small town and former municipality in the Chania regional unit, Crete, Greece. Since the 2011 local government reform "Kallikratis" it is a municipal unit, part of the municipality of Apokoronas, serving as its historical capital. It is situated on a small hill at an altitude of above sea level, about from Chania. In Vamos, one can find several restaurants, snack bars and shops in the village, as well as many public services, such as a fully equipped health center, schools, police station and the regional court for the regions of Apokoronas and Sfakia. The village is said to have been founded by Arab invaders during the 8th century, which sought refuge in Crete after being expelled from Andalusia. The first official record of the name (Vamo/Vamu) is found on a map of 1577 made by Francesco Barozzi, and according to the Venetian census of 1583 it had 271 inhabitants. The village followed the fate of the rest of Western Crete when the Ottomans inva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque Painting
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings. Its main objective was, above all, to allow the viewer to easily understand the scenes depicted in the works through the use of realism, while also meeting the Catholic Church's demands for 'decorum' during the Counter-Reformation. The naturalism typical of the Caravaggisti in Italy, and the dramatic illumination of Tenebrism that was introduced in Spain after 1610, would go on to shape the dominant style of painting in Spain in the first half of the 17th century. The style was later influenced by Flemish Baroque painting, as the Spanish Habsburgs ruled over an area of the Netherlands during this period. The arrival of Flemish painter Peter Paul Rubens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Christ Cross
The Cross of the Order of Christ (Portuguese: ''Cruz da Ordem de Cristo''), also known as the Cross of Christ (''Cruz de Cristo'') or the Portuguese Cross (''Cruz Portuguesa''), is a cross symbol of Portugal, originating in the Portuguese Order of Christ, founded in 1319. During the time of Prince Henry the Navigator, the cross came to be associated with the Portuguese discoveries and the Portuguese Empire. The cross can be considered a variant of the cross pattée or the cross potent. History As the Order of Christ, led by Prince Henry, the Navigator, was a leading developer of the Portuguese Discoveries, the Cross of Christ was used on the sails of the Portuguese caravels, carracks and other ships involved in the exploration of the seas. Because of this, the emblem was forever associated with the Portuguese discoveries, making it one of the main symbols of the discoveries and of the Portuguese Empire. After, Manuel, duke of Beja and governor of the Order of Christ, havin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bernardino Azzolini
Giovanni Bernardino Azzolini (c. 1572 – 12 December 1645) was an Italian painter and sculptor who continued painting in a late-Mannerist style, mainly active in Naples and Genoa. He is also known by Azzolino or Mazzolini or Asoleni. Life and work Born in the town of Cefalù in Sicily, where he likely received his initial training. He had moved to Naples by 1594. He then settled in Genoa, where he was elected to local ''Accademia di San Luca'' (painter's guild) in 1618. In Naples, he painted a ''Presentation at the Temple'' (1599) for the church of Santa Maria La Nova. He painted a ''Pentecost'' for the church of San Francesco at Caiazzo. Among his paintings in Genoa, is an ''Annunciation'' painted for the church of Monache Turchine. He painted a ''Martyrdom of St. Apollonia'' for the church of San Giuseppe. He painted a canvas of ''St. Francis Xavier's vision of the Virgin'' for the saint's chapel in the church of Gesù Nuovo in Naples. His daughter married the painter Jusepe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Via Margutta
Via Margutta is a narrow street in the centre of Rome, near Piazza del Popolo, accessible from Via del Babuino in the ancient Campo Marzio neighborhood also known as ''"the foreigner's quarter"''. Mount Pincio is nearby. Via Margutta originally was home to modest craftsmen, workshops and stables, but now hosts many art galleries and fashionable restaurants. After the 1953 film ''Roman Holiday'' became popular, Via Margutta developed into an exclusive neighborhood, where such celebrities as film director Federico Fellini lived. From the north the area can be reached from Via Cassia or Flaminia, passing then through Piazzale Flaminio, and through the city door in the wall that leads to Piazza del Popolo. From this point one walks several metres to the left of Flaminio Obelisk towards Via del Babuino, and on the left there is an alley that leads to Via Margutta. From Piazza di Spagna, one can take via del Babuino, turn right on via Albert, and via Margutta will be on the left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as ''The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenebrism
Tenebrism, from Italian ' ("dark, gloomy, mysterious"), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a spotlight effect, and is common in Baroque paintings. Tenebrism is used only to obtain a dramatic impact while chiaroscuro is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality. Baroque The artist Caravaggio is generally credited with the invention of the style, although this technique was used by earlier artists such as Albrecht Dürer, Tintoretto and El Greco. The term is usually applied to artists from the seventeenth century onward. Artemisia Gentileschi, a rare female artist of the Baroque and a follower of Caravaggio, was an outstanding exponent of tenebrism. El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martyrdom
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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